Why Is Hamlet's First Soliloquy

on an epic scale, Hamlet tell us that his father was so loving to her

The way that Shakespeare portrayed Hamlet’s soliloquy touches on a global issue of suicide. While Hamlet considers his suicidal thoughts it reveals inklings about his character. Hamlet’s soliloquy advances the tone of the play because of

In the soliloquy it is shown that while Hamlet does not like his uncle he blames his mother for all that has happened especially her weak disposition that caused her to marry Claudius as seen in the line “frailty thy name is women”. In the line Hamlet generalizes all women showing his instability as he does not understand the difference between his mother’s actions and all women. His anger towards his mother is also shown in his comparison of her being “like Niobe all tears” because like the mythological figure Niobe she also mourned however Niobe was turned to stone and kept weaping which suggests that he considers her to be hypocritical because while she cried and mourned she remarried only a month after her husband died. This idea is also shown in the line “a beast would have mourned longer” showing that because of her betrayal he considers her to be an unfeeling animal. Hamlet’s anger builds throughout the soliloquy until he comes to the realization that he cannot reveal his true thoughts to anyone “but break my heart for I must hold my tongue.”

Hamlet’s inability to act upon his emotions begins in the wake of his father’s death and his mother’s instantaneous/hasty marriage to Claudius. Criticized for his prolonged mourning of his late father and insistence from his mother to move on, Hamlet must momentarily seize publicly grieving for his father and in a lengthy expression of torment, contemplates suicide as he agonizes over the dreads of life and the reality that “[he] must hold [his] tongue,” in regards to his mourning (1.2.164). For the sake of his mother’s request, Hamlet anguishes over having to refrain from speaking of his grief, only to deliver a prolonged speech of his woes of mourning. While everyone in the kingdom of Denmark embraces the new king,

When the audience first meets Hamlet he is grief-stricken and upset with his mother for her hasty remarriage to his uncle. Directly preceding Hamlet’s first soliloquy he is firmly scolded by his mother and uncle for mourning his father and is denied permission to return to the University of Wittenberg. In his soliloquy, Hamlet says, “O, that this too, too sullied flesh would melt,/Thaw, and resolve itself into a dew,” (1.2.133-134.) Hamlet is expressing his desire to die, but is unwilling to kill himself because he does not want to be sent to Hell. In this statement, the audience is able to see that Hamlet is deeply depressed and ready for death. Also in the first soliloquy, Hamlet says, “O, most wicked speed, to post/With such dexterity to incestuous sheets,” (1.2.161-162.) Hamlet makes this statement in order to reflect his anger with his mother for marrying her brother-in-law, a marriage he deems incestuous, within a month of his father’s death. This statement shows that Hamlet’s depression is not only caused by his father’s death, but also by his mother’s apparent betrayal of his father. Hamlet’s first soliloquy shows him to be very depressed and establishes a strong base for his character to develop.

Earlier, Hamlet swings to a depressive episode so severe, he almost commits suicide. In one of the most famous soliloquies from Hamlet, Hamlet contemplates suicide: “To be or not to be? That is the question” (III.i.57.).

Next, in one of the most famous soliloquies in the English language, Hamlet again contemplates the subject of suicide, but he does not do so on impulses of emotion. Instead, his contemplation is based on reason. “To be or not to be, that is the question: whether ‘tis nobler in the mind to suffer outrageous fortune…or end them. To die, to sleep- no more- and by a sleep to say we end the heartache…’Tis a consummation devoutly to be wished. For who would bear the whips and scorns of time…who would fardels bear, to grunt and sweat under a weary life, but that the dread of something after death, the undiscovered country from whose bourn no traveler

At the end Act 3 Scene 2 of Hamlet, Hamlet speaks to himself before his meeting with his mother. Not knowing what the conversation is going to be about, he already decides to treat his mother harshly and not submit to her motherly charm. This soliloquy expresses Hamlet bitterness towards his mother while still wanting to respect her. He tells himself to go into the meeting with a cold-heart throughout his whole speech, but he also warns himself not to inflict violence on her. I believed that Hamlet anger towards his mother is more for her willingness to remarry quickly after his father's death than any speculation of her role in King Hamlet's murder.

Hamlet also manages to both degrade himself and his uncle in another comparison, saying his uncle was “no more like my father / Than I to Hercules” (1.2.152-3). Though such strong comparisons to romanticized and mythical figures could are partially simple hyperbole, they also underscore some of the insecurity in Hamlet’s character. The value in recognizing this comes as Hamlet descends into his madness, whether real or imaginary, where the reader can see that, even before Hamlet deliberately decides to appear to be “mad” he has certain issues and insecurities with his own feelings. Even more significantly, this passage begins to elaborate on Hamlet’s relationship with his mother. Gertrude represents an interesting dilemma for the deconstructionist critic, as she does not create or involve herself in many conflicts or oppositions. She manages to significantly affect the plot and the subtext of the play while seeming almost insignificant as a character at first glance through the deconstructionist lens. She does not overtly affect events, and often plays the victim of circumstance. This very insignificance creates an issue for Hamlet, who is clearly quite disgusted with her behavior. He vehemently disapproves of the speed of her marriage to Claudius, saying that “a beast, that wants discourse of reason, / Would have mourned longer” (1.2.150-1), but can find no other strong criticism of her other than how fast she remarried. This strikes at the

A death and a marriage can have a huge impact on the worldview of a character. In Shakespeare's Hamlet, a queen hastily remarries after her husband’s mysterious death. Prince Hamlet reflects upon these recent events in his first soliloquy. Hamlet’s first soliloquy reveals that he has entered a world of suffering ever since his father’s death. His negative views towards women and to Gertrude further highlight his worldview.

“To be or not to be— that is the question.” An exceptionally recognized phrase amid many centuries, cultures, places, and people. This short excerpt derives from the Shakespearean play, Hamlet: The Tragedy of the Prince of Denmark. Originally, this passage was displayed in one of the soliloquies of the play. Defined as “an act of speaking one's thoughts aloud when by oneself or regardless of any hearers, especially by a character in a play”, a soliloquy is crucial to furthering the plot and connecting the audience with the speaker. William Shakespeare reveals the true desires and intentions of Hamlet, the main character of Hamlet: The Tragedy of the Prince of Denmark, within the protagonist’s soliloquies. Even Hamlet, one of the most complex characters in literary history, can be simplified through the use of a soliloquy.

In William Shakespeare’s Hamlet, Hamlet went through his own transformation from the beginning of the play to the end of Act II, seen in his third soliloquy. His transformation is primarily due to the unexpected situations in his life that affected him for the better rather than for the worse. In his second soliloquy, the late King Hamlet revealed what happened to him and in response Hamlet said, “From the table of memory, I’ll wipe away all trivial fond records, all saws of books, all forms, all pressures past” (1.5.98-100). Vengeance is apparent in Hamlet’s tone, as he was willing to “wipe away all trivial fond records” in other words, devoting himself to seeking revenge on Claudius for the act he has committed. Due to Hamlet’s hot tempered personality, he made

In William Shakespeare’s, Hamlet, the author writes about the Prince who seemingly goes crazy and kills many people that were once close to him after his uncle kills his father only to marry his mother. Shakespeare tends to have his characters talk through soliloquies in his plays to provide specific details about what that character is feeling. Shakespeare is known for his depressingly gruesome writings and Hamlet is definitely in that category. In Hamlet, Prince Hamlet has seven soliloquies to continue the plot and reveal Hamlet’s emotions along with creating a proper feeling for the play. In Hamlet’s soliloquies, he reveals that he is virtuous, yet indecisive, he thinks about

The play Hamlet is Shakespeare’s most psychological plays. There is a lot that goes into understanding the characters and the reasoning for their actions. The soliloquies in Hamlet are crucial to understanding the meaning of this play. There are so many soliloquies that once you can decipher what they are saying, you can find the deeper meaning and reason for the play. Hamlet is depressed throughout the whole play, always dressed in black, sulking around the castle. He is mourning the death of his father. “That Shakespeare was profoundly influenced by such a play in the structural part of Hamlet there can be no doubt, and modern students find the explanation of many difficulties, inconsistencies, and discrepancies.” (Carroll) The most popular soliloquy in Shakespeare’s Hamlet, maybe even the most

Coming immediately after the meeting with the Ghost of Hamlet’s father, Shakespeare uses his second soliloquy to present Hamlet’s initial responses to his new role of revenger. Shakespeare is not hesitant in foreboding the religious and metaphysical implications of this role, something widely explored in Elizabethan revenge tragedy, doing so in the first lines as Hamlet makes an invocation to ‘all you host of heaven’ and ‘earth’. Hamlet is shown to impulsively rationalize the ethical issues behind his task as he views it as a divine ordinance of justice, his fatalistic view reiterated at the end of scene 5 with the rhyming couplet ‘O cursed spite,/That ever I was born to set it right’. These ideas are