William Blake And The Divine Image Essay

Before watching your presentation, I only knew the basics regarding William Blake. There are various interesting things that you mentioned that I did not know about. For example, you mentioned how he was more commonly known for his art rather than his poems. His art as a whole is really interesting. You mentioned how he took his encounters with the people around him, his brother’s death, and visions and reflected them into his work. One thing from that list that stood out to me the most were his visions. He was able to take his visions and portray them in his paintings even when many people found it difficult to understand the meanings behind it.

The Songs of Innocence poems first appeared in Blake’s 1784 novel, An Island in the Moon. In 1788, Blake began to compile in earnest, the collection of Songs of Innocence. And by 1789, this original volume of plates was complete. These poems are the products of the human mind in a state of innocence, imagination, and joy; natural euphoric feelings uninhibited or tainted by the outside world. Following the completion of the Songs of Innocence plates, Blake wrote The Marriage of Heaven and Hell and it is through this dilemma of good and evil and the suffering that he witnesses on the streets of London, that he begins composing Songs of Experience. This second volume serves as a response to Songs of

William Blake was deeply aware of the great political and social issues during his time focusing his writing on the injustices going on in the world around him. He juxtaposed the state of human existence through his works Songs of Innocence (1789) and Songs of Experience (1794), showing differentiating sides of humanity. The contrast between Songs of

and to write historical biographies to make the Order better known. The abbot also urged the

William Blake’s poetry was heavily influenced by the Christian Bible, which is quite uncommon for the English Romantic poets. In fact, he is even known as the final religious poet of Britain. This tendency toward using the Bible in his literature derived from his avid reading of this holy book during his childhood. There is little information about any other schooling he might have had outside of reading this book. However, his writing was unique from other Christian writings as he drew direct influence from the Bible rather than the common church.

William Blake was one of several transitionary writers between the Age of Reason and the Age of Romanticism. He saw the poverty and suffering that surrounded him and was a supporter of the French Revolution in its early days. He could not accept the neoclassical idea of a stable, orderly hierarchy in the universe, but instead viewed existence as a blending of opposite poles - good and evil, innocence and experience, heaven and hell. His magnum opus Songs of Innocence and Songs of Experience is the epitome of how his work embodied his beliefs.

Born in 1757, poet William Blake grew up through the height of the Enlightenment period, where individuals begin to focus on themselves and discover their emotions, instead of living to achieve approval from a greater God. It is evident in Blake’s poems The Poison Tree and The Garden of Love that he is greatly influenced by these revolutionary ideas that are being discovered throughout his early life. Blake seems to have significantly removed himself from the Church and their teachings, due to the recent revelations of the importance of focusing on humans and their emotions. These ideals coincide with the movement during the eighteenth century where people began to realize that there is no sin in indulging in personal pleasure, regardless of what the Christian church has preached for hundreds of years. In The Garden of Love and The Poison Tree it is evident that William Blake is influenced by the Enlightenment ideals of individualism; therefore, he grapples

Because of his influence of art and religion in the late eighteenth century, William Blake excessively used symbols and archetypes through his words of poetry and through his visual art to examine different pieces of humankind. He was extremely famous for his romantic twist on artwork and for being one of the best “romantics” of his time. William Blake distinguished a fine line between what “the language of art” meant and of art itself and explaining it. In Stephen Behrendt’s The Moment of Explosion, he states that “William Blake recognized what the artist gains forever is indeed a language- a language of tradition.

William Blake’s radical thoughts and unconventional ideals led him to a life full of ridicule by critics. However, despite being unappreciated during the eighteenth century, he was quite a brilliant man who was ahead of his time. As a man who questioned the social norms of his period, his poetry pushed the boundaries of literature. He criticized slavery, religion, and the monarchy and he even analyzed human psychology in many of his works. Some of his famous poems include “Garden of Love”, “The Tyger”, “A Poison Tree”, and “The Little Black Boy”. Each of these poems depict Blake’s strong opinions and observations of the world around him. For instance, “Garden of Love” is interpreted as a poem where Blake expresses

William Blake lived during a time of intense social change; the American Revolution, the French Revolution, and the Industrial Revolution. These massive changes in society provided Blake with one of the most dramatic outlooks in the transformation of the Western world, the change from a feudal and agricultural society to one in which philosophers and political thinkers, such as Locke, championed the rights of individuals. In accordance with political changes, there were religious changes as well. Religion was another aspect of society that Blake opposed because of its organized practice. The practices of organized religion conflicted with Blake's view and adherence. Organized religion and the shadows it casts upon the natural world

During the Romantic era, it was known for poets to write in the power of imagination and striving for the infinite. On the other hand, the Tyger does exactly this. In Blake’s radical period when most of his greatest poems are written. The poems are sufficient often targeted against brutal situations like religion or the monarchy, or any and all cultural traditions – sexist, racist, or classist – which constipates imagination or passion. These works are only two examples of many poems in the Romantic era that show the divine in nature.

Northrop Frye, in his critical essay, "Poetry and Design," states; "In a world as specialized as ours, concentration on one gift and a rigorous subordination of all others is practically a moral principle" (Frye 137). William Blake's refusal to follow this moral principle by putting his poetry before his art, or vice versa, makes his work extraordinary as well as complex and ambiguous. Although critics attempt to juggle Blake's equally impressive talents, they seem to land on either one side or the other; failing to transcend, as Blake did, that moral principle of concentration. Blake, not only controlled his art and poetry through innovative printing techniques, but controlled how his readers

Blake’s work is a total package because it communicates more than ideas. Blake believed that God resides within each human being” (Davis 208), and he invoked the spiritual world with his drawings trying to connect the “abyss of the five senses” to the divine spirit within (Blake 226). Blake’s art decorated his written word while delivering religious mythology which appears to be firmly rooted in a time before the Enlightenment.

William Blake is one of England’s most famous literary figures. He is remembered and admired for his skill as a painter, engraver, and poet. He was born on Nov. 28, 1757 to a poor Hosier’s family living in or around London. Being of a poor family, Blake received little in the way of comfort or education while growing up. Amazingly, he did not attend school for very long and dropped out shortly after learning to read and write so that he could work in his father’s shop. The life of a hosier however was not the right path for Blake as he exhibited early on a skill for reading and drawing. Blake’s skill for reading can be seen in his understanding for and use of works such as the Bible and Greek classic literature.

William Blake was one of those 19th century figures who could have and should have been beatniks, along with Rimbaud, Verlaine, Manet, Cezanne and Whitman. He began his career as an engraver and artist, and was an apprentice to the highly original Romantic painter Henry Fuseli. In his own time he was valued as an artist, and created a set of watercolor illustrations for the Book of Job that were so wildly but subtly colored they would have looked perfectly at home in next month's issue of Wired.