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The poem (title of poem) depicts a moment of a woman's stay at the hospital, where she experiences pain and depression. The author of the poem engages with and addresses major themes such as detachment in biomedicine, experience of being in the hospital from the patient’s perspective, the meaning of illness, and the experience of illness for the patient. The narrative can be compared to Arthur Kleinman’s the Illness Narratives, Meri Nana-Ama Danquah’s Willow Weep for Me, Autobiography of a Face by Lucy Grealy, and Charlotte Perkins Gilman’s “The Yellow Wall-Paper.”
The narrator of the poem begins with stating that “some kind of shadow was behind her/ she ran towards nowhere/ dark, empty, cold, stuck.” The poem depicts the
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Moreover, the author portrays the character’s loneliness, feelings, and emotions as a result of her physical and mental distress. Similarly represented in Willow Weep for Me and its depiction of Danquah, her sister, and friends’ alienation and isolation regarding their clinical depression (Danquah). Further, the “pain” and “whimpers” are the physical and emotional responses to her illness, which can be compared to Grealy’s bodily response to chemotherapy, “wanting to turn itself inside out, made wave after wave of attempts to rid itself of this unseeable intruder, this overwhelming and noxious poison” (66).
In the next stanza, the poet describes “A figure walking towards cloaked in blue/ Beeping/ Tubes/ Needles.” The poem addresses the routinely and monotonous aspect of being in the hospital for long periods of time. It is a critique of the biomedical model and how the hospital system is created where patients are tended to by multiple doctors, nurses, and allied health professionals. The patients and healthcare professionals are unable to form a relationship that consists of what Kleinman describes as “empathetic witnessing” (Kleinman). Therefore, detachment between patient and health workers is developed and established, to which the patient cannot recognize or know the people assisting them. In addition, Grealy discusses this in her earliest accounts and appointments with doctors. She states that there is a layer of “condescension” and is an “endemic in the medical
Explain (tell me what image the poem brings to mind)She begins by describing the "death of winter's leaves".
Literally, the persona of the poem is outside when some aspects of the nature around her, like violets and a blackbird, trigger a memory from her childhood. The poem then flashbacks to a childhood memory of the persona as a young girl, which is shown through the indentation of the stanzas, where the girl wakes up in the afternoon thinking it is morning and becomes upset when she
The “rest cure” was a common treatment for depression in women in the nineteenth and early twentieth century. Women were locked in a room involuntarily and forced to “rest.” The patient was locked in a room and not allowed to leave or function in any type of way. The narrator in Charlotte Perkins Gilman’s story The Yellow Wallpaper is subjected to this cure. The story is written to expose the cruelty of the “resting cure”. Gilman uses the wall paper to represent the narrators sense of entrapment, the notion of creativity gone astray, and a distraction that becomes an obsession.
Prominently featured in the mission statements of virtually of every medical school and medical institution in the world is the call for empathetic doctors. These institutions wish to train medical professionals that possess qualities of sympathy and compassion, and hospitals wish to employ health professionals that showcase similar qualities. The reality, however, is starkly different, as physicians, jaded by what they have seen in the medical world, lose the qualities that drove them to medicine in the first place. In Frank Huyler’s “The Blood of Strangers,” a collection of short stories from his time as a physician in the emergency room, Huyler uses the literary techniques of irony and imagery to depict the reality of the world of a medical professional. While Huyler provides several examples of both techniques in his accounts, moments from “A Difference of Opinion” and “The Secret” in particular stand out. Huyler uses irony and imagery in these two pieces to describe how medical professionals have lost their sense of compassion and empathy due to being jaded and desensitized by the awful incidents they have witnessed during their careers.
In The Yellow Wallpaper, Charlotte Perkins describes the story of a woman suffering from a mental illness during the 19th century. The protagonist (an unknown narrator) is a wife and mother suffering from postpartum depression. Her husband John, who is also her doctor, diagnosed her with hysteria and he decided to move away with her to start a “rest cure,” at a mansion, isolated from the village. The narrator was powerless against her husband, and he had the authority of determining what she does, who she sees, and where she goes while she recovers from her illness. Throughout the story, the author used stylistic elements, such as strong symbolism, to show how the mental state of the narrator slowly deteriorates and ends
She seems to express how she feels She has a journal that she writes her experiences from day to day despite her doctor’s orders. She feels as if the journal relieves her mind and is an escape from the way she is being treated. She is forced to hide her journal because her husband would not approve of her activities because they were contradicting his orders of rest. In her journal, she expresses how the yellow wallpaper is bothersome to her. Her husband threatens to send her to another doctor (Mitchell?) who she has visited before and who seemed to have tortured her more than help, after she is visited by family and is constantly fatigued. Due to being confined to her room for excessive amounts of time
The portrait I choose is the Faces by Nancy Burson, 1992 (figure, 22.7). The portrait is the picture of two boys, and they are twins. In the description, Nancy used a cheap plastic camera for their look. The plastic camera creates a blurry effect on the subject, which is the two boys. The twins have the same shirt with the same pattern on them, and their hairstyle is similar as well. Their face features are almost identical consider they are twins. Looks closely, their face structure seems unusual for them compared to other children of their age. For example, the size of their nose is bigger and wider than the usual size. And their eyebrow bone is more arch. According to the textbook, the unusual facial structure might cause by genetic conditions, accident or disease. The twin may or may not born like this, and there are some other unknown factors decide how they look. However, this picture shows the characteristics of the children, such as pure, kind, optimistic, curious.
In “The Yellow Wallpaper,” the narrator, already suffering with Post-Partum Depression, is further constrained when her husband John prescribes her resting treatment for her illness. John clarifies that she must lie in bed in the same, enclosed room, refrain from using her imagination and especially abstain from writing. This, in turn, forces the narrator deeper into her
The author uses imagery in the poem to enable the reader to see what the speaker sees. For example, in lines 4-11 the speaker describes to us the
As human beings, we play the cards that are dealt to us in this world. In life, every person goes through their individual ups and downs and occasionally may break down to the extent of not knowing what to do with oneself. In the short story “The Yellow Wallpaper” which takes place in the late 1800s, focuses on the first person narrator who is an infatuated woman. The disheartening story concentrates on a woman who is suffering from postpartum depression, and as well had mental breakdowns. The narrators husband John, moves her into a home isolated in the country where he wants her to “rest” and get better from her illness. During the course of being confined in the room with the wallpaper, she learns new
By taking situations many have personally experienced or know someone who has, realistic fiction authors are able to reach their readers on a deeper level. Charlotte Perkins Gilman has expressed she wrote “The Yellow Wallpaper” because of her own personal battles with mental illness in an attempt to prevent others from “going mad”. In “The Yellow Wallpaper”, Gilman introduces us to a mentally ill narrator. The narrator is the wife of an established physician and forced to “rest” in a room covered in tattered yellow wallpaper and bars so that she can cure herself of her disease. Throughout the story we follow the narrator through her days in this room and see her eventually be driven to
Many people deal with post-traumatic depression and it can have a huge impact on one’s life. In the short story by Charlotte Perkins Gillman, “The Yellow Wallpaper”, the main character, as well as the narrator, is an unnamed woman dealing with post-traumatic depression. The exceptionally imaginative protagonist’s metamorphosis is due to her isolated confinement in a room with “yellow wallpaper” in order for her to recover from depression. This type of treatment is prescribed by her physician and husband, John, whose controlling personality demands the main character to get bed rest in a secluded room and forbid her to participate in any creative
Since its initial distribution, The Wounded Storyteller by Arthur W. Frank, has utilized an exclusive place within the body of work on the disease. This book has reached an outsized and diverse audience or readers, including the sick, health professionals and scholars of literary theories of sickness. Both the collective portrait which was known as the “remission society” of those who experience some type of disease or disability and a compelling analysis of their stories within a larger framework of the narrative theory. This book presents sick people as wounded storytellers.
The night symbolized death, and the walk was the person's journey to find their lost life. This poem was somewhat disturbing to me. I thought of a lost soul, thirsting to finish a mission that was not completed in life. Frost depicts death in a frightening manner with the contents of this piece of work.
Figuratively, in stanza three, the poem symbolizes the three stages of life: childhood represented by “Children strove” (l. 9), youth represented by “the Fields of Gazing Grains” (l. 11) and the end of the life represented by “the Setting Sun” (l. 12). On the way of her journey, the speaker views children struggling to win in the race in School. She also sees cereal grasses collectively in the field, and at last the speaker perceives with her eyes that the sun is setting on the way of her journey. This stanza gives us a clue of her passing by this world; however the speaker is not able to figure out that she is dead. She simply thinks the sun is setting on a regular basis.