Women and Femininity in Medea Women’s rights movements have made incredible progress in recent times. Although there are many countries around the world where women are facing political and social unjustness, the social class of women in ancient Greece of 5th century BCE was solely grounded by patriarchal ideologies. The Greek playwright Euripides creates a persistent character Medea, in his classic tragedy Medea. Today, scholars study this relentless protagonist who has become an eternal and timeless symbol of femininity and womenfolk revolt. Whilst many themes such as passion, vengeance, and exile are present within Euripides’ Medea, the theme of women and femininity is critically manifested throughout the interactions of its central …show more content…
She continues to describe her state, “A typically unfair attitude, I suppose…” (316). Later, in the tragedy, Medea boldly leaves the house after murdering her own children in pursuit of satisfaction. Medea shows audiences the horror that can come when one lets the desire for revenge rule his/her life. In addition to the interactions between Medea and the Greek Chorus, it is important to explore the scenes preceding the tirade. The nurse’s opening monologue offers great insight into Medea’s state of characterization prior to her newfound interactions. The nurse anaphorically describes Medea’s actions towards Jason. The Nurse begins, “She wouldn’t have made the daughters of Pelias kill him, she wouldn’t have had to flee to Corinth here, she wouldn’t have done all that she did for Jason, She wouldn’t have been so darned complaisant to Jason” (311). Euripides’ use of anaphora creates emphasis on everything Medea has done for Jason. The Nurse believes that upon meeting Jason, “she wouldn’t have” fallen in love with Jason. Medea’s motivation was a clear passion to woo Jason. Formerly, Medea completes Jason’s task of achieving the Golden Fleece, originally a man’s task. With her cunningness, she uses her witch supremacies to her advantage, acting on her desire for Jason. Furthermore, the Nurse foreshadows Medea’s shift in characterization from anguish to dexterity in her
Seneca’s portrayal of Medea is exceptionally different. Medea’s story up to the present time is told from her own mouth, not that of the Nurse. The play opens with Medea praying to the gods to “give [her] control” (45) so that she may carry out her vengeance. Her rage and fury are present from the start. She tells herself to “bare your rage for fighting, and prepare yourself to kill, work to a frenzy” (46). She admits that she hopes “men will…pair [her] divorce with [her] wedding in well-matched rivalry” (46). Seneca’s Medea is more in control than Euripides’ Medea. Euripides’ Medea is very
Medea’s conflict with Jason proves to be the main conflict in the play, which really sheds light into the fact that Euripides created this play to challenge the notion of feminism. After Jason’s betrayal, Medea decides to take control. It is evident in the way she manipulates other characters within the play, and how she handles situations she is in, that she is quite intelligent. Her motivation and will to accomplish her own goals, portrays Medea as the complete opposite of a typical patriarchal woman who embodies the norms of patriarchy in Greek society. In the play, Jason says, “I married you, chose hatred and murder for my wife – no woman, but a tiger…” (1. 1343-44) This quote shows the misogyny with Jason, because he is saying that him and the society have made Medea this way. But maybe Medea started acting
Making Medea plot against the king represents the female group as rebellious and unsubmissive to authority. She vows to kill her children and this causes the chorus to be afraid of her. That was a big thing. The Chorus in Greek theater “represented with wonderful truth the Greek inquisitive crowd, and was essentially Athenian in conduct and in spirit” (Lauchlan 13-17). So to have the Chorus afraid of this “evil” woman portrays the general public’s feelings towards Medea. Therefore, the fear of the other characters due to Medea’s immense desire and actions for bloodshed and revenge shows how women are portrayed as crazy and murderous with no sense of empathy. Now, the killing of her children is an interesting strategy that Euripides used to show his misogynistic values. By adding this to the plot and making Medea come up with this plan all by herself shows how Euripides “constructed his character in such a way that the audience will be encouraged to perceive female sexuality and language as… a threat to male offspring” (Rabinowitz 126). This is a genius ultimate blow to feminism seeing that women, through Medea, are portrayed as a threat to not only men but to their offspring.
The play Medea by Euripides challenges the dominant views of femininity in the patriarchal society of the Greeks. While pursuing her ambition Medea disregards many of the feminine stereotypes/ characteristics of the patriarchal Greek society. She questions the inequality of women in a patriarchal society, contradicts Jason?s chauvinist beliefs, challenges the stereotype that women are weak and passive and completely disregards the feminine role of motherhood. Feminism is the belief that women and men are, and have been, treated differently by society, and that women have frequently and systematically been unable to participate fully in all social arenas and institutions. This belief is confirmed in
In the beginning of the play, the nurse discusses the horrible deeds Medea delivers to her own family in the following lines “my mistress Medea would not have sailed for the towers of the land of Iolcus, her heart on fire with passionate love for Jason; nor would she have persuaded the daughters of Pelias to kill their father, and now be living here in Corinth with her husband and children” (1). Ironically, before Jason leaves Medea, he needs her help in a great mission. By admitting that he needs her help, Jason falls short of the idea that a man is in control of the situation.
Euripides also carefully reveals the elements of Medea's past that demonstrate her readiness to violate solidarity of family ties in order to pursue her intractable will; Jason and Medea's original tryst, for example, required that she kill her own brother, thus choosing marriage ties over blood ties. Secondly, Medea's selfishness provides power to her fatal flaw. Medea's selfishness and lack of humanity is displayed through the act of killing her own two sons. Medea understands that the slaying of her children will make Jason miserable. During this time, the chorus recognizes her self-worship and states, “But can you have the heart to kill your flesh and blood” (Euripides, The Medea, 816)? Medea does not stop to think what pain she may cause to herself by murdering them. She is only concerned about her happiness that will be derived from Jason's grieving. Medea comes to the conclusion that it is worth the suffering just to see her ex-husband unhappy. Medea states, “Yes, for this is the best way to wound my husband” (Euripides, The Medea, 817). This exhibits Medea's selfishness by the slaying of her sons just to cause sorrow to Jason for her own pleasure. Medea's rage also leads to her fatal flaw of excessive passion. Her excessive passion, fed by rage, leads Medea to do uncalled-for acts of violence and murder.
Medea is the tragic story of a woman desperate for revenge upon her husband, after he betrayed her for another woman’s bed. It was written by Euripides, a Greek playwright, in 431 B.C. Throughout the play each character shows us their inconsistent and contradicting personalities, in particular, Jason and Medea. The play opens with the Nurse expressing her anxiety about Jason betraying and leaving Medea for another, wealthier, woman. Our initial reaction is to feel empathetic towards Medea, who has been abandoned so conveniently. But towards the end of the play, when Medea takes revenge on
From the beginning f the play the Nurse allows the reader to see Medea’a plight. Her husband Jason has abandoned her for another woman now that she has finished helping him find the Golden Fleece. By helping him, Medea can never return to her family and is forced to follow Jason until she decides that she has had enough and rebels. I believe that since Medea’s action were in retaliation for the humiliation and pain caused by her husband, and she clearly showed remorse at various points she is a victim.
Charlotte Bronte once said, “Women are supposed to be very calm generally, but women feel just as men feel. They need exercise for their faculties, and a field for their efforts as much as their brothers do. They suffer from too rigid a restraint, too absolute a stagnation, precisely as men would suffer; and it is narrow minded in their more privileged fellow creatures to say that they ought to confine themselves to making puddings and knitting stockings, to playing on the piano and embroidering bags”. In the play Medea, Euripides diverged from the traditional role of Greek women through Medea’s characteristics and response to her plight. In delineating the role of women, Medea was unlike any other Greek character. Medea was portrayed
As a mother, Medea on the surface is not the best, as she eventually kills her children, ignoring their pleas for mercy ("Mother, don't kill us"). However, we must not ignore the heartache and pain that Medea endures in killing them. It takes incredible conviction to carry it out ("parted from you, my life will be all pain and
They were expected to do take on the accepted role of a woman. In most cases, a
A Greek Tragedy, Medea, by Euripides gives a backstory on the life of an adventurer and a woman madly in love. Previous Greek tragedies state that Jason, the love of Medea’s life only loves her in order to retrieve the Golden Fleece to retain his rightful throne. His encounter with Medea results to him agreeing to marry her so that she could assist him in his journey. Medea holds great power and judgement as a sorceress. The beginning of the play told by the nurse synopsizes the story of Medea’s melodramatic situation. Euripides illustrates her differently as a woman in her society during her time of era. They may be seen as victims, heroes, and villains.
Readers of the three Greek plays, Oedipus the King, Antigone, and Medea, can easily gather an abundance of information about the different cultural details within the Greek society at that time. One of the major cultural values that can be picked up from these three plays, is the roles of women in this society. The roles of women can be observed through a comparison between them and their male counterparts.
To conclude, Medea’s actions can be seen an act of desperation from her side, as she realises that her functional life in Greece is practically over: she is a woman with no man, therefore no rights. Although through her barbaric background and natural cunningness, she forges a plan to escape this miserable prospect of her life, her actions, as terrible and inhumane as they are, empower her to free herself from her discriminating
Claimed to be a play by a feminist tragedian, Euripides’ Medea is ultimately strife with themes of otherness and penultimately, stereotypical ancient Greek gender notions. Medea, who is from Colchis, an island considered to be barbarous by the Greeks, falls in love with the Greek hero, Jason of the Argonauts. Together they adventured, creating enemies. After settling in Corinth with their sons, Jason accepts a proposal from Creon, the king of Corinth, to marry his daughter, Glauce, “as marriage is imposed on women by masters” (Pucci, 66) Now, Medea is the other woman.