Women in Homer's Odyssey, Joyce's Ulysses and Walcott's Omeros

In these examples, Homer is intending to win our admiration for Penelope. Her loyalty to Odyssey and the slim chance that that he may still be alive are taken to a heroic level, which defy the apparent convention of the day that a woman should not be without a husband. Her cunning in keeping the suitors at bay are also to be admired, and have a parallel in the cunning of Odysseus himself, as Odysseus is also often praised for his resourcefulness in overcoming obstacles.

‘The Odyssey’, like other epic poems, is patriarchally centered. The poem is focused on “godlike” Odysseus and his laborious journey home (Homer __). In Ancient Greece, the time of Homer, women were commonly viewed as part of oikos headed by the male kyrios. They were expected to be submissive, domesticated, and viewed as their master’s property. This raises an important question in the context of this epic: are women only secondary characters that blindly follow the decisions of their male counterparts or do they have the ability to make their decisions freely? Homer, a forward thinker for his time, allowed the reader to make this judgement by including two paradoxical characters: Penelope and Calypso. Penelope, the “faithful” wife of Odysseus, spends most of her time crying and longing for her husband. She is compliant and passive, never making a decision without her husband (homer __). Calypso, on the other hand, takes her sexuality into her own hands. She traps Odysseus in Ogygia and attempts to force herself on him, showing that she does not follow the norms of being an obedient woman. Through the inclusion of Penelope and Calypso, Homer is able to address the view of women in typical epic poems by both accepting it and challenging it in order to redefine what is expected of epic tradition.

These temptresses who hinder Odysseus are contrasted with the women who help Odysseus in his journey homeward. One example is Nausicaa, the Phaeacian princess. The shipwrecked Odysseus washes up on the Phaeacian shore. He comes across Nausicaa and her maids washing clothes. He beseeches her for help. Nausicaa kindly helps Odysseus by providing him with a bath, clothing, and food. She then advises Odysseus to enter the palace and ask for help from her mother, Queen Arete. Arete also wields much influence. Nausicaa tells Odysseus that if the queen “take[s] [him] to her heart”, then there is “hope” that he will return home (278). Nausicaa and Arete are instrumental in bringing about Odysseus’ homecoming.

The #MeToo movement has brought the most recent revelations of misogyny in modern society. Sexism has been present throughout history, and the Greek society in Homer’s The Odyssey is no exception. It tells of the hero Odysseus’ journey back to his wife, Penelope, and his son, Telemakhos, on Ithaka, including his delays by the nymph, Kalypso. Throughout the epic, Homer portrays that society’s perceptions of female inferiority lead to harsher expectations of and stereotypes for women, as shown by the powerlessness, sexual double standard, and seductive stereotypes of women.

Although “The Odyssey” by the Greek poet Homer is very much an epic tale of a man’s heroic quest, women play an incredibly large role. Homer’s epic tale, “The Odyssey” revolves around Ulysses’ quest to return back to his wife, Penelope, so that he may be reunited with her and assume control over his palace, which has been overrun by suitors. Ulysses’ son, Telemachus attempts to regain authority in the presence of the many suitors but finds this difficult and embarks upon his own journey under the guidance of Athena and other deities. The main thrust of Homer’s “The Odyssey” centers upon the adventures of Homer as he endeavors to get back home, which he finally does. He overtakes the suitors through his cunning and the tale ends happily.

For this informative report I will attempt to point out the roles women and how they are viewed in ancient Greece. I will then show how these views are present in Homer’s "The Odyssey." How are women, goddess or mortal, conveyed in "The Odyssey?"

     Many people regard Homer’s epics as war stories—stories about men; those people often overlook the important roles that women play in the Odyssey. While there are not many female characters in the Odyssey, the few that there are, play pivotal roles in the story and one can gain a lot of insight by analyzing how those women are portrayed. Homer portrays the females in contradictory ways: the characters of Athena and Eurykleia are given strong, admirable roles while Melantho, the Sirens and Circe are depicted in a much more negative way. Penelope—the central female character—is given both negative and positive attributes.

The literature composed during the era when the Odyssey was written was directed by men. Woman characters were valued but the only participated in affairs when they had the permission of men. The men, for the most part, directed the women's lives. The themes used in literature were on the subjects that men would be interested in; combat; warriors, and rulers. Domestic affairs, for the most part, were not noted. There is a immense contrast between the Odyssey and other epic poetry of the period. There are several women characters in the Odyssey. All of them add to plot in significant ways and they are also treated with admiration. The women of the poem change the lives of the gods and men, and how they link in significant ways to one

In the epic The Odyssey by Homer, the protagonist Odysseus is traveling home from the war in Troy. Odysseus has been traveling home for twenty years and throughout his journey longs for his son Telemachos and his wife Penelope as well as his estate in Ithaca. Odysseus is a man with a penetrating mind as well as outstanding valor; however, a weakness of Odysseus is his sensualness. Odysseus always encounters women throughout his journey home. These women adore Odysseus because of his attractive looks and brave spirit and wish for Odysseus to remain with them. Although Odysseus is vulnerable to the rich and beautiful women he encounters, he rejects their kind offerings with the determination to be reunited with his wife Penelope.

Women form an important part of the folk epic, written by Homer, The Odyssey. Within the story there are three basic types of women: the goddess, the seductress, and the good hostess/wife. Each role adds a different element and is essential to the telling of the story.

Women are important to the plot and overall theme of the Odyssey. In fact, without many of the women there would not be a complex plot to this epic poem. In the narrative and in Greek society women played a variety of roles, as mothers, herons, and many other strong roles yet, they were treated as less significant, and were made to be loyal and submissive to men. The women were required to wait on and sulk for love, as Penelope did for 20 years. In Greek society, the women had very little authority but the little control that they did have was sort of a sexual power, which at times they could use to outwit the men. Obvious examples of this sexual power would be Circe and Calypso. Calypso and Circe however, are not the

The islands of Circe and Calypso in Homer’s Odyssey are places where Odysseus’ most challenging problems occur. In contrast to battles with men, Cyclops, or animals, sexual battles with women are sometimes much more difficult to win. These two female characters are especially enticing to Odysseus because they are goddesses. Though it is evident that Odysseus longs to return to Penelope in Ithaka, it sometimes appears that he has lost vision of what life was like with a wife, a son, and with thousands of people who regard him as King. Although his experiences on the islands of these goddesses were similar in that he was retained from Ithaka for the longest periods of his adventure, these goddesses and the

In any era of ancient society, only a wealthy man could afford to surround himself with a number of women, each playing a different role in his life. However, the Olympian pattern survived as the ideal. On the human level, Pomeroy shows how the "ahistorical oral tradition (Pomery 1995)" of epics by Homer provides us with a set of attitudes toward women which may reflect back to the Bronze Age. Pomeroy provides a good discussion of marriage patterns alluded to in the epic cycles, based on the marriages of royal women such as Helen,

The role of women in Greek literature has demoralized them and showing them in a maligned light. The women are portrayed as frail, cruel, insensitive, or as seductresses. These characteristics have been integrated into today’s society and [have] built the standards and defined the moral outlook of women. However, in Greek mythology, powerful and strong women are not as well celebrated, such as Athena. Homer’s The Odyssey construes the positive and negative role of women through the epic poem. The women in the poem are depicted through the contrasting actions of Penelope and the maids, in addition with the opposite personalities between the goddess Athena and the nymph Calypso.

Women in ancient Greece had very few rights in comparison to male citizens. Women were unable to vote, own property, or inherit wealth. A woman’s place was in the home and her purpose in life was to rear children. Considering this limited role in society, we see a diverse cast of female characters in Greek mythology. We are presented with women that are powerful and warlike, or sexualized, submissive and emotionally unstable. In many myths, we encounter subversive behavior from women, suggesting, perhaps, the possibility of female empowerment. While produced in an ostensibly misogynistic and oppressive society, these myths consider the possibility for a collapse of male power and the patriarchal system. In Homer’s epic poem The Odyssey,