“The Shrew” describes a number of problems that relate to women 's issues, love, marriage, and family. Chinese women’s opinions about love and marriage were in conflict with the social system, moral norms, traditional ideas, and customary forces by Ancient times (Song Dynasty). Sometimes these conflicts could lead to tragedy and a miserable life. In real-life today, such conflicts continue to be common, thus causing widespread concern and attention in society. In feudal society, women were subject to restrictions, repression, abuse, and persecution, so their resistance was the strongest at that time. The story K’uai-Ts’ui Li Ts’ui-lien Chi (English Translation) dares readers to challenge the established ruling order, dares them to …show more content…
In the novel, the most important phrase is “The Sharp Mouth” which essentially means not satisfied with the “three obedience and four virtues” and urgently want to express their views, to assert themselves and not just listen to others. This is a revolt, a war. Even though Li Ts’ui-lien is willing to endure hardship, the feudal class still won’t allow women to praise, encourage, and free to talk or argue with others. The society considers that as presumptuous, and unconventional, and these actions are absolutely prohibited. It is a woman’s duties to be silent and do whatever her husband or parents tell her to do. Even if a woman has to talk, they still need to whisper, should not laugh out loud, or show their teeth in order to be dignified. Li Ts’ui-lien disregarded all of this set; she let go of her throat and loved to talk. As long as she encounters a thing, she will start dealing with others and figure out a solution. This shows that she is striving for the initiative and the right to self-determination and is not subject to domination. She is somewhat traditional because she knows she had to take care of her parents in law. Li Ts’ui-lien thinks that the duties of being a good daughter-in-law are just doing cooking, cleaning and taking care of them. She thought things went very well, but everything
The Taming of the Shrew examines the way traditional 16th century notions about gender and its hierarchy are tested and reinforced in tempestuous relationships. While patriarchy rules supreme at the plays end, it’s vital to consider the constant attempts to undermine the sexist assumptions about a women’s place in marriage. In The Taming of the Shrew gender plays a
a story that reflects the subordination of woman in marriage. By the time of the early
From a plethora of many authors and compilations over many centuries comes the fourteenth century The Thousand and One Nights, a Middle Eastern frame story during which there are as many as four implanted stories. In the outermost frame of this tale, a king who is betray by his wife vows to take a new wife each night and kill her the next morning in order to prevent further unfaithfulness. The main inner frame are stories from one of his wives which she continues each night to keep the king interested and thus postpone her death. Through these stories, the reader can examine the role of men and women in this time, specifically how women function in conjunction to men in the text. The reader may assume the men are superior while the woman are inferior, but through close reading of the text, the reader will discover that women in the text are only treated subordinately by men in the story but are revealed to the reader as the more powerful of the sexes. Authors reveal the power of women by their prowess at trickery or “women’s cunning” (The Thousand 1181), and their ability to force the actions of male counterparts. The reader can examine men’s attempt to stifle this power, which further acknowledges the women’s merit, through the excessively frequent occurring instances of men treating the women as insignificant, as well as instances when women are turned to ungulate animals, such
In The Thousand and One Nights translated by Husain Haddawy, there is an emphasis on the role women play in and how their characters affect the male view on the rights and freedom women are entitled to. The value of women in the tale vanished after King Shahzaman’s wife had committed adultery with one of his palace workers. In the East during the time of this tale, there was little to no value for women, which gave men the power to use them as sex slaves and be able to throw them away after they have been sexually fulfilled. One day, when the vizier’s daughter Shahrazad volunteers to calm the raging king by telling him many tales and distracting him from his sexual acts and killing spree. The tale of The Thousand and One Nights was believed to be misogynistic, and presented women to be adulteresses who caused the downfall of men (Blythe). This tale was written in ancient Middle-Eastern civilization where women did not have rights or freedom within their societies and were victimized to be seen as the root of all evil and that “women are not to be trusted” (609. Haddawy). This tale will be evaluated based on the traditions placed in the ancient Middle-East, the modern-day observations of how women are treated in westernized countries, and the changes perceived.
‘Taming of the Shrew’ & ‘10 Things I hate about you’ shows the difference between how both genders are treated, males been shown as more important than the female sex. This belief is still carried out through our generation, men being portrayed as more legible to earn higher wages and given more respect in the workforce.
The Taming of the Shrew was written in the Elizabethan Era in England at a time when men were considered to be superior to women. The patriarchal society of this time is reflected to a large extent in the text and various implications of traditional values can be noted.
The lives of women and experiences they faced were due to the stereotypes that are given to women during the time of the seventeenth century. Women are meant to be married, have children, and to attend to the needs of her husband as well as the needs of the household, not do the work of their husbands like Hsi-lu did.
In the modern world women work, vote, run for office and the list goes on. In most aspects, women are equal to men. However, this was not always the case. In centuries past, women were not viewed as being equal to men socially, intellectually, or politically and were thought incapable of accomplishing anything of value. Consequently, many cultures held the view that women were possessions whose only purpose was to be subservient to men. The view of women as mere objects is evident in various works of literature throughout the ages. Two classic works of literature that exemplify this are The Thousand and One Nights and Murasaki Shikibu’s The Tale of
The dehumanization of women should not be shown in a play because it is against the common morals of today’s society. In The Taming of the Shrew, the objectification of women is shown
Wealth and property feature heavily in the wife’s portrayal of marriage and along with the issue of her independence is responsible for many of her marital conflicts. The first three husbands "riche and olde" were married each for "hir land and hir tresoor" then discarded as the Wife looks for other prospects. When one of these husbands tries to restrict the Wife’s spending she refuses to let him be both "maister of my body and of my good" so refuses sexual favours in return for her freedom as she will not become a mere possession. She generalizes that women "love no man that taketh or keepth charge" suggesting an element of independence and individualism in 14th century marriage. The wife resents being controlled; she
The Story of an Hour is short, yet, contains important examples of gender roles in marriage. They are important because they represent how women felt married in the 19th century due to male dominance that manifested throughout marriages all over the world. In The Story of an Hour, Mrs. Mallard is a wife that is, at first, seen as distraught, because of her husband’s death. She starts to cry and run to her room, to soon be lifted with the joy that she is now free. It is clear that she felt trapped in the marriage and is now happy that there is no one controlling her any longer. Mrs. Mallard is a prime example of women in marriages in the 19th century, and even some today. Unfortunately, they have to experience sexism from their husbands. Women are dominated by men in marriage and are expected to acquire the stereotypical gender roles.
Elizabethan society was created on the belief the woman had no right or control over their own lives. Women had no choice in what their profession would be, as a matter of fact they weren’t allowed to have a profession such as medicine, politics and law. The only places they were allowed to work were in domestic areas. This essay will be focusing on the taming of the shrew with the role of status of women and attitudes towards marriage and courtship during the Elizabethan era. In Elizabethan society, all that women were considered of was the lower end of men and the weaker gender.
▪ Write down what happened. Write down the date, time and place of the incident, as soon as possible. Include what was said and who was there. Keep a copy of these notes at home. They will be useful if you decide to file a complaint with your company or to take legal action.
Majority of the ancient societies portrayed similarities in the presentation of women and girls. In other words, women and girls in the traditional communities were given similar roles and were regarded as the inferior members of the society. Men were viewed as members of the superior gender and due to this; they were given the primary responsibilities in the society and were also regarded as the heads of the family and the entire community. In most cases, women took the roles and responsibilities of housewives, caretakers, nurturers, reproducers, and mothers while men were given the responsibility of managing the society. The classification of diverse roles for women and men was destructive on the side of the females as men sought to dominate them, take advantage of them and even oppress them and this resulted in the case of gender imbalance and inequality. It is clear that men were insensitive about this division and hence scholars rose to represent the fate of women through writing. The Tale of Kieu by Nguyen and the Separate Ways by Chiyo portray women as oppressed, voiceless and members of an inferior gender.
Lu Xun’s New Year’s Sacrifice (1924) begins with the narrator returning to their hometown for New Year after several years. The narrator can be said to symbolise the dilemma of an intellectual hoping for social reform but feeling helpless when it comes to helping women. The female protagonist is Mrs Xianglin who lives under three oppressive powers: that of the husband, of the father, and of religion. From the outset of the story, we are presented with a very traditional setting; we are introduced to Uncle Lu who is described as a “diehard Neo-Confucian of the old imperial college” and “a man ruled by superstition”. The narrator then goes on to describe the preparation for the New Year’s Sacrifice with the women as the workers “Hens are slaughtered // everything scrubbed and scoured until the women’s arms are soaked red”, however Lu Xun tactfully adds that although the women are the main labourers, they are excluded from ceremony, “Once devotions – from which women are banned – have been made, the firecrackers are lit.” This shows the reader that women appear to be the backbone of the household however are held in much less regard than their male counterpart. When Mrs Xianglin is introduced as a young widow, although however capable she may be, Uncle Lu is unconvinced in hiring her as she is a widow and may bring bad luck to the household; “Uncle frowned; my Aunt knew what was worrying him – the fact that she was a widow”.