Wonder is an aesthetic emotion. Aesthetic emotions are emotions that are felt during aesthetic activity or appreciation.
These emotions may be of the everyday variety (such as fear, wonder or sympathy) or may be specific to aesthetic contexts.
The emotion usually constitutes only a part of the overall aesthetic experience, but may play a more or less definitive function for that state.
2.2.1. Aesthetic Experiences
Aesthetic experience is an exceptional state of mind that is qualitatively distinct from the ordinary everyday experiences. There is a distinct difference between aesthetic situations and everyday situations, as well as objects of aesthetic experience and objects of everyday use. (Markoviä, 2012) In an aesthetic experience, there is a psychological process wherein certain focus is given on a specific object wherein other objects, events, and concerns are subdued. (Cupchik and Winston, 1996) An aesthetic experience strongly engages the subject's mind, particularly with the object of interest, with a unique kind of subject-object relationship, suppressing all other surrounding events and objects. (Ognjenovi´c, 1997) A defining feature of aesthetic experience is that it
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(Wickman, 2006) A study has shown that architectural experiences are reviewed as an aesthetic experience due to its layered complexity. The aesthetic experience is always multi-dimensional. Aesthetic experiences are important opportunities for understanding the complex and often ambiguous world in which we live. It can be examined as an embodied or encapsulated experience. Priori experiences color the perception of the aesthetic experience. It is observed that variables of "forms, scale, decor, ruins, music, sounds, scents, qualities of light, gestures, connections with history or literature known to the speaker" greatly affect the aesthetic experience. (Duke,
Art might not be viewed the same way as another individual could. Some people could “see” or “look” at a painting, distinguishing their perspective or interpretation of an artwork. When I “look” at Alma Thomas’ Gray Night Phenomenon, it’s with a goal to identify what the art depicts. I would probably glance at the painting, not taking my time to analyze its different features. At first glance, I register the painting as simply a piece of artwork with a blue background and yellow specks in a pattern, however I don’t take much thoughtful processes to take place and bring emotions into viewing the piece. When one “looks” at something, it is more routine-like and to figure its function, without much appreciation of the artwork. In contrast to “looking”
In Affect - A basic Summary of approaches, Andrew Murphie puts forth thought on the concept of affect and how it directly correlates with the language. Affect is described as what occurs right before one becomes aware of how they are feeling, and thus turning that feeling into an emotion. That being true, affect is moment to moment and is constantly changing, for emotion is continually being altered in order for one to be fully present in every point in time. Affect comes and goes instantaneously, for at the instant when it comes, one makes an effort to put affect into words, turning the affect into a feeling or emotion and it is gone. Affect cannot be put into language, but it is always something that will be with one. That being said, one cannot describe one’s affect to another. Though, by trying to talk about one’s affect, one must speak about the instant that created said affect, and by expressing one’s thoughts about their moment to moment experience, one can try to evoke a similar experience in another’s mind.
As a result from this discussion, a class list is made on the board describing the types of design elements and how they can be used to create and emotion artwork. The elements being colour and how it can be used to convey emotions e.g. red for anger, yellow -happiness, orange-warmth, and blue-peace. Also, what kinds of lines there are and ways in which they can be used to create patterns, depth perception, and emotion such as straight, jagged, squiggly, thick, thin repetitive or natural. Shapes are important in giving the artwork structure and purpose and can be geometric, natural, imaginative or
Being charged with a DWI is never a pleasant situation to be in and reaching out to an experienced DWI defense attorney could be exactly what you need to avoid a conviction. You can work with a DWI attorney at Alan L. Joseph-Attorney at Law in Goshen, NY, to learn about your legal rights after any type of traffic violation or DUI incident. Here are some important things you should know about working with a DWI defense lawyer:
Harm reduction is a concept that refers to policies, programs, and practices that aim to reduce the harms associated with the use of psychoactive drugs in people unable or unwilling to stop (Syme, Browne, Varcoe, & Josewski, 2011). Methadone has been increasingly utilized as a means of addressing and reducing the health, social, and fiscal harms associated with opiate addiction (Kerr, Marsh, Li, Montaner, & Wood, 2005). During my clinical rotation at Rosthern Hospital, I learned that this small town rural hospital has a successful methadone program to treat opioid addiction. When a person thinks of small town Saskatchewan, their first though is not usually intravenous (IV) drug use, but after working at Rosthern Hospital for a few shifts, I began to realize the town and the surrounding communities may have an addictions problem. At the hospital, the doctors, nurses, pharmacists, and support staff have all decided to collaborated and developed a harm-reduction methadone program for their patients. Not only is this program successful because it addresses the needs of the community, but it is also controversial. Using Carper’s (1978) “Five Ways of Knowing” I examined the methadone program and its patients, the positive and negatives, as well as a patient’s own personal experience being in the methadone program.
Architecture should be nurturing, responsive and alive, dynamically shifting spatial balances, organically expressive forms, subtly luminous colors and biologically healthy. To achieve such life-enhancing architecture, it has to address all the body senses simultaneously and fuse our image of self with experience of the world. By strengthening our sense of self and reality, architecture serves its all-important function of accommodation and
“The ability to do something that frightens one.” This quotation shows that to have courage isn’t always when you are being brave but when you finish something that you start. In the book “To Kill a Mockingbird” By Harper Lee, Many characters show the trait of courage throughout the book. It also shows many important parts of the book through these quotes that are shown. In the novel To Kill a Mockingbird by Harper lee Atticus shows the trait of courage a lot in the book. The next two quotes are ones that show that Jen is a person in the novel that shows the trait of courage when he tried to find boo. these quotes are ones that show that Dill has courage because he travelled by himself and because he he is a daredevil. In my three
In Wright and An alto's houses, a powerful sense of insides is generate by opacity. Which, in Falling water is express in roughly dressed stone masonry walls and, in Villa Mairea. By white-painted, solid walls. The transparency of glass windows in both houses thereby connect the two. In both houses, the architects created a strong sense of insideness yet, at the same time, devised ways to connect inside and outside and thereby create a robust continuity between the two. This inside-outside relationship can be translate into environmental and architectural experience in four different ways: (1) in-betweeness; (2) interpenetration generated by inside; (3) interpenetration generated by outside; and (4)
Researchers have debated about the phenomenon with emotions. Debates on this topic have and will continue to for many more years. Researchers have attempted to understand why one has emotions and came up with the five different theories. The first theory is the James-Lange theory, which argues that an event can cause physiological arousal first and, it can be interpret this as an arousal. Second theory is the Cannon-Bard theory that argues that all humans experience a physiological arousal and an emotional one at the same time. It still does not give any attention to the role of the thoughts or an outward
As suggested by the title, this piece of literature attempts to highlight the importance of sensory experience in architecture. It is indeed a response to what the author terms as ‘ocularcentrism’ of Modern Architecture. Ocularcentrism is the act of prioritizing visual stimuli to all other sensory stimuli available to a human perception. He quotes famous German poet, Goethe, in his defense, “the hands want to see, the
Life consists of constant cycles of spontaneous outbursts of joy and unexpected disappointments; there is an upside to this repetitive tug of war. On this rock we call home, we are surrounded by the most gorgeous creations, structures, and landscapes that add a touch of serenity to our miserable existences called aesthetics. Aesthetics as an adjective is defined as concern with beauty of the appreciation of beauty. As a noun it means a set of principles underlying and guiding the work of a particular artist or artistic movement. The surrounding beauty that we take for continuous granted is significant towards our existence. In everyday interaction, we straddle the line between aesthetic judgement, where we appreciate any object, instead
Describe the initial emotions you feel when viewing the art. Then list any adjectives that descrWhat category does the art fall under? How can you tell?
These moods and emotions affect the brain and behavior of the onlooker, causing them to either want or reject the item. Just like personal tastes in art, the consumer uses art as a form of expression and personal taste, hinting to others elements of their personality.
more on the emotion of the thing. E.g. there is a painting of a man
Architecture can be viewed with two different types of properties. Properties that can be seen like shapes, their composition, the spaces they create and, the colours and textures that make up their appearance. These properties are considered to be visual while other properties are considered to be abstract. These properties can only be described using words; the meanings behind the architecture and the stories that can be told about it. The context, its cultural background and its function also affects how we view architecture. The question is, what