Yousuf Karsh: A Brief Biography

Holding it gently across her torso, the scarf is seen as symbolic of her life and her values, and her use of slow and sustained dynamics signifies the value of the shawl. As she places the white cloth gently downstage centre, she flings each side of the scarf in contrasting directions and swipes her hands across the shawl gently on a sagittal plane across her body, repeating the movement on either sides. The swiping actions across her body are manipulated through the dance as the movement is executed quicker and with magnified body generated movement. The arm movements also are modified in course as she extends her arms over her and on a frontal plane. The arm movements’ contexts are often viewed as imploring for help and breaking loose from the suffering of slavery. The motif of the scarf is consistent as she expresses her exasperation behind the shawl, performing centre stage across its length. This implies she is restricted by her individual body as she lives a lifetime of slavery due to her racial

This painting is a portrait of an old woman who is sitting on a chair while facing to the left. She is wearing a yellow flower dress with a beige jacket while sitting in an empty room. Her beauty is illustrated by her curly, gray hair and also her wrinkled face, neck, and hands. These details is what makes her look real and pure. I like how detailed it is because it reminds me of my grandmothers.

He describes her singing as “quick” and “light and lose” as if she is casting a spell on him. He then describes how dazzled he was by her “flowing knees,” and how smoothly her body moved. He describes the woman as the dance she taught to him when he states that, "her several parts could keep a pure repose, /Or one hip quiver with a mobile nose," showing how everything about her is fluid not only in her movements. He thinks of her as a magical creature that moves in "circles, and those circles moved," showing the ways in which she fascinates

most extraordinary woman. Not only is the startling color of her grey eyes more beautiful

The image I chose for this paper is titled A Rose. The image is a painting painted in oil on a canvas and was painted by Thomas P. Anshutz. The painting was produced in Pennsylvania during 1907. I researched this image on ARTstor by using the term realism and then I narrowed down my search by selecting a filter to return paintings as well as setting the geography filter to North America. The painting belongs to The Metropolitan Museum of Art’s collection and is on display in the American Wing in the gallery of Images of Woman from 1880 to 1910.

Although this illustration has no reference to the novel, it is the picture that I chose to use, depicting the woman and her way of getting what she wants. As the audience, I have control over what I am reading and can express myself in any way that I would like, without having to worry about what society thinks of my views and opinions.

His frustration is visible in the expression on his face. He appears tired of her bothering him about it, hence the hand. The child is showing a lot of white which can represent faith, I think the artist did this to say that the baby is giving the family faith because they are trying to provide for their child and in order to do that they need to be able to put food on the table which won’t just only help the baby but them as a whole. The woman may also symbolize strength that’s why the artist made her dress and lipstick red; she’s fiery. She may help the husband maintain his sanity no matter how many problems they are going through as a family.

The viewer can see and feel the bond between the mother and the child. I also think the artwork is beautiful and makes a deep impression on the viewer, because of the innocence and peaceful appearance of the infant. The woman has such an intense gaze with the way she is looking at the infant; it gives each viewer an opportunity to interpret it in their own way, concern or admiration, all part of motherhood. The woman’s body language is intriguing because she is replicating the infant’s arm position, maybe to find her own peace. In my search, I discovered that Berthe Morisot was a famous female artist in the 19th century, and in making a choice, this piece of art quickly caught my

This is a picture of Rosa Parks, a female leader in the Civil Rights Movement, taken at the Civil Rights institute. Photo taken by Rayna Trevino.

The artwork is a realistic portrait of a women. It is abstracted with asymmetrical balance with exotic and vibrant colors. As if the women is sitting in the corner with two

It has been speculated that the woman that the portrait depicts was in fact a vestal virgin, however one particular feature seems to dispute this theory. Vestal virgins were typically shown with an infula, a frontlet or headband, around the hairline just above the forehead. While from the frontal angle the portrait appears to have a similar band, closer observation shows that the woman's hair has been braided and wrapped around the forehead in similar style, and that the veil she wears appears merely to be of the style generally shown in funerary monuments. All other representations of vestal virgins we have studied generally have a very apparent infula, so in this case it seems that while the features may appear similar, the fuller veil and knotted hairstyle of the portrait, lean more toward matron than vestal virgin (Johansen 246-7).

Finally, the depiction of figure is perhaps the most interesting and intellectually challenging element in this piece. The figure, while emotionally withdrawn from the viewer, is physically imposing. She is looking down and away from the viewer, as if the isn’t aware that she is being watched. Her mask-like facial features also do little in the way of conveying emotion. Her body, however, is quite different. The dark thick lines shaping her muscles and limbs, the detail in the curls of her hair, the placement of her fingers, and her exposed breast all demand the attention of the viewers’ eye. The bold lines that define her legs, waist, and hip, make her seem intrusively part of our space. The awkward placement of her

Explaining my feelings towards the photographer is? Looking at the photograph gives me the impression of a lady that is beautiful, out in the middle of nowhere, out of her comfort zone, all dressed up and having the confidence in herself to accomplish the situation of environment she is in as shown in the photograph

The portrait is displayed horizontally with a gold trimmed frame. The subject is a female that looks to be in her early 20’s sitting upright on a large brown chair. If the viewer travels up the painting the first indication of the woman’s class is her satin, blue dress. The saturated blue shines and falls in the light like water. Paired with the dress are her exceptionally detailed endings to her sleeves. The lace is even painted as though it is translucent, allowing a little of the blue dress to show through the sleeve. Flowers throughout history have symbolized innocence of a woman and her virginity. The repeating theme of flowers, in the sleeve cuffs and ribbon) in the woman’s attired suggests her purity or innocent nature. Another very details section of the painting includes the corset/torso details. The sewing suggests texture in the torso with small beading in between. Towards the top of the chest in the center, the female seems to bear an extravagant, ribbon piece with a tear drop bead in the center. The light pink

The little girl’s dress gives the texture of lightness and seems like airy fabric that would be thin and translucent. The time in this piece is very accurate of the late 1700’s and when viewing it, the time seems classic. The emphasis of this piece is mainly the mother and the daughter, however when looking at them you are drawn into looking at their realistic eyes. The eyes seem like the focal point which draws the viewer in to the picture.