antigone

Tragedy always involves human suffering, but not everyone who suffers is a Tragic Hero. According to Aristotle, there are five basic criteria that must be met for a character to be considered a Tragic Hero. Aristotle’s ideas about tragedy were recorded in his book of literacy theory titled Poetics. In it he has a great deal to say about the structure, purpose and intended effect of tragedy. His ideas have been adopted, disputed, expanded, and discussed for several centuries. In this essay, I will examine these criteria in regards to Antigone’s Creon, King of Thebes.

Moreover, Antigone’s ability to follow her own beliefs results into the heroicness and tragic death of Antigone. Antigone is from a royal family and has the power to do what she believes in. She believes in following traditions and exercises that power when she says, “I will bury him, and if I must die, I say that the crime is holy: I shall lie down With him in death, and I shall be as dear To him as he to me” (694). Antigone follows her beliefs in following tradition and by doing what she feels is best. Antigone does this because she knows she is doing the right thing and knows that she will be repaid in some way. Furthermore, Antigone justifies her actions by telling the reasons that motivated her to do it to King Creon. She refuses to give in to the beliefs of King Creon and continues to think her own separate way. Antigone takes a stand to Creon when she says, “ Think Death less than a friend? This death of mine Is of no importance, but if I had left my brother Lying in death unburied, I should have suffered. Now I do not. You smile at me. Ah Creon , Think me a fool, if you like, but it may well be That a fool convicts me of folly” (709). Antigone believes what she is doing is correct and proves that to Creon , but he is still not convinced. It is important for Antigone to do what she believes is so that she will be pleased and satisfied with the outcome. Antigone’s ability to pursue her goals and to what she wants

Poetics, where he defines what makes a tragic hero. Aristotle suggests that a tragic hero is a

Antigone has a possible flaw in that she is too stubborn and persistent to obey Creon’s order; “I know my duty, where true duty lies” (Antigone, 128). Her punishment then encourages feelings of pity from the audience because her deed was honorable and respectful towards her brother Polynices. The chorus supports this view by bidding her a respectful farewell when she is taken away, “But glory and praise go with you lady” (Antigone, 148). Antigone is also very proud, and this may have contributed to her death. Even when she is caught she remains strong and defends herself by claiming that the chorus thinks that her act was honorable, “All these would say that what I did was honorable” (Antigone, 139). This causes Creon to remain angry with Antigone, “you are wrong, none of my subjects think as you do” (Antigone, 140). If she had been more patient and less defensive, Creon may not have been as harsh in the punishment he set for her.

A tragic hero is a character in a play that is known for being dignified but has a flaw that assists in his or her downfall. Antigone is a Greek tragic piece written by Sophocles. In the theatrical production the use of power and morality versus law is evident. The promotion to the conflict was that Creon created a law in which enabled Polynieces, Antigone’s brother, to be buried in the proper way. As it is the way of the gods Antigone found it fit to bury her brother causing her to disobey the law of Thebes. Both Antigone and Creon, the main characters, could represent a tragic hero. However Creon is more eligible for being the tragic hero because he fits the definition. Aristotle’s idea of a tragic hero was that the character was of

One of the greatest Greek plays is Antigone. Antigone is a tragic Sophoclean play, which portray two great examples for a tragic hero. I believe Creon and Antigone, the main characters of the play to be tragic heroes. A tragic hero is a character who is known for being dignified and has a flaw that assists to his or her downfall. Both Creon and Antigone are dignified and flawed in their own ways, having a similar tragic flaw.

In the play, Creon and Antigone can be seen as good or bad characters. Both of them show traits of justice. Antigone wanted to save her brother, Polyneices, by giving him a soldier’s funeral with military honors. Creon realized his mistake of putting Antigone in a cave to die for burying Polyneices, and he tried to fix it. Unfortunately, he

Even though Antigone exhibits a blamable pride and a hunger for glory, her disobedience is less serious than those of Creon. It is evident that Antigone’s actions are driven by a love for her brother, and a desire to please the gods. While Creon’s actions are

Sophocles, a great tragedian, was the one who gave Greek tragedies their traditional form. An important part of traditional Greek tragedies is the presence of a tragic hero. All tragic heroes should have the characteristics of rank, a tragic flaw, a downfall, and a recognition of mistakes. The seemingly tragic hero is Antigone. She wants to bury her brother Polyneices even though this would be going against Creon, who is her uncle and the king. When Antigone buries Polyneices Creon sentences her to death because of it. In Antigone by Sophocles the tragic hero is not Antigone because she only meets the characteristic of a tragic flaw, hers being pride, but doesn 't meet the other three characteristics of a

This play features two characters with the human trait of pride. Pride can bring about great bravery in the case of Antigone and too much of it may lead to ruin as depicted in what happened to Creon. In the play Antigone is a martyr because she

Aristotle, an ancient Greek philosopher, defines a tragic figure as one who represents goodness, superiority, a tragic flaw, and a realization of their tragic flaw and inevitability. A tragic figure is normally someone of royalty, or importance, and also experiences a great devastation. A big flaw of a tragic hero is usually their pride. The figure will experience an ironic plot twist, where they realize things are not what they expected, and then are to face the reality of their fate. In, The Theban Plays, by Sophocles (translated by E. F. Watling), the characters Creon and Antigone represent tragic figures. In the play “Antigone,” Sophocles depicts the character Creon as a tragic hero. Creon portrays many characteristics of a tragic figure. His tragic story begins when makes the decision of becoming a hubris. A hubris is one who ignores the gods, and follows their own path. When Creon does this, his decisions greatly affect the fate of his loved ones; his son, wife and Antigone. Along with Creon, Antigone portrays a tragic hero in as well. Antigone’s tragic fate comes from her loyalty to her family and the gods. She chooses to stick to her own beliefs, rather than having obedience towards the king, and this was the cause of her downfall.

Second, Creon’s faults brought an endless life of pain upon himself. He carried an easily describable tragic flaw. Of course, this defect is a vital trait of the tragic hero of any work. Creon’s flaw was that he was stubborn. I could not reason what Antigone’s tragic flaw could be. I believe that if Sophocles wanted Antigone to be the tragic heroine, he would have stated it more clearly in the story. I am convinced that she was simply a victim of Creon’s stubbornness, therefore leading her away from the role of the tragic heroine. I would simply consider her as a type of “puppet” character that Sophocles ingenuously used to emphasize Creon’s flaw. Creon’s defect brings misery to his life, for that his stubbornness indirectly kills Antigone, Haemon, and Eurydice. This, of course, fits the definition of a tragic hero. This can be easily reasoned by simply reading the work.

Creon came into power when Oedipus was exiled and died. Throughout the play, Antigone, Creon exemplifies many characteristics. Some are selfishness, stubbornness, and pride. He is selfish because he does only want he wants to do and listens to no one else. He shows his stubbornness when he is unwilling to let Antigone live even

Creon said, ?...And whoever places a friend above the good of his own county, he is nothing: I have no use for him.? (203-205). Again, his high standards and honor for his country are shown in great detail: ?I could never stand by silent, watching destruction march against our city, putting safety to rout? (207-208). Creon shows a high sense of morality when he properly buried Eteocles, and then is showing his noble character by not burying Polyneices, who attacked Creon?s country; again his value of his country is shown. Creon is a good ruler because he like any king would punish evil and reward good. Creon is seen by the chorus to have ?goodness? and leadership. (Lines 691). The chorus praises Creon for his loyalty to the country after the great war, they look forward to his kingly rule and nobility in the future by saying, ?. . . Creon, the new man for the great new day?(Lines 173). Love of his country and his punishment of Polyneices show this great nobility and loyalty talked about by the chorus. Clearly Creon qualifies under the first criterion of being a tragic hero.

When you want to have a play that is a tragedy, a tragic hero is necessary. This tragic hero must be of high social standing. They must have a tragic flaw, something bad in their character, or make a bad decision that ruins a lot of people’s lives. The tragic hero in Antigone is Creon, the king. Creon is of high social standing because he is the king of Thebes. His major tragic flaw is he is arrogant.