##de And Cunegonde In William Shakespeare's Candide

    Candide on the surface is a witty story. However when inspected deeper it is a philippic writing against people of an uneducated status. Candide is an archetype of these idiocracies, for he lacks reason and has optimism that is truly irking, believing that this is the best of all possible worlds. Thus Voltaire uses a witty, bantering tale on the surface, but in depth a cruel bombast against the ignoramuses of his times.

This essay will examine the development of the character of Candide over the course of the text as well as commenting on the final conclusion that the protagonist comes to regarding the possibility or otherwise of achieving happiness.

Even though many people practiced this doctrine Voltaire did not aside with it instead, he implanted doubts on the chances of achieving true happiness and real conformism. Voltaire’s opinion was that one could not achieve true happiness in the real world but only experience it in an utopia. With the many hardships that Candide goes through ultimately leads him to abandon his attitude of optimism. Candide’s misfortunes and adversities often contrasted with his optimistic view on life. Noticeably, Voltaire uses this satirical piece as a way to criticize this exaggerated optimism. This tale as stated by William Bottiglia, “ Has had a great effect on modern writers who confront mankind’s inhumanity to fellow human beings by presenting the human condition absurdly, ironically, and humorously...” (Bottiglia 112).

Enlightenment philosophers wanted concrete, tangible proof to back their ideas. Pangloss, Candide’s friend and teacher, is a character that depicts the metaphysical side of the Old Regime. He is an optimist who believes that there is no effect without a cause and that everything is made for a reason and with a purpose. Voltaire portrays Pangloss as naive. Pangloss finds himself in trouble for studying and exploring the world before he becomes sure of himself and his ideas. Even after Pangloss’s troubles, he still refuses to stray from his thoughts and would rather believe his ideas than face reality. Another character that is depicted as naive and optimistic is Cacambo, Candide’s servant. Cacambo consoles Candide after his loss of Cunegonde. Cacambo claims that God takes care of all women and that they will never be at a loss. But Candide knows the sufferings that Cunegonde and the Old Woman have experienced. Cunegonde was bought, sold, and objectified throughout the novel, along with the Old Woman, who was beaten, raped, and treated with

Voltaire's Candide is a novel that is interspersed with superficial characters and conceptual ideas that are critically exaggerated and satirized. The parody offers cynical themes disguised by mockeries and witticism, and the story itself presents a distinctive outlook on life narrowed to the concept of free will as opposed to blind faith driven by desire for an optimistic outcome. The crucial contrast in the story deals with irrational ideas as taught to Candide about being optimistic by Pangloss, his cheerful mentor, versus reality as viewed by the rest of the world through the eyes of the troubled character, Martin. This raises the question of whether or not the notion of free will is valid due to Candide’s peculiar timing of his

Candide studied under Professor Pangloss, who taught him, we live in the best of all possible worlds. In the beginning, Cunégonde seeks out to have affectionate affairs with Candide. Unfortunately, they were discovered, which caused Candide to be ejected from the castle. This could symbolize the Biblical Fall. Like Eve, Cunégonde comes across the forbidden knowledge of sex and shares it with another person.

In the novel, Voltaire shows that Candide also expresses tyranny touching upon the values of power of reason and progress and potential. A specific scene on progress and potential states “He then informed the Baron that he was going to marry his sister. ‘I shall never allow her to disgrace herself so meanly,’ said the

In Candide Voltaire discusses the exploitation of the female race in the eighteenth century through the women in the novel. Cunegonde, Paquette, and the Old Woman suffer through rape and sexual exploitation regardless of wealth or political connections. These characters possess very little complexity or importance in Candide. With his characterization of Cunegonde, Paquette, and the Old Woman Voltaire satirizes gender roles and highlights the impotence of women in the 1800s.

Candide is a reflection of the philosophical values of the Enlightenment. Voltaire’s novel is a satire of the Old Regime ideologies in which he critiques the political, social, and religious ideals of his time.

Candide is a good-hearted, but very naïve young man from Westphalia. From the very beginning Candide had his eyes on a beautiful woman named Cunegonde who is the Baron’s daughter. Candide was chased from Westphalia after being caught stealing an innocent kiss from

Throughout the novel we follow, the main character, Candide, through his journey of reuniting with his beloved Cunegonde. The journey was very dangerous because throughout the novel, Candide was flogged, forced into an army, shipwrecked, betrayed, robbed, and separated from his love Cunegonde, and tortured by the Inquisition. Most of Candide’s misfortunes was mostly of robbery and abuse. Throughout the journey, Candide was able to acquire love and wealth. Though, both things were taken away from him. Cunegonde and Candide were separated frequently ever since that kiss they shared. As for the wealth, Candide kept flaunting it around and spent a lot of it unwisely. Therefore, the villainous characters in the novel were able to notice that Candide was a fool and noticed that robbing some of his wealth would be an easy task for them. Though, it was at this moment that Candide was fed up

Voltaire also illustrated in Candide that society as a whole places more emphasis on physical appearance than on inner beauty. Throughout much of the story, Candide is obsessed with the idea of being reunited with Cunegonde. Candide speaks of how beautiful his future bride is and of how much he really loves her. As the story concludes, Candide is reunited with Cunegonde only to find that she has become ugly. Candide has a change of heart and

The title character, Candide, is the illegitimate nephew of a German Baron (3). The Baron, throughout the book, always comes back to the fact that Candide has common blood, and refuses to let him marry his daughter (35). Voltaire uses this to show the pretentious, over inflated superior feeling that was common amongst the nobility of the time. The enlightenment was a period where people view point on the role of the kings changed drastically. The original theory of divine right, which stated that the kings were chosen and ordained by God to be the head of their states, was slowly replaced with the idea that the king was to serve the people and their needs. Enlightened despots such as Catherine the Great and Fredrick the Great enacted policies which were meant to lighten the burdens placed on the people. They built hospitals, decreased the amount of surfs and the harsh conditions, and even in some places built elementary schools. It was the enlightened despots whom Voltaire saw

The directing force of the journey in this novel is Candide’s love for Cunégonde. He goes to irrational lengths to chase his love which includes deserting paradise of El Dorado, numerous murders, and barely avoiding imprisonment and death sentence, mocked by the realism that once he can get married to Cunégonde, he is no longer fascinated to her.

In each adventure of the story Candide, Candide is on the path to his own enlightenment. Enlightenment comes through one’s personal trials and tribulations. Candide is an optimistic individual, and his story explains the view of Optimistic Philosophy. But, in the end of the story Candide abandons his optimistic views to be happy with the life he has come to create for himself. There are several other themes or motifs related to this story, and I am going to touch on seven of the obvious ones.