except the sail which is made out of a tiny piece of cloth. This type of model is classical, and

I think the artist is able to communicate the bad condition of the ship and its crew is in. The mood of the work is scary and gloomy. The design and intensity of the waves, the changing weather, and the ships in the ocean seem to make the scene come alive. It really conveys a since of naturalism in the painting the way it depicts the environment around the ship.

Examining the Ancient Egyptian civilization reveals much about the nature of its art. The art was mainly religious in content and purpose and, as the “religious dogma” remained unchanged for nearly 3000 years, so did the art (Piper, 1991: 24). Because Isis and Horus are divine beings, they had to be portrayed “with limited human expression” according to “strict formal conventions, in keeping with their divinity” (Mason, 2007:13). The sculpture is fairly flat on the back side of the throne, for the sake of functionality. It was not “intended to be seen in the round”, but was most probably placed against the wall of a tomb (Ancient Egypt – Myth & History, 2002: 439). In fact, this sculpture was not made

There is also a striking luminosity to the painting. The man and the woman’s faces appear to slightly glow, as if you can really see the reflection of the sun beaming off of their skin. This was achieved by a complex method of applying glazes. Wood would apply a layer of oil paint, allow it to dry, and then varnish it. This tedious process would be repeated numerous times. It was a process perfected by the 16th century Venetian painter, Titian. The series of glazes seems to have created an overwhelming sense of depth and radiance within the paint.

What makes the sculpture different from others of this time period are two things; the subject matter, in that it depicts no god, nor Pharaoh only a mortal human writing in a mostly illiterate society. Secondly it demonstrates age shown in sagging muscles and rotund belly. Due to this relaxed style we can gather that the subject is not a Pharaoh as it was dishonourable to insinuate that they aged as they were supposed to be gods on earth.

I chose to study and analyze J.M.W. Turner’s Slave Ship for this project and found it to be very interesting. Immediately while looking at the piece you get a strong sense of emotion and drama that is being portrayed. There is a lot of depth and warmth in the colors that are used and wide swift brush strokes to create the images. The first image that caught my eye was of waves crashing on the left side of the painting. The white tips of the waves are very noticeable against the softer shades of the ocean. Behind the waves is a ship which is the next part of the painting that drew my attention. The ship seems to be caught in the rough waves of the sea and barely able to keep afloat. There is a glimmer of light from the sun peeking through

There are many values within this print, but only constitute a handful of colors: Blue, brown, black, white, and gray. Blue is the main color within this print, there are many values of the color blue used. The deepest part of the waves are the darkest blue, while the parts of the waves closest to the surface are lightest blue or white. The sky has a gradient, which is going from the lightest color to the darkest color or vice versa; the sky is creating a gradient, from the bottom up, of black to a very light gray, then to a white-yellow. The colors chosen by Hokusai can also interpret feelings and emotions. The habitual feeling when seeing the color blue is sadness. Sadness and despair would be fitting emotions for this work, due to the giant wave about to crash upon the men in their boats. Blue can also emit a feeling of elegance. The composition of the print and how the lines of the wave flow can be considered a form of elegance.

"I'd encourage everyone to come and have a look at these beautiful boats - they're a great example of community-focused public art that reflect our area's cultural diversity and sense of place," Wollongong Lord Mayor Gordon Bradbery says.

During the bronze age the Flotilla Fresco was painted in a house in Thera Akrotiri. The house is located toward the west. The fresco is in room 5 of that house specifically. The Flotilla Fresco was a long mural that stretched across 3 walls. It was about 39 feet long. However, it was not a very tall mural. It only stood to be 17 inches high. Fresco is another meaning for “fresh”. This is because it is painted into still wet plaster. The paint is made from pigmented dust and water. Then once applied to the wall more water is added to push this mixture around. Using this method integrates the mural into the wall. It is estimated that the fresco was painted in about 1650 BC. A little bit before a volcano erupted and put parts of Thera in ashes. The fresco consists of a total of seven boats traveling between two land masses or islands. To the left there are lions chasing deer. The buildings on that side of the fresco are supposed to be Thera Akrotiri. In the water there are dolphins that swim along side the seven boats. The land to the right of the fresco seems to be some sort of festival or market.

Also they can be very unstable. Stepped hulls can also be the most thrilling type of boat because of the unnatural design and the feeling going so fast with the bow pointing more downward which differs from many other types of boats.

More specifically, the subordination of the sea with the boats allow the subject of the piece, the volcano, to stand out even though it is placed in the top right corner of the painting. The value of the white gives an intense saturation of the orange from the volcano. This allows for the night to seem smokey from the eruption. Also, the blackness of the water gives the illusion of

to make Odysseus' journey home a long and difficult one. The god of the sea

This image contains multiple realistic objects. The objects that are seen by looking at this artwork objectively include a bridge, six people holding umbrellas on the bridge, and someone rowing or paddling on a board in the water. Two of the umbrellas are yellow, two other umbrellas are grey, and one individual is attempting to cover their head by a jacket or a coat. The bridge is over a large body of water which is lighter blue is one area and dark blue in the bottom corner; also by looking in the background I see white objects that

When entering the room, people crowded around Monet’s pieces, which felt like an honor to see the type and techniques his work has. The colors describe the feeling of an early morning. The painting has a muted palette of blues, greens, and grays. The sunrise is orange and yellow which are surrounded by the clouds and smoke from steamboats. Three boats are shapes and visible while the rest fade into the distance. This painting is an example of plein air or outdoor painting. I also notice that Monet layered the colors so that when I viewed the painting from a far distance I knew what the painting was about however when I looked at it up close I saw brush strokes and

During early dynasty Egypt period, Egypt’s kings were reverted as gods in human form. So, Egyptian sculptor created statues of their kings and queens. After creating the statue

These elements give a person a better idea of the village's surroundings. Once the ship becomes real, it also could be considered a realistic element.