Chapter 5B Exercise 1 - Extra Exercise - Holy Digits Holy digits Batman! The Riddler is planning his next caper somewhere on Pennsylvania Avenue. In his usual sporting fashion, he has left the address in the form of a puzzle. The address on Pennsylvania is a four-digit number where: All four digits are different The digit in the thousands place is three times the digit in the tens place The number is odd The sum of the digits is 27 Write a program that uses a loop (or loops) to find the address where the Riddler plans to strike.

Chapter 5B Exercise 1 - Extra Exercise - Holy Digits Holy digits Batman! The Riddler is planning his next caper somewhere on Pennsylvania Avenue. In his usual sporting fashion, he has left the address in the form of a puzzle. The address on Pennsylvania is a four-digit number where: All four digits are different The digit in the thousands place is three times the digit in the tens place The number is odd The sum of the digits is 27 Write a program that uses a loop (or loops) to find the address where the Riddler plans to strike.

C++ Programming: From Problem Analysis to Program Design

8th Edition

ISBN:9781337102087

Author:D. S. Malik

Publisher:D. S. Malik

Chapter2: Basic Elements Of C++

Section: Chapter Questions

Problem 15PE: 15. Write a program to implement and test the algorithm that you designed for Exercise 15 of Chapter...

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Problem B. Musical Key ConversionThe chromatic scale is a 12-note scale in music in which all notes are evenly spaced: that is, the ratio of the frequency between any two consecutive notes is constant. The notes are typically labeled in the following sequence: A, A#, B, C, C#, D, D#, E, F, F#, G, G# After G#, the labels loop back and start over with A (one octave higher). To convert between musical keys, you can shift all notes in a piece of music a constant number of steps along the scale above. For example, the sequence of notes E, E, F, G, G, F, E, D, C, C, D, E, E, D, D can be converted to another musical key by shifting everything up three steps: E, E, F, G, G, F, E, D, C, C, D, E, E, D, D G, G, G#, A#, A#, G#, G, F, D#, D#, F, G, G, F, F Notice that G was converted to A#, since going three steps up required us to loop off of the top of the scale back to the bottom: G -> G# -> A -> A#. Technically we should note that this would be A# of the next octave up, but we’ll…