Caravaggio Essay

Upon walking into Gallery 250 of Boston's Museum of Fine Arts, one will find on the wall a particularly eye-catching piece of art. The piece, set high on the corner of the wall encompassed by pictures depicting scenes from the life of Jesus Christ, is Giulio Cesare Procaccini's The Scourging of Christ. In this piece, Procaccini's masterful use of light and shadows in a technique called chiaroscuro dramatically portray the torturing of Christ, and it is this very application of chiaroscuro that immediately

Artists and Artworks from the Baroque Period Nathan Hale American Intercontinental University Abstract The author of this paper examines three works of art from three different artists from the Baroque Period. He compares the different works of art and discusses similarities, differences, and the techniques that were used. The Baroque period ran from 1600 to 1770, Artist of that time used different techniques that were used during

Naples 1652/53) was a Roman painter, daughter of the painter Orazio Gentileschi and Prudenza Montone (who died when Artemisia was twelve). First of six children (all males), at a very early age was initiated to painting by her father, a follower of Caravaggio. In 1612 began the rape process, marked Artemisia’s entire life. She was fifteen years old and her rapist,

American art historian, explains that this painting shows how Gentileschi depicted her subject into the style of Caravaggio, who was her father’s teacher and famous for dramatic lightning (Strickland, 47). Based on these facts, some critics conjecture that Gentileschi may just have borrowed the dramatic story from the Book of Judith to express her technique that resembled that of Caravaggio. They argue that it is unreasonable and too subjective to relate Judith Slaying Holofernes with the identity of

as a biblical story telling inspiration come to life within the oil. Located at the Detroit Institute of Arts, the painting was a gift to the institute from Art collector Mr. Leslie H. Green in 1952. Artemisia was the daughter of a painter (and caravaggio influenced) Orazio Gentileschi, she was also the wife of little known artist

“He flaunted his originality, and mocked authority; he was fearless and belligerent, and in 1606 he killed a man, and spent his last years in exile. His greatest gift was for empathy, for making religious narrative new and vivid.” Caravaggio created many pieces of artwork that involved the subject of death, murder and sacrifice. One of the paintings that he created a strong connection with, is the painting ‘Salome’. The story of Salome is a biblical account that starts with King Herod. Herod had

Historically, the relation between art and science seems to be a relationship between literature and science, since literature is the most common and fastest-influenced art of social reality and its richest in terms of the multiplicity of expressive materials that convey people's feelings in order to convey their human message. The science from this angle also serves the practical needs of people and provides them with the knowledge of substantive laws and increases their interaction with nature

upbringing was left to her father, who was also a well-known painter. He trained her since she was not permitted to learn in the studios of successful artists of the moment. Orazio introduced his daughter to the working artists of Rome including Caravaggio, whose tenebrism technique and chiaroscuro style had a great influence on her paintings.

Artemisia Gentileschi and Saint Catherine of Siena are two women in Roman history that have perseverance and strength in a male dominated world in Rome, which can be seen in their legends (histories), popular memory, and presentation (churches). Artemisia Gentileschi was born on July 8th, 1593 in Rome (Bissell, 153). Her father, Orazio Gentileschi was a Tuscan painter and her mother was Prudentia Montone. Her mother died and Orazio raised and provided for Artemisia and her siblings. Although uncommon

After the establishment of his reputation as a painter, Caravaggio changed his interests to approach a wider range of public. In Judith Beheading Holofernes, for example, Caravaggio portrays a religious theme, which was an extremely popular subject during the 16th century. The most accepted theory is that the painting was created as a part of a commission for Ottavio Costa, a powerful banker, who kept it as one of his most precious belongings. The biggest pieces of evidences linking the painting