Maus I and Maus II - The Will to Survive
“Maus: A Survivor’s Tale”, and “Maus: And Here My Troubles Began”, are hit graphic novels about World War II, and tell the fictional stories of a soldier who survived the Holocaust. These two books are both purely about survival, but not in the way that you may think. Maus I and Maus II are both essentially telling us that survival may mean that you live through something horrific, but you may be a different person by the end of it.
The first book, “Maus:
Persepolis and Maus: Two Survivors and Their Stories.
Of the many items that help enhance the horror of the Nazi Holocaust, one of the most notable is what it had of systematic and bureaucratic. Not only killing people, which would have had already been enough, but precisely being made in a quiet and civilized way. It is not strange the image of the Nazi leader quoting his favorite poet while sending to death hundreds of people, belying the myth that culture and education make people better. The
Art Spiegelman’s Maus, is a unique way of looking at history. Through the use of comics, Spiegelman allows the reader to draw their own conclusions within the parameters of the panes of the comic. Unlike reading a textbook in which the author describes every detail about the subject matter, comics allow for the reader to draw their own conclusions from the information given to them. Also by reading a serious comic such as Maus, we are able to break away from
Maus has an interesting
In Art Spiegelman’s Maus and Eden Robinson’s Monkey Beach post memory is explored. Marianne Hirsch defines post memory as:
“Postmemory” describes the relationship that the “generation after” bears to the personal, collective, and cultural trauma of those who came before-to experiences they “remember” only by means of the stories, images, and behaviors among which they grew up. But these experiences were transmitted to them so deeply and affectively as to seem to constitute memories in their own right
In the book Maus it shows many structures in the way the animals are portrayed. The Jews being drawn as mice; mice are known to be small and dependent. As the Germans being drawn as cats; cats being bigger and more independent tend to eat mice. Nazis haunt torture and kill the weak Jews just like cats. It is an analogy, cats and mouse. The mouse is a symbol for subordinate and the cat is supremacy. Spiegelman’s meaning for drawings the character like that has a totally different approach. His main
Maus is a tale about a young man who is in search for answers about his own life and his father’s life. Vladek Spiegelman is a survivor of the holocaust who reconnects with his son Art Spiegelman by telling him stories of his past. Art creates a well-written comic tale about the Holocaust and the relationship he has with his father. This survivor’s tale takes you back to the Second World War to tell us a story of a Jew who hardly survived life.
The story opens with Art visiting his father to get
December 17, 2015
Comparison and Contrast of Maus and When the Emperor was Divine
Art Spiegelman’s Maus, the book was evolved around second generation trauma in father and son relationship. The novel, When the Emperor was Divine by Julie Otsuka was about a five different narrative perspective with the family 's internment experience in the voices of the mother, daughter, son, and father. Each of the characters have their section for the book
Hotel where the Torrance family is snowed in for the winter which leads to some unfortunate events. Maus I: a Survivor’s Tale: My Father Bleeds History is a 1986 graphic novel by Art Spiegelman about the story of his father during the Holocaust. Both of these novels are good stories that are filled with episodes and events that are demonstrated differently. Although the plots of The Shining and Maus 1 bear some minor similarities, the difference between them are more clear, which includes whether
Maus: A Survivor's Tale, by Art Spiegelman, tells the story of his father's survival in Auschwitz during the Holocaust, as well as about Art's relationship with his father, brought out through the interview process and writing the two books. The subject matter of the two books is starkly juxtaposed with the style in which it was written, that is, it is a graphic novel. In most simple terms, the story is told in a sort of comic, with characters represented as animals based on their race or nationality
Art Spiegleman's comic book within the comic book Maus is titled "Prisoner on the Hell Planet: A Case History." This text within a text describes, in horrific detail through pictures, Artie's failed effort to get through the painful loss of his mother due to suicide. This text also in a way, represents a part of Artie's mind where he expresses his feelings of loneliness, doubt, fear, anger, and blame through the form of a dark, gloomy, depressing cartoon.
In the first frame
Review of Maus: A Survivor's Tale by Art Spiegelman
The holocaust was a terrible war that killed many Jewish people. Valdek was extremely lucky and he was one of the very few Jews who lived and made it through the war. Although he is still a live he will never be able to forget the terrible things the Nazis did to the Jews. The things he learnt in the concentration camps will always affect his life and after reading Maus the reader can see many different ways that the holocaust effected Valdek’s
Yet, both critics agree that postmodernist literature is depthless. Spiegelman’s Maus series is a metafiction, which tells the story of Art Spiegelman’s journey of writing this novel through the present-day retelling of Vladek Spiegelman’s life during the Holocaust. However, as a postmodernist text, Jameson and Baudrillard calls it depthless and an “unreal” representation. Nevertheless, the representation of Maus presents the characteristics of a postmodernist text, but argues that it is not depthless
Art Spiegelman’s Maus is a famous, Pulitzer Prize winning tale about the journey of a Jewish Holocaust survivor. Despite the amount of similar storylines, Spiegelman’s creativity with the normal elements of comics has won him high praise. This analysis will focus on Spiegelman’s unique twist on icons, layouts, diegesis, abstraction, and encapsulation as displayed by Maus.
Icons are pictures that are used to embody a person, place, thing, or idea. McCloud hammers this concept home by drawing
Comparison of Maus and Night
The Holocaust was a traumatic event that most people can’t even wrap their minds around. Libraries are filled with books about the Holocaust because people are both fascinated and horrified to learn the details of what survivors went through. Maus by Art Spiegelman and Night by Elie Wiesel are two highly praised Holocaust books that illustrate the horrors of the Holocaust. Night is a traditional narrative that mainly focuses on Elie’s experiences throughout the holocaust
Since the publishing of the comic book MAUS, there has been a broad debate not only from the survivors of the Holocaust but within the Jewish community pertaining to the appropriateness and representational meaning of the Holocaust in the modern literature. Many people who participate in the discussions or read the book have perceived the comic fashioning of the book as trivial, hence making the book appear as mocking, derogatory and comedic. Nevertheless, this is not the
also plenty of mistrust for prior friends and neighbors. In the graphic novel, “Maus (Volume I and II) Vladek Spiegelman makes it very clear to his son, Artie, that one cannot count on their friends. He makes the point that in time of hardship, friends will abandon you quite quickly. Vladek says, “Friends? Your friends…if you lock them together in a room with no food for a week…then you could see what it is, friends! (Maus, VI. 5-6). Throughout the novel, we see examples of this gloomy point proven
Both Maus, written by Art Spiegelman, and Life is beautiful, directed by Roberto Benigni have two very different portrayals of the holocaust and their main characters both have different strengths that allow them and their families to keep afloat during the Holocaust. Vladek and Guido use their individual strengths to survive the prison camps and help their loved ones to survive as well. Both Vladek and Guido have families they need to keep track of while living in the harsh environment of the concentration
and his childhood and innocence destroyed and changed his identity as a result of his experiences during the Holocaust. Vladek Spiegelman, a Polish Jew in the book Maus written by Art Spiegelman, struggles through life during this European catastrophe, but does not portray a memory as affecting as Elie Wiesel’s. Night and the book Maus both contextually focus on survivors of the Holocaust, but Night illustrates a more graphic and realistic memory of this gruesome event. The portrayal of memory has
Holocaust in which millions of Jews were killed. Maus tells the story of father who was a Polish Jew at the time of the Holocaust. Maus is also portrayed visually with high angle shots, low angle shots, curved lines, shadows and rule of thirds. Art Spiegelman drew his graphics in specific way, which was to grab the reader’s attention more to the pictures rather than the words because a photo can explain a thousand words. There are two underlining stories in Maus. One story is telling how Vladeck survived
Amber Yvette Bazan
Dec. 3, 2014
Maus: Response Paper 1
In chapter one of Maus by Art Spiegelman, Artie sets out to visit his father, Vladek, in Rego Park after being away for nearly two years. Vladek has remarried to Mala after Artie 's mother 's suicide. Artie convinces his father to tell him his story so that he may write a book about his life in Poland and the war. Vladek begins his story by explaining how he met Artie 's mother, Anja. In the beginning of chapter
Artie Spiegelman’s Graphic Novel Maus, he uses pictures to describe his father’s journey through the Holocaust. Vladek loses almost everything he loves his business, home, and most of his family. This tests his character throughout the story and ultimately results him being bitter towards life after. However the Holocaust forces Vladek to rely on inanimate objects to get him through this time. He confuses people and things as a sense of coinage. In the story Maus, Vladek’s ordeal through the holocaust
The Swastika in MAUS
The image of the swastika pervades Arthur Spiegelman's graphic novel MAUS. In a work where so much of the Holocaust has been changed in some way - after all, there are no humans in this version, only cats, mice, dogs, and pigs - we must wonder why Spiegelman chooses to retain this well-known emblem. To remove it entirely or replace it with another, invented symbol would completely disorient the reader; but some might claim that this is the effect at which Spiegelman is
December 7th, 2014
Animalization and Identity in Maus
Art Spiegelman utilizes animals as characters in Maus to great effect. His decision to use animals instead of people is an important one; by representing racial and national groups in a non-normative fashion, he focuses the reader’s attention on the concept of identity, a concept that is often times entirely taken for granted. Identity, and the process by which one’s identity may be formed, is multi-faceted
do feel the psychological effects. For this reason Artie and his father could never connect. The Holocaust built a wall between them that was hard to climb. Artie makes an attempt to overcome the wall between him and his father by writing the comic Maus about his father’s life in hopes to grow closer to him and understand him better, yet he struggles in looking past his father’s picky habits and hypocritical attitude.
Artie’s father, Valdek, as he knew him growing up was stingy. He was stingy
which has proven to be a struggle for visual learners. Graphic novels offer value, variety, and new medium for literacy that acknowledges the impact of visuals. Novels such as Maus by Art Spiegelman and The Sandman (vertigo) by Neil Gainman, not only appeal to visual learners, but are useful across all curriculums.
Maus and The Sandman offer different style narratives and visuals that reflect the diverse nature of graphic novels. The variety in compositions between these two demonstrate the strengths
Maus and the Psychological Effects of the Holocaust
The Maus books are award-winning comics written by Art Spiegelman. They are the non-fictional stories of Art and his father, Vladek. In the book, Art Spiegelman is a writer, planning to portray Vladek’s life as a Jewish man during WWII Europe in comic book form. While Art gathers information for his story through visits to his father’s house, much is learned about their relationship and individual personalities. Through this analysis, Maus becomes
feeling to capture. The graphic novel Maus, written and drawn by Art Spiegelman, illustrates himself trying to relate with his father, Vladek, by having him recount his story as a Holocaust survivor. The novel deals with Artie’s struggle to understand the Holocaust and his father’s situation as best as he can without having lived through it; he wishes he could have known what his father went through and could comprehend his situation. The postmodern story of Maus uses the drawings of his characters
Books such as Maus, A survivor’s tale by Art Spiegelman, and Anne Frank by Ann Kramer. Spiegelman presents Maus in a comical format; he integrated the significance of Holocaust while maintaining the comic frame structure format, whereas comic books are theoretically supposed to be entertaining. Also, Maus uses a brilliant technique of integrating real life people as animal figures in the book. Individually, both stories involve conflicts among relationships with parents. Furthermore, Maus jumps back
When reading a traditional book, it is up to the reader to imagine the faces and landscapes that are described within. A well written story will describe the images clearly so that you can easily picture the details. In Art Spiegelman’s The Complete Maus, the use of the animals in place of the humans offers a rather comical view in its simplistic relation to the subject and at the same time develops a cryptic mood within the story. His drawings of living conditions in Auschwitz; expressions on the
When beginning to understand Art Spiegelman's 1991 Maus, one must also remember that no literary work exists within or around a vacuous context, and that each piece of literature is ultimately influenced by the social and cultural contexts of both the author and the reader. This graphic novel is no exception. Each of the six sections within the book is framed with bits of the interactions between Vladek and Art during the interview that seemingly occurred to form the book. This framing acts as a
control the development of collective perceptions, memories and emotions and especially fear by investigating the techniques through which this control is maintained. Maus I is a true account of a Holocaust survivor, Vladek Spiegelman, and his experiences as a young Jew during the horrors leading up to the confinement in Auschwitz. Maus II is about Vladek recounting his own history to his son Art Spiegelman and the complicated relationship. As the reader delves into the relationship of the two within
The books Maus I and Maus II are biographical comic books written and illustrated by Art Spiegelman. In these books Spiegelman tells his father’s story of survival through the horrors of the Holocaust. Spiegelman simultaneously presents an inner story of the conflict between him and his father, Vladek Spiegelman as both he and his father try to come to terms with the past, and work to have a normal life. This feelings of tension and conflict suffered by Vladek and Art in Maus I and II is caused by
English 4 Honors
04 February 2016
Wit in a Bottle
Knowledge is the key to power. The Holocaust was one of the most devastating events in human history. Maus is a graphic novel told about Art Spiegelman’s father Vladek, a holocaust survivor. He was one of the many millions persecuted for who they were. They lose jobs, homes, freedom, and the list goes on. On top of that the Holocaust was not something Jews could run from. They had curfews and needed permission to leave. What
we tend to disregard the effect of the perpetrator also known as the soldier who fought in the war and the victims who experienced the tragedy as bystanders, instead the focus is more on the mass destruction of bombings in communities. In the book “Maus” by Art Speigelman and film “The Best Years of Our Life” by William Wyler, the narrator takes us into a world of war where the behavioral changes in the victims is brought up as a result of the war that takes place. The novel and film display’s another
The two novels: Maus and The Commandant of Lubizec, are two remarkable portraits and classic work of the Holocaust literature. Though these books are vastly different, they have some similar characteristics of the way the camps and jews were organized and treated throughout the war. Maus is a comic strip of the author’s fathers time during the war and the aftermath it had on his life. The Commandant of Lubizec is actually a fiction novel based on historical fact and the testimoney of survivors
I chose Maus by Art Spiegleman. To be honest, I learned about the book from a television show, Comic Book Men. They were talking about a graphic novel that won the Pulitzer. That peaked my interest, so I decided to research the topic of the book. When I discovered that it was an autobiography about a complex relationship between a father and son, I firmly wanted to read it. The son learning of his father’s story of the holocaust was his way of to understand himself and his heritage and the journey
In the comic book Maus, Art Spiegelman shows the readers what people endured during the Holocaust terror. Art mostly spoke about persons of Jewish descent. He utilized great imagery, and characteristics to allow readers to get a mental image and painting of the immense pain and suffering Jews endured during the Holocaust. His use of symbolism of mice and cats helped to show how Jews were just pawns, and experimental factors to Germans. Art allows for the reader to see how terrifying and horrific
treasure the most precious gift I have - life itself.” (Anderson, 2015). The graphic novel, Maus, by Art Spiegelman conveys a message similar to that of Fitzgerald’s Babylon Revisited. If a man has hope and perseverance he can realize and truly appreciate a second chance.
The protagonist in each novel is a man who has faced great diversity, Charlie in Babylon Revisited does so by his own accord while Vladek, in Maus, hid from the Nazi’s in Poland during World War II. Charlie made a lot of money in the
same. Masks are used to conceal an appearance and assume the identity of another. Metaphorically, masks can be used to hide feelings, to protect oneself, and to block out the outside world. Many of these examples are shown in Art Speigelman 's Maus.
During Maus, the illustration of masks is made very obvious. The features are pronounced and it is very clear that the characters are wearing masks. The illustration of these masks is not to be ignored- there must be a message hidden beneath them. Speigelman
we tend to disregard the effect of the perpetrator also known as the soldier who fought in the war and the victims who experienced the tragedy as bystanders, instead the focus is more on the mass destruction of bombings in communities. In the book “Maus” by Art Speigelman and film “The Best Years of Our Life”, the narrator takes us into a world of war where the behavioral changes in the victims is brought up as a result of the war that takes place. The novel and film help display another view and
book. Brilliant, just brilliant.”
-Jules Feiffer (1)
This is a commentary by Jules Feiffer about “Maus”, which is a survivor’s tale created by Art Spiegelman. As you can see from the commentary, this is a wonderful story, not only its the writing but also the art. The author made the story interesting that attracts many readers by changing many things from the first 3 –page version of Maus.
To analyse this story, first of all, we need to understand about the writing of this story.
personality underwent a huge change due to his experiences during World
War II. His personality is so dynamic and it was the experiences that he made during the Holocaust that
changed him so dramamtically.
In the beginning of Maus the reader is thrown into a scenario of the Author, Art's, many visits to his
father's. Art and his father, Vladek starte a conversation about Vladek's past, but Vladek is very reluctant
to discuss his past with anyone Vladek seems to be
Personal, Social, and Cultural Contexts Established by the Frame Story in MAUS
The use of the frame story, an overarching narrative used to connect a series of loosely related stories, pervades literature. An example of a frame story on a large scale - tying together a whole book-length work, not a simple short story - can be found in Art Spiegelman's graphic novel MAUS. Each of the narrative's six sections is framed with snatches of the interaction between Vladek and Art during the "interview"
The stories Maus and The Woman Warrior that we read this semester seem very different from each other, but I think that they both contain similarities and can be contrasted readily. The Woman Warrior by Maxing Hong Kingston like Maus by Art Spiegelman deals with storytelling and tradition derived from racial issues. These books are not merely based on race though. Culture, identity, language, heritage, history, and discrimination are all components in the compositions of Maus and The Woman Warrior
Schindler’s List vs. Maus
A powerful and provocative graphic novel, Maus, generates a Jewish individual’s life of grotesque and horror. With its ability of perception and interpretation, it tackles the main points of the ominous Holocaust and delivers a spooky aura to the absorbed audience. In comparison to Schindler’s List, the graphic novel shines brightly than the pale movie due to its realism and humor that is constantly present throughout the storyline. The novel has the ability to connect
The books Maus I and Maus II, written by Art Spiegelman over a thirteen-year period from 1978-1991, are books that on the surface are written about the Holocaust. The books specifically relate to the author’s father’s experiences pre and post-war as well as his experiences in Auschwitz. The book also explores the author’s very complex relationship between himself and his father, and how the Holocaust further complicates this relationship. On a deeper level the book also dances around the idea
Identity in Hurtson’s Their Eyes Were Watching God, Kingston’s Woman Warrior, and Spiegelman’s Maus
Despite being a very diverse literature genre in terms of influence and inspiration, North American literature encompasses many works that share some very common thematic elements. Though there are several themes shared, one in particular can be found in most any work – the importance of identity. Particularly in some selected pieces yet to be named, identity is a very important element, not only
physical, and social adaptation. Because of this, one’s morality begins to erase. It is in the adaptation of living in a merciless world that the line separating right and wrong begins to blur. Primo Levi’s Survival in Auschwitz and Art Spiegelman’s Maus, both represent how morality and ethics are challenged in the means of survival.
"Man is bound to pursue his own ends by all possible means, while he who errs but once pays dearly." (Levi 1.3). In one short sentence, Levi sums up the situation: its
The Holocaust was and still is a tragedy that is talked about today among many scholars. There are many ways people have attempted writing about the Holocaust, but not all are the same such as Art Spiegelman with his two-volume book Maus: A Survivor’s Tale, which is about his own father’s tale of the Holocaust told through comic medium. Many scholars and writers think that this ironic and experimental approach to the Holocaust is undercutting what really happened. However, within this
“Experience demands that man is the only animal which devours his own kind, for I can apply no milder term to the general prey of the rich on the poor” (Thomas Jefferson). In the graphic novels Maus I: A Survivors Tale & Maus II: And Here My Troubles Began by Art Spiegelman, he uses animal imagery to portray the predator-prey relationship that the Nazi regime shared with the Jewish population. Based on the alienation of the Jewish “race” albeit “not human” and the superiority that the rest of the