Maus Essay

Maus portrays the events of the holocaust in a distinctive way. Art Spiegelman uses illustrations to legitimately create a picture of the series of events. The illustrations are a little bit off historical accuracy and are some what biased. The author portrays the three cultures, the German, the Jews, and the Polish as animals. He uses dogs to represent the Germans, pigs to represent the Polish, and mice to represent the Jews. These historical inaccuracies were probably made to better represent the

In the graphic novel Maus II by Art Spiegelman the story follows the author and protagonist, Art, as his father retells his experience throughout the Holocaust. The story switches between the present of Art's father, Vladek, telling the story and Art and his wife, Francoise, and their experience in staying with Vladek for a couple days, and then back in time to vivid flashbacks of Vladek's time in the concentration camps. In the past Vladek appears resourceful, caring and personable, but when switched

In the book Maus it shows many structures in the way the animals are portrayed. The Jews being drawn as mice; mice are known to be small and dependent. As the Germans being drawn as cats; cats being bigger and more independent tend to eat mice. Nazis haunt torture and kill the weak Jews just like cats. It is an analogy, cats and mouse. The mouse is a symbol for subordinate and the cat is supremacy. Spiegelman’s meaning for drawings the character like that has a totally different approach. His main

In Art Spiegelman’s Maus: A Survivor’s Tale Volume One and Two, depicts the horrors of the Holocaust and the impacts that it had on the people affected. Spiegelman is able to do this so differently than the people before him, taking his father’s personal story and turning it into a graphic novel. This is a different and interesting way to depict this historic time adding that much more to the story. Spiegelman is able to pair the story with visuals to add to the telling of his father’s trauma in

Maus I and Maus II, a graphic novel that is broken down into two books, illustrate the gruesome effects of the holocaust (1986, 1991). Maus I and II by Art Spiegelman tells a story of his father Vladke, and his experience’s during the Holocaust as a Polish Jew. He illustrates the graphic novel with mice representing the Jews and cats representing the German Nazis. Spiegelman articulates Vladek’s story of how the Germans took over the Jew’s homes and businesses, and made them victims of work labors

relationship with the public. His survivor’s guilt drives him to create MAUS to try to understand his parents’ suffering. Furthermore, he feels obligated to correctly convey the unimaginable evils of the Holocaust to the public, because doing so unsuccessfully would be a disservice to his parents and all those who suffered during the Holocaust. This is a very difficult task, which is shown by the public reaction to MAUS. Although MAUS is commercially successful, Artie is frustrated by the public and feels

event that everyone prays will never happen again. Many people just tried to survive through the ordeal; many did not. If you survived it was either because of luck or some sort of economic advantage. We see this theme in Art Spiegelman 's book Maus. Many of the situations Vladek, the main character, finds himself in, he would have never mahde through without luck and/or his socioeconomic status. Vladek witnesses people, family members, sent to the camps and die around him, yet he lives. Why

Vladek remarks to Artie that “About Auschwitz, nobody can understand” (64). Is Maus more the story of a son trying to understand his father or trying to understand the Holocaust? Why do you think Art Spiegelman chose to include himself and the interview process so prominently in the graphic novel? Does this help or hinder the narrative? The books Maus and Maus II, are graphic novels by Art Spiegelman. In Maus and Maus II ,Art Spiegelman includes himself in the books and is portrayed as the character

The books Maus I and Maus II, written by Art Spiegelman over a thirteen-year period from 1978-1991, are books that on the surface are written about the Holocaust. The books specifically relate to the author’s father’s experiences pre and post-war as well as his experiences in Auschwitz. The book also explores the author’s very complex relationship between himself and his father, and how the Holocaust further complicates this relationship. On a deeper level the book also dances around the idea

When beginning to understand Art Spiegelman's 1991 Maus, one must also remember that no literary work exists within or around a vacuous context, and that each piece of literature is ultimately influenced by the social and cultural contexts of both the author and the reader. This graphic novel is no exception. Each of the six sections within the book is framed with bits of the interactions between Vladek and Art during the interview that seemingly occurred to form the book. This framing acts as a