The Stranger Essay

Emmanuel 1 Emmanuel Cann Mr. David English IV 10/16/17 The Stranger The Stranger was originally written by Albert Camus in French. It was later translated into English and some of its meaning must have been lost. The original title was L'etranger which translates loosely to many different words. Meursault is a character of scarce conversation, as well as emotion. But Meursault shows clear evidence of sociopath

World Literature Ms. Megan Wall Jin Woo Lee September 23, 2015 The Stranger Essay: Topic One The Stranger, written by a famous French philosopher Albert Camus, tells a story of a young Algerian man, Meursault, who perceives his life, values, behavioural norms differently from other people in his society. Throughout the course of the rest of the novel, readers can easily notice Meursault as a detached and indifferent character who shows difficulty in expressing his emotions. However, by characterising

Georg Simmel’s The Stranger refines the sociological use of the word “stranger” through his unique elaboration of its meaning and place in the world. Simmel employs the word “stranger” to label a group of people who have a certain amount of nearness and remoteness, are objective, and are socially and economically mobile within a society. In this essay I will focus on one particular aspect of the stranger; Simmel discusses the stranger’s relationship with society as: “despite being inorganically appended

Albert Camus' influential novel, The Stranger, a great work of existentialism, examines the absurdity of life and indifference of the world. This paper provides a summary of the novel, and outlines some of the novel's main themes. The novel's protagoinist, Meursault, is a distanced and indifferent young man. He does not believe in God, and lives his life with seemingly sensuous abandon. After Meursault is caught up in the life of a local pimp, he rather inexplicably murders a young man on the

The Stranger The Stranger exhibits a society that has confined itself with a specific set of social standards that dictate the manner in which people are supposed to act. This ideology determines the level of morality, and how much emphasis should placed on following this certain "ethical" structure. Albert Camus's main character, Meursault, is depicted as a nonconformist that is unwilling to play society's game. Through Meursault's failure to comply with society's values and conform to

The elaborate synthesis of light and reflection yields the mise en abyme of truth, persistently developing the core of The Stranger. Creating a contrast and a balance between intensity of action and the mundane, chapter two is slow paced compared to the abundance of narrative voice transpiring chapter one. Chapter two is an initiation into the world of Meursault’s quotidian reality of emerging salient features of Meursault’s world. The novel creates motion in the whole world and achieves a density

During The Stranger interactive oral, we debated the progression of Meursault’s character throughout the novel, arguing over whether he moves from a nihilist to an absurdity standing or vice versa. We came to the conclusion that he transcends from nihilist to absurdist. Nihilism is essentially the degradation of traditional beliefs, values and customs, while absurdism states that the universe is irrational and one’s search for meaning presents challenges. When I first read “The Stranger”, I was confused

Who is the Stranger? Have you ever seen the title of a book and instantly knowing what the content of the book might be? Well, that probably has happened to many of us. The reason why, is because sometimes the titles given to books or magazines are the primary focus of the plot within the story. In the book, The Stranger by Albert Camus shows how the title has a significant meaning in the story. The main character is affiliated with the title. However the other character also share char The book

The existence and purpose of human live has always posed a question for society. To answer this question, philosophers ponder Existentialism. Existentialism is the philosophy that humans exist for no true purpose and that each individual changes essence in his or her lifetime by finding meaning in life through freewill, choice, and personal responsibility without certain knowledge of right and wrong. This theory gained popularity in the mid-1900s after WWII caused many people to lose hope in an ordered

Strangers on a Train, directed by the well-known Alfred Hitchcock, is a psychological thriller produced in 1951. In brief, the film consists of two strangers who meet on a train: Guy Haines, a young, handsome, and wealthy tennis star, and Bruno Anthony, a vile but yet charming and convincing psychopath. Shortly after befriending the young tennis star, Bruno suggests his theory that because they dislike someone greatly, he and Guy should swap murders and in that way neither will be caught by the police