Cinderella and the Princess Culture Essay

which only the prettiest can succeed by finding their true love? In the article “Cinderella and Princess Culture”, the author, Peggy Orenstein, believes that princess culture is detrimental to young girls. She believes these movies teach all the wrong lessons, like judging oneself based on looks rather than teaching them to live independently.

“The Princess Paradox” vs. “Cinderella and Princess Culture” In the article “The Princess Paradox” and “Cinderella and Princess Culture” there are several different approaches that Orenstein and Poniewozik take to get their points across. Over the course of both articles there is a common theme that is displayed. While both authors address the possibility that princess culture has an effect on girls, Poniewozik uses movies to emphasis his claim, and Orenstein uses the product that disney sells to

“The Princess Paradox” and “Cinderella and Princess Culture” Authors James Poniewozik and Peggy Orenstein are both concerned with the increase of princess culture among young girls. Poniewozik’s article “The Princess Paradox” and Orenstein's article “Cinderella and Princess Culture” discuss similar aspects of princess culture that could be potentially harmful to it’s audience. Both Poniewozik and Orenstein take on a feminist perspective in their articles. Specifically, both authors discuss feminist

knight in shining armor, a perfect wedding, and a “happily ever after” life. Disney princesses give them hope to find love and happiness, along with emphasizing their want for the beauty and grace princesses represent. Authors of “Cinderella and Princess Culture” and “The Princess Paradox,” Peggy Orenstein and James Poniewozik, respectively, agree most girls adore princesses. However, these articles convey differing parental opinions about lessons exhibited from princesses and the unfavorable effects on

there have been countless princess movies or so-called “Cinderella” films. However, the general message that each one of these movies have given has changed as time has progressed. With this change, expectations placed on the princesses have been modified as well. This change in expectations has been thoroughly discussed by two authors, James Poniewozik and Peggy Orenstein. Poniewozik, a media and television critic for Time magazine, wrote an article entitled “The Princess Paradox” where he discusses

In the article “Cinderella and Culture” Peggy Orenstein voices how the princess movement is damaging young girl’s minds. Similarly, James Poniewozik in the “Princess Paradox” is against the princess movement, but shifts his point of view and discusses how it could be empowering for young girls. While both authors have a feminist point of view, Orenstein focuses more on how the princess movement is damaging young girl’s minds, while Poniewozik seems more concerned with how the movement can help young

that letting little girls fantasize and indulge in their princess obsessions may bring more than pink sparkles into their lives. When Peggy Orenstein’s three-year-old daughter entered the “princess phase”, Orenstein became increasingly frustrated and concerned. As a feminist, she worried about the negative and damaging effects the princess obsession would have on her daughter’s self-esteem. In her article, “Cinderella and Princess Culture”, Orenstein openly makes the case that loving princesses

Princesses In “Cinderella and Princess Culture,” Peggy Orenstein compares girls lives to princesses. Society is stereotyping girls as princesses negatively impacting girls well being. As a result, Orenstein claims society should stop stereotyping girls as princesses and have parents limit the girl's exposure to them. Orenstein proves her claim by stating playing with princesses lowers girls self-esteem and can harm their mental and physical health. Orenstein also states the word princess is such a broad

classic fairytale of Cinderella has been reinvented multiple times to correspond with the viewpoints of feminist authors. Poniewozik claims in his article "The Princess Paradox" that "girls choosing the fairy-tale ending is not such a bad thing" (667). However Peggy Orenstein, a contributing writer for The New York Times, would completely disagree with that statement. Orenstein stresses in her article Cinderella and Princess Culture that the "princess craze" and "girlie-girl" culture is ruining young

viewing Disney movies, wearing princess gowns, and buzz lightyear suits. The parents of these children are the individuals purchasing these Disney costumes, toys, candy, and other related items for their children. Our society today accepts Disney and their culture of entertainment as a part of a child’s childhood experience without second thought. Elements of the fairytale of Cinderella has adapted over time to please the culture in which it is told; yet in today’s culture, adaptation to these elements