Death of socrates

The Death of Socrates resides in the Metropolitan Museum of Art. It is by Jacques Louis David, a French painter from the eighteenth century. This particular piece was done in 1787 about an event that occurred 399 BC. Socrates was faced with a legal decision to renounce his teachings or drink a cup of hemlock, killing himself. Socrates’s teachings were hugely influential in Greece at that time and it sparked recognizable change in Athens particularly. Athenian authority saw his revolutionary thought

of art that I chose is The Death of Socrates, painted by Jacques Louis David in 1787 and exposed at the MET. This painting is oil on canvas. In person, it looks much bigger than I expected; in fact, it measures almost 1.3 meters in height, and almost 2 meters in length. The colors are a little dull, especially in the areas far away from Socrates, who is the focal point of the painting. Through a detailed work of colors, lights and shadows, the emphasis is put on Socrates and on his followers close

Five Dialogues and studying the trial, the imprisonment and death of Socrates I was left with many wandering thoughts about death. What stood out to me about the trial of Socrates was his will to never give up on what he believed and Socrate’s lack of remorse (borderline humor) towards the jury or any Athenians who thought otherwise. What stood out to me even more was that he had no fear of death. In this paper I will argue that death is the ultimate study of philosophy and is not feared by the

The Death of Socrates “The Death of Socrates” was painted by a French painter . His name was Jacques Louis David. The painting represents the scene of the death of Greek philosopher Socrates. He was condemned to die by drinking hemlock for the expression of his ideas against those of Athens' and corrupting the minds of the youth. The painting also depicts both Plato and Crito, with the former sitting at the edge of the bed and the latter clutching the knee of Socrates. Socrates had the choice

his life determined, Socrates was sentenced to death. Though, he was not surprised that they found him guilty and sentenced him to death, it was quite peculiar the outcome of the votes that found him guilty were not vastly far apart compared to the people who voted to sentence him to death. While pondering over he thought of his death, Socrates gave his own perspective on the possibilities on what could be after he is executed. Though he gave a relatable perspective on death which was relatively

In the painting, The death of Socrates as elaborated in the video shows emphasis through the choice of color, placement and implied line as well as directional forces. For example, Socrate is placed in the middle of the painting with a white brilliant colored robe beside a man that is giving him a cup of poison with a brilliant red robe. The use of these colors create the contrast between death and blood with life and purity. By placing Socrate by himself helps create more attention to his figure

The Trial and Death of Socrates, depicts the different stages of Socrates’s life, from his prosecution until his execution. During the narratives, Socrates gives us, as readers, insight towards his beliefs and philosophy, which are viewed as reasons for his imprisonment. Phaedo’s recollection of Socrates’s last few hours alive, reveals Socrates’s most important belief, that the soul is an entity which is immortal and is valuable during and after life. All perceived lusts, greed, and fear are caused

Socrates’ Wrongful Death Imagine watching a man voicing his beliefs and opinions only to be put on trial for a crime he did not commit. This was the case for Socrates, who was a brilliant philosopher during Athens’ Golden Age. Socrates was wrongly accused of impiety and corrupting the youth. However, he was only challenging the method of thinking around him. Socrates was a public thinker that did not deserve to die for his ideas. He was simply standing up for his beliefs and the Athenian Jury blamed

The Death of Socrates Viewing the painting “The Death of Socrates” by Jacques-Louis David, one can perceive many different subject matters, both literally and metaphorically. The obvious is seen within the setting of the painting. The clear illustration of where the event is happening provides the onlooker with a glimpse into a different time and era. Conversely, the artist has taken the liberty to hide deep meaning inside the work of art through less apparent means. Symbolism through art work

fact that death is such an unknown force, many people live their lives in fear of what it brings. This isn’t a new concept, as even the citizens of Ancient Greece were preoccupied with worries of what defines the afterlife. However, there were certain philosophers that combated this idea with their own notions. This can be seen with Socrates, who is often referred to as the father of Western philosophy. Even though all accounts of his work are displayed through secondary sources, Socrates is well known