Film director

The directors Darren Aronofsky and David Fincher key concern in Black Swan and Gone Girl are to convey how destructive, unhealthy relationships can be to women. Women have become dependent on the peoples in their lives for their sense of purpose. Both films depict women in a negative way. In fact, each film suggests that women can be adversely impacted by the relationships they have with others. In each film, the women characters are dependent on a strong character whom they rely on mentally and

Career prospects vary for me, as I am interested in numerous departments in film, such as acting, cinematography, screenwriting or directing. Film directing is what I currently feel most strongly about. A film director is the person who is solely responsible for visualizing the script from casting, to shot direction, camera angles, etc. The screenwriter is the person who develops and textualize characters and concept through a script to be sold off to a producer, with the end goal in it becoming

Bondanella, P. (2002). The Films of Federico Fellini. Cambridge, UK: Cambridge University Press. The Films of Federico Fellini examines the career and work of Italy’s most revered filmmakers. By analyzing the masterpieces of Fellini, the book attempts to categorize the influence of his work, and explain some of his interests in fantasy, the irrational, and individualism. Bondanella essentially rejects more common ways of analyzing Fellini’s work and favors trying to explore the development of his

As we moved into the auteur category of films, we went from films having a clear plot, ending, and meaning, to films having endings, plots, and meanings the audience had to actually sit and think about to find to find out what exactly the director was trying to portray. This is caused by directors that are considered auteurs. These directors wanted their viewers to be able to come up with their own meaning instead of just giving it to them. They want the audience to think as they watch the movie

stylo’ or ‘signature style’ as a way of critiquing French new wave cinema. This theory allowed film to be criticised and analysed in the same way as other creative platforms such as art and literature. By identifying the director as auteur as opposed to just ‘Metteur-en-Scène’ it transformed them into an artisté, by assuming creative control they in turn gave a film a certain style. The auteur was a director “consistently expressing his own unique obsessions, the other was a competent, even highly competent

While directors are more likely to be household names, that doesn’t change the fact that there are several notable cinematographers as well. Roger Deakins is among many that deserve recognition, and has been a part of several projects such as “No Country for Old Men”, “Skyfall”, and “Sicario”. Deakins is also known for his work with the Coen brothers and Denis Villeneuve. While directors and actors are likely the first to be remembered by name for their work on films, the cinematographer’s work is

filmmaker Ingmar Bergman had already established himself in the industry with films like The Seventh Seal and Wild Strawberries. These films served as a foundation for his work that would only go deeper into the exploration of the meaning of art film. After being hospitalized for a long period of time, Bergman started writing a new film, which would eventually be his 1966 Persona. Persona serves as Bergman’s first film that delved deeper into the process of exposing cinema in a self-reflexive way

change the way we view film. More so, an auteur has the incredible responsibility of changing the way we look at the world and that is their greatest goal. Alfred Hitchcock is a director and artist in his own right as he needs little introduction to most moviegoers. His work as a creative entrepreneur during his time in the budding age of film has created a series of classics that continue to define a standard in crime, thriller and suspense cinema. As many early critics of film were skeptic of their

originated with a modest jar of Skippy Peanut Butter smeared on a neighbor’s window in a tiny Cincinnati suburb? One might not think that such an average boyhood prank could evolve a boy into a man who would become the most financially successful film director in history. Well, that is exactly where Leah Spielberg, Steven Spielberg’s mother, would trace her son’s initial entry into becoming one of our nation’s most creative storytellers. “His badness was so original,” she recalls (Stein 3). Steven

it be STEM careers, big business CEOs, or in the case of this paper, film directors. Often the females that are present and well-known, still face a large amount of discrimination. Male directors make more than 90 percent of films, reinforcing the anonymity of women in the film industry. In 2015, women only accounted for seven percent of the directors of big Hollywood movies. In Brent Lang’s article, “Number of Female Directors Falls Over 17 Year Period, Study Finds”, he discusses a study that found