Film editing

Blair represents the theme of war throughout the film with the use of cinematic techniques and setting. The Sapphires follows four aboriginal girls; Julie, Cynthia, Gail and Kay on their adventure to Vietnam in the midst of the Civil Rights Movement and the Vietnam War. The film follows the four girls on their journey around Vietnam performing for American troops while fulfilling their dreams of becoming a famous singing group. Throughout the film, Blair explores the theme of war through a variety

The Hate U Give tells the story of a young girl who witnesses the shooting of her best friend and how she deals with the aftermath of the shooting. Throughout the book the protagonist, Starr, develops and grows because of some of the other characters within the book. Although Khalil Harris is killed during the beginning of the book, besides Starr’s family Khalil is the character with the most influence over Starr’s growth and maturity though the book. Due to events after Khalil’s death, Starr is

"I don't understand people who dream in black and white. I just don't get it. My dreams have always been vivid color.” This was a statement given in an interview by Director Gary Ross after the release of his film, Pleasantville. Pleasantville, a film that basically represents anti-nostalgia, takes the use of Technicolor and uses it as a metaphor for peoples desires, fears, and maturation. Pleasantville follows life of David and his rebellious sister Jennifer. One night, after arguing about what

I have a range of media and non media skills that I have developed over my educational and non educational experience. Firstly I’d like to focus on my non media skills. I feel that one of the most important skills that I have is communication. When working as a bar maid in a family pub in my local village, communication was essential. I have to ensure that all customers where happy and by doing so I had to ask them in a friendly manner that their experience has satisfactory, if not more than that

Strength and security has adapted to the technological developments of the past century. In comparison to how we derived strength and security in the past, technology now heavily obscures what makes us feel safe. Companies, realizing this, have produced several advertisements that sell their product by making it appear as if it will increase our safety and security. An effective example of this is in Mophie’s 2015 Super-bowl commercial titled “All Powerless,” where the creative producers linked having

fight was about the loud stereo, the real significance of the fight had more to do with the culmination of anger and tension between the characters of the film caused by prejudice and ignorance. This paper will analyze

Hi everyone! How are you today? Nice to see all you guys here. Let’s me introduce myself first. My name is Jane Kennedy. I am one of writers of the film ‘The Castle’. I’m sure that everyone has watched ‘The Castle’, right? I’m invited to be here and tell you about this movie as well as how I and my team have built up and shown the ideas about the voice of Australians through it. As you know, everyone including Australians have their own way of understanding and an opinion of the world and people

Opening Scene of the Film Gladiator The opening scene in any film is important as it introduces the hero and other main characters. The idea is to catch the imagination of the audience and draw them into the film so they wish to watch all of it. There are lots of factors the director has to take into account when making the opening the scene these range from camera shots all the way through to sound.

This scene from Billy Wilder’s Double Indemnity features various cinematographic and stylistic elements to foreshadow Walter Neff’s tragic end. Through the monologue from Walter’s trustworthy sidekick Barton Keyes, he describes the consequences that will befall Walter for committing a murder. Of course, Keyes does not know that a murder has occurred but already has his suspicions. As the viewer, we see Keyes progressing on these suspicions as he explains in this scene how murderers can never get

Vyse and a new Partnership The evolving partnership of Charles Vyse and Barbara Waller (1949-1951) would prove to be exacting and industrious. Working at the Cheyne Row studio they produced a number of animal and figure models, alongside a range of Chinese inspired high-fired, ash glazed stoneware vessels. Whether by design or accident, much of the figurative work of Vyse and Waller partnership, would in the future, prove problematical for collectors. However, at this remove, it is difficult to attribute