Fun Home Alison Bechdel Essay

Alison Bechdel’s comic book Fun Home clearly portrays the importance of gender roles in the society. She mentions in her book incidents which illustrate as to how gender plays a major role in forming a person’s identity. Throughout the book, Bechdel suggests how the society has divided people into different genders on the basis of appearance, duties and behavioural expectations. The society as a whole needs to re-asses these gender roles so that people don’t end up ruining their life thinking about

of autobiography in Alison Bechdel’s Fun Home. Fun Home is a retelling of Alison Bechdel’s life through the lens of her relationship with her father. However, because of what she considers to have been his suicide, Alison is left with an incomplete picture of who he was in life. By calling Fun Home an autobiography, Bechdel enters an autobiographical pact with the reader that ensures that what Bechdel is telling us is the truth. However, elements out of her control leave Bechdel unable to provide certain

Alison Bechdel uses her graphic memoir, Fun home, to explore her relationship with her father. She uses the book as a tool to reflect on her life and the affect her father had on her. She discovers how her fathers closeted sexuality affected her childhood and her transition into adulthood. His death left a powerful mark and left her searching for answers. She clearly states this when she says, “it’s true that he didn’t kill himself until I was nearly twenty. But his absence resonated retroactively

Fun Home Picking up the book Fun Home, one would imagine that the novel would embellish some sort of comical life story of a misunderstood teenager. Although the short comic-book structured novel does have its sarcastic humor, Alison Bechdel explains her firsthand account of growing up with the difficulty of living of finding her true identity. Alison was a teenager in college when she discovered that she was a lesbian, however, the shock came when she also discovered her father was homosexual.

Analytical Essay on “Fun Home” By: Alison Bechdel Even though a lot of thing events that happened to Bechdel was sad, dark, or scary she manages to use a very witty tone throughout the story reflecting on her personality. She believes dark events are not central to one’s life. She uses this tone as oppose to an angry tone because she never realized her family was any different until she was compared it to others. This strongly classifies Bechdel in the optimistic category of personalities. The

Introduction Alison Bechdel's graphic memoir, “Fun Home: A Family Tragicomic”, frames the development of her own sexual identity as she “comes out” as a lesbian and masculine woman. While sexual identity is how one thinks of oneself in terms of to whom one is romantically or sexually attracted, to represent the process of establishing sexual identity of Bechdel, Queer Theory is the best for demonstrating the development of one’s established sexual identity. According to Butler (2011), Queer theory

Fun Home Gender is learned instead of inherited. In the “Performative Gender”, “Doing Gender”, and “Nerd Box”, authors bring out their insightful observation and critical personal experience in their lives to illustrate how various cultural gender signals are instructing us on behaving our genders properly. These expectations influences us unconsciously, but in the way that more than we have even thought. In the graphic memoir, Fun Home: A Family Tragicomic, by Alison Bechdel, she portrays how did

Fun Home: A Family Tragicomic is a graphic novel that recounts different occurrences in Alison Bechdel's life. The most prominent story is of Bechdel’s coming out; the second is surrounding her father's death. Bechdel uses literary references, especially from Homer’s Odyssey and Joyce’s Ulysses, throughout her comic to describe her own journey, her father and her relationship with him. Through the narratives in the graphic novel, it can be seen that the Bechdel household is not mad but rather holds

Discussing my childhood reminds me a lot of a graphic memoir that I recently read in class called Fun Home: A Family Tragicomic,[1] by Alison Bechdel. I really enjoyed being able to read something that I could relate to in a

In Negroland and Fun Home, Margo Jefferson and Alison Bechdel both view their individual lives and identities as interacting with history. However, their perceptions of history differ vastly in that Jefferson identifies herself as both a spectator and player in a giant game of sociocultural history, while Bechdel perceives national history as a tape reeling alongside her life, shaping her worldview but serving as a backdrop amidst her individual life. In Negroland, Jefferson relates to and traces