Halloween Essay

Horror genre can be seen most popularized in the form of film. With all other mediums of genre, the film industry has really claimed horror as one of the most successful ways to display it. Carrie is a prime example of this. Starting as a novel, Carrie has been adapted into not one, but multiple films. Steven King published Carrie in 1974, and with its first movie being released in 1976, another new one was to claim its place. With a huge time gap between the two mediums, much diversity can be found

“Hi, I’m Chucky. Wanna play?” This quote from Child’s Play is one of the most iconic lines in horror film history. However, creating a scream-worthy movie can be an impediment. Directors have to work with the many different components that are implemented to create a horror film. Two notable aspects of creating a scary movie are picking the perfect environment and using the unknown. These two, in combination with others, will certainly create a blockbuster that will leave fear in their minds. First

Clark 1 Baili Clark Mr. Karwatsky Freshman Seminar, Per.1 4 May 2015 Horror Movies Why is it that some people enjoy a scary movie and others think that they are too scary or gruesome? Horror movies have been around since the 1960s. Some of those movies actually come from a story that was made up to scare little kids. People would make up a scary story and the parent’s would tell their children the stories to keep them from doing something they didn’t want them to do, but not all of the stories are

In the essay, “Why We Crave Horror Movies” Stephen King attempts to explain why we love horror movies, and he gives a few different reasons why people go to see horror movies. People want to show that they are not scared; people want to have fun; but the main reason that he suggests is that we are insane and we need to watch horror movies to keep that insanity locked up in society. He uses a variety of argumentative strategies and literally decides to prove his thesis. On the other side, King surprised

Spielberg’s Schindler’s List uses a variety of macro and micro techniques that are effective in eliciting strong emotional response form the spectator. Unlike horror films, which rely on micro techniques to create tension or foreshadowing, Spielberg relies on unconventional techniques that are often juxtaposed to have the spectator feel unsettled. Despite not being a horror film, it is compatible to through the lack of violence in the film and the context of the Holocaust. Therefore, as a spectator

Other narrative devices that I used in my script are backstory with Devin, in which Elroy reminds him of what his life has become. I used foreshadowing in dialogue referencing hell at different points referring to the ending which is meant to be the beginning of the end of times and hell on earth. I used some-what of a cliffhanger at the end as it is implied what is going to happen in which Marcellus and the three humanoid creatures are heading towards the town hall to kill everyone, but we don’t

Do you ever wonder why you or other people take delight in watching horror movies? What makes them so interesting? Why does the general society enjoy entertaining themselves with the horror genre? Well, Stephen King might have the answer to that. Mr. King strongly agrees with the idea that we might all have a little craving for watching such morbid scenes or reading about them, and creating our own gruesome scenario. Stephen King believes that humans crave horror for the purpose of facing our fears

Calling The Babadook “true horror” is subjective; though to a certain extent true. It utilizes an extensive list of terrifying tropes, whilst also shaping them into images that are fresh. A key aspect of the movie is the attention to color and its effect on the viewer. With a grey tone to the colors, the movie makes use of an atmospheric suffusion of solemnity. Subsequently, The Babadook removes the “pure” or “light” from objects and people alike, resulting in the “dark side” pervading most scenes

The Horror Paradox Horror movies have been classified as the type of genre that heavily exploits the use of violence and grisly images to appeal to different audiences. In fact, one of the main reasons that horror movies are still celebrated is because of a term, discovered by behavioral researchers, called the “horror paradox”. Joanne Cantor, the director of the Center for Communication Research at University of Wisconsin, states that “Since it doesn’t require logic to appreciate, audiences watch

The film 28 Days Later goes deep into the world of monstrosity and the audience’s perception and understanding of monstrousness. 28 Days Later is a 2002 British post-apocalyptic film, which gives a refreshing take on the “zombie” horror genre. The film follows Jim and a few other survivors as they navigate themselves in a post-apocalyptic world, where the undead is among the living, but, the living is even more dangerous than the undead. The reason 28 Days Later is one of the most critically acclaimed