Horror Films Essay

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    not have many sub genres that work under them. Horror is an example of this. Under the horror category you have many sub genres like vampire films, gothic horrors and slashers. The Slasher film has become a defining subgenre of the horror film. While the origins of the slasher come from their predecessor the Italian giallo films they have had a massive American influence in recent times. The turning point in the themes and aesthetics of these films was Alfred Hitchcock’s masterpiece Psycho (1960)

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    are categorized in several ways. The use of genre is important in film because producers believe it would be good for marketing. There are different types of films. Action films is where the protagonist is involve in physical fights or chases. Adventure films involve the explorations the protagonist has throughout the story. Comedy films is mainly about humor. It makes the audience laugh by its comedic sense. Crime and gangster films is about the adventures of criminals or gangsters who break the laws

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    watch a good horror film. Whether the effects in the movie are really gory or extremely unsettling, these nail-biting experiences are what give the audience a thrill as they try to peel their eyes away from the screen. The concept of these movies is to give the viewers a good scare, one that will have them glancing over their shoulders or double checking if their doors are locked at night for the next week. This genre has been around since the late nineteenth century, but horror movies did not

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    Many films, and sometimes film genres, are dismissed as being part of the cinema of escapism. This assumes that in times of particular social or economic hardship (often on a national or international level), people go to movies for the sole purpose of “getting away from it all.” While some films may follow this overall trend, it is important to note that it cannot be a generalization made for all films. During the Weimar era in Germany, the nation was in the midst of a national struggle on many

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    To begin, I am a huge fan of anything that involves horror. Halloween is my favorite holiday, so naturally I was excited to see what types of horror films the film students of SDSU had come up with it. As I sat through the festival, I noticed how unique each film was in terms of plot. For example, in one film the plot was about a barber who was looking to chop off a woman’s hair to put on his dead girlfriend’s body. It sounds popustraous, but it was well done and it was not a plot I had ever encountered

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    wrote the short story “Why We Crave Horror Films” explaining why our mind gets so excited during horror movies. He continues to make the statement “the horror film has become the modern public lynching” (paragraph 6) showing that no matter what generation a person is in the excitement of gore will always exist. King proves this statement discussing emotions and psychiatric points in his work. King first shows how his comparison of public lynching and horror films is true by discussing “anticivilization

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    The fascination with fright is an obscure idea to those who have no interest in watching a horror movie on a lonely Friday night. Moreover, even someone recommending watching a horror movie at a movie theater spikes fear in the eyes of certain moviegoers. Why might that be? Fear, itself, is an unpleasant emotion that makes someone feel uneasy. It is a psychological response that can be caused by the sense of danger or the infliction of pain. There are moviegoers who rather spend their time laughing

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    Japanese horror films are known for being incredibly spooky and leaving their audiences feeling unsettled. Perhaps it is the engaging plots or compelling acting, or maybe it is because these films are based on killers that many have already heard of. Films like Ju-On, Ringu, and A Slit-Mouthed Woman contain background information based on popular stories from long ago, which makes the films even more terrifying. While many horror films have no inspiration, Japanese horror films often draw influence

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    Rosemary's Baby (Roman Polanski, 1968) starts a string of American horror films which proceeds well into the 1970s, cantering its regard to gore thriller films that had been deeply rooted behind the Vietnam war. These films were considerably thrilling as it was beginning to handle disputable societal norms featuring terrifying imagery and frightening concepts during a time where horror was so often presented to the naked eye of the “other”. Horror had shifted from the gimmicks to dealing with social issues

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    that is completely separated from most artists and directors. He would be influenced by horror to develop his own style that is recognisable today. The majority of the impact on this style came from isolation and normality as well as his own life and work as a child. He then implements a lot of his childhood life including the things that he was affiliated with and the people he idolised into making his films and does so in a unique manner. Burton grew up in Burbank, California and went to college

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