John Berger Essay

Berger, the author of Ways of Seeing, offers a new perspective on how to analyze art while reading the image for what the artist is trying to convey. Berger strongly believes that every person interprets art differently, which means there are infinite possibilities when it comes to describing arts effect on not only a person, but on society as a whole. Your perspective is influenced by your upbringing, education, beliefs, and the generation you belong to. Berger also believes that we can not only

Ela Boyd is an artist who creates immersive interactive installations. Born in Hollywood, California she holds a BFA from the California College of Arts and an MFA from University of California San Diego Visual Art. She currently lives and works in London,UK. Through her work she explores the nature of being through time, space, and consciousness. Rejecting the conventional notion of an image but rather as an “instant of apprehension”. “Boyd posits the self and the object as having multiple instances

really good looking women are main models of the advertisements. Not only in advertisements, but also in many films and dramas, the main character is always a tall, thin and beautiful woman. This situation can be explained by John Berger’s book, “Way’s of seeing”. John Berger is an English art critic, novelist, and painter, and this book is about how people can see something critically and find deep meaning of things, especially art paintings. In chapter 2, there are only paintings and photos, and

Images are represented by some aspects that are not there, however, once meaning is presented by an individual it can show how an image can look or once looked to other individuals in society. Berger further explains that it is unfortunate that images and or art from the past are presented as works of art and their true meaning are then altered by different learnt assumptions such as beauty, truth, genius, civilization, form, status, taste and

comments “… rich Italian merchants looked upon painters as agents, who allowed them to confirm their possession of all that was beautiful and desirable in the world.” (qtd. in. Berger 86). It was the wealthy who ultimately instructed the artist what to paint, usually a possession they desired to be put on canvas. In John Berger’s book Ways of Seeing, he writes “Oil paintings often depict things. Things which in reality are buyable. To have a thing painted and put on a canvas is not

In John Berger’s Ways of Seeing he speaks of how the meaning of artwork is dynamic, because we cannot visit the past and truly know what each artist is thinking and feeling as he paints his work, so it changes with one’s personal experience and the context in which one experiences them. He also speaks of how critics “mystify” artwork of the past, attempting to set in stone their personal meaning of the piece, closing the door of interpretation to anyone who reads their commentary on the piece. Who

John Berger in “Ways of Seeing”, begins the first chapter by stating, “Seeing comes before the words. The child looks and recognizes before it can speak” (Berger 7). An essential element in art is the being able to visualize the creation. A common term instilled within art history is ‘male gaze’ introduced by Laura Mulvey in "Visual Pleasure and Narrative Cinema", where a scene is viewed through a heterosexual male perspective and the female role is highly sexualized and focused on her body parts

I could appreciate the complexity of mummies. Throughout all these diverse cultures of art, I was questioning myself and started to wonder how I could understand art beyond others’ opinion about them. Moreover, I realized that it was a question John Berger, critic of art and author of the Ways of Seeing, raised in his essay, and it is a question that will always be raised while demanding how to understand a certain art. Walking through a room where various French artists had their paintings exposed

In Ways of Seeing (John Berger, 1972), the author claims that women in visual media are being objectified by men and women themselves as a subject of gaze. It can be seen from paintings and movies in which a man’s actions are just actions, and in contrary, a woman’s actions indicate the way she would like to be observed. Additionally, there is a statement about the distinction between “nakedness” and “nudity”, saying that in the European tradition, nakedness is simply a state of having no clothes

The objectification of woman, as argued by John Berger in “Ways of Seeing,” discredits art pieces’ meanings and treats women as objects by the expectation of women being sexual servants while judging women in paintings based off of their social class and beauty in paintings such as The Mirror by Léon Bazille Perrault, Venus of Urbino by Titian, and Olympia by Monet. The difference in the treatment of gender in artwork changes its subjectivity. A man in a painting appears strong, powerful; a true