Latin-American literature

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    is a strong competitor. Similarly, The American Dream is shown through literature before the rationalist era in three ways. Non-fiction from the Pre-colonial and Colonial eras present the Dream in three ways. One element of the American Dream is seeing America as the Garden of Eden. Pre-rationalists’ writings contain a theme of individuality. Another component that the first American literature has is a hope for the future. Three aspects formulate the American Dream that is present in pre-rationalist

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    knows it. Through learning, one gains knowledge. So if one spends a lifetime working on their American Dream they will know what their American Dream is. Throughout life, one’s American Dream will change but the thing that remains the same is the accessibility of this dream. If one has an idea in their mind about what they want their dream to be and they begin to work towards it, it can be reached. Each American is entitled to have their own dream, this dream could change from time to time and it may

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    Southern Gothic frequently depended on the conviction that day by day life and the refined surface of the social request were delicate and fanciful, camouflaging aggravating substances or curved minds. Faulkner, with his thick and multilayered composition, generally remains outside this gathering of experts. In any case, "A Rose for Emily" uncovers the impact that Southern Gothic had on his written work: this specific story has an ill humored and denying climate; a disintegrating old manor; along

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    Ernest Miller Hemingway was an American author, short story writer, and journalist. He was an influential author in the 20th-century. He was unlike many other novelists who wrote out very long intricate sentences. Hemingway revolutionizes what an author should be like. Which is why many people fell in love with his economical and modesty style of writing. His life of adventure and the view of the public influenced later generations. However, at the highest point of his literary career, Hemingway's

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    Big Two-Hearted River, the climax of Hemingway's stories featuring Nick Adams, was one of Hemingway's finest and most thought-provoking works. Throughout this two-part story, the author makes use of extensive description, yet manages to reveal very little about his protagonist's motivation. Nick is a wonderfully complex character; across the numerous tales preceding Big Two-Hearted River, he endures a number of traumatizing experiences which implant deep-rooted emotional issues. By the time of his

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    In The Old Man and the Ocean, Ernest Hemingway exhibits the angler Santiago as the perfect man. Autonomous in his activity, anxious to take after his calling, and willing to take risks in life. The old man's most eminent property, nonetheless, seems, by all accounts, to be his ravenous soul: regardless of how his body is beaten, his soul stays undefeated, undefeatable, through all trials. In Santiago, the focal character in The Old Man and the Ocean, Hemingway has made a saint who represents respect

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    thought to be lost. Fitzgerald and Hemingway had similar upbringings and intentions for their writing however they possessed very different writing styles. F. Scott Fitzgerald and Ernest Hemingway are both admired not only for the numerous novels and literature they wrote but also for their influence on society. Fitzgerald was born September 24, 1896 in St. Paul, Minnesota and died in Hollywood on December 21, 1940 from a massive heart attack. Born into an upper middle class environment he began writing

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    An Analysis of "Solder's Home" by Ernest Hemingway Ernest Hemingway’s story “Soldier’s Home” demonstrates how the soldiers of today may feel when they get back home from war. Even though this story was written in 1925 a lot of today’s soldiers can probably relate to this story. When Krebs came home it seems as though he felt unappreciated and that people didn’t care. In the story Krebs felt as though he had to make up stories to get the attention of other. Much like the soldiers today, he wanted

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    me of us who live in arid parts of the world think about water with a reverence others might find excessive. The water I will draw tomorrow from my tap in Malibu is today crossing the Mojave Desert from the Colorado River, and I like to think about exactly where that water is. The water I will drink tonight in a restaurant in Hollywood is by now well down the Los Angeles Aqueduct from the Owens River, and I also think about exactly where that water is: I particularly like to imagine it as it cascades

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    Moreover, there was one instance that felt like it was taken straight from Fahrenheit 451. That instance was the 1970 censorship of Bury my Heart at Wounded Knee, by Dee Brown. This book portrayed the advancement of Americans as the United States grew. Doing such from a Native American point of view. This made many standpoints about talking down about the advancement of colonizers, and a general criticizing of white people.

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