MoMA

store” (MoMA). Each piece is nearly identical to the first with the main difference being that each name of the soup’s flavor is different, two specific soup cans with a ribbon across the seal stating, “NEW, GREAT AS A SAUCE, TOO”, and another with the words “Old-fashioned” above the flavor label. Each can has a black outlines and details, red upper half, brown centered seal, while lower half, read flavor name, black and gold “SOUP”, gold printed patterns, and a single red line. The MoMA states,

This topical show led to IPCNY’s first review in New York Times, written by its co-chief art critic, Holland Cotter. On the other hand, some part of the job falls beyond Hecker’s comfort zone. She had limited experience with fundraising before as MoMA has the entire development department to handle researching funds and grant writing. Nowadays, she considers fundraising the number one priority in IPCNY’s development as a financially secure organization. Both shaping the exhibition content and formatting

on through his art. Secondly, The MoMA or The Museum of Modern art is the foremost museum of modern art in the world. I would like to explore how and why this is so. I have always been fascinated with art museums and the MoMa is a place of art dreams. I am interested in how it came to be so renowned and would like to explore the history of it’s founders. Artist and Art Consultants all over the world pay attention to the happenings and history of the MoMA. Many writings may be found regarding

However, one workshop done at the MoMA suggests a different point of view. In April of 2016, the Museum of Modern Art held a workshop entitled, "Touching Art: Teaching with MoMA's Artist Book Collection," in which participants were allowed to touch, hold, and flip through various artists

We visited MOMA/PS1 in Queens this week, and it’s the first time I visit this museum. Comparing to MOMA, the collections in MOMA/PS1 are definitely more spicific to smaller range of demographic. Although the museum itself is not very big, but the usage of the space and the style of the enviornment give visitors a stronger feel of personality and less authority than MOMA. I spent most of my time on Cao Fei’s solo exhibition. Cao Fei is a young female artist from China, her work has been on the scene

due to the remoteness of the site he sent his younger brother, the 25-year-old Bill Hedrich. Of the photos that he took, the one that would be recognized as the main shot and would become the iconic view of Fallingwater was disliked not only by the MOMA but Wright himself. Wright thought that the house looked too romantic and even said, “very acrobatic, did you think I designed this?” Even though the photo was very reminiscent of the hand rendering that an apprentice had done for Fallingwater [1]

The two artworks for this week discussion was quiet beautiful and interesting in there own way. I was particularly drawn to Andrew Wyeth's Christina's World. This piece of art had an overwhelming sense of peace and clam that drew me to it. At the same time it evoked a slight sense of anxiousness within me. The art piece itself is simple with few objects within it but it speaks great volumes. I see the young woman Christina, sitting on this vast piece of land, reaching out as she looks at this house

The first four sources I will be using are related to “The Starry Night” painting from Vincent van Gogh. The first source, located on MOMA Learning, is titled "Vincent van Gogh: The Starry Night, 1889” which does not appear to have an author or publication date. The MOMA Learning article provides insights into the interpretations of the artwork, including insights into Van Gogh’s mental state at the time that the painting. Additionally, the article provides relevant information regarding the post-impressionists

his well-known breakdown, he was put in an asylum, and his art style changed severely (National Gallery of Art.). One of the paintings he created in this period of poor mental health was the famous Starry Night, a painting made with oil on canvas (MoMA Learning) with heavy brushstrokes that, in my opinion, look similar to the ocean waves. The most common interpretation of the meaning of this painting is associated with Van Gogh’s isolation and insanity. However, the meaning of this painting is deeper

I am an arts administrator from Columbia University interested in the Registration Assistant/Department Coordinator position at MoMA PS1. I found this opportunity at the New York Foundation for the Arts. I hold an M.A in arts administration and a bachelor in visual arts and economics. As a recent graduate, I am enthusiastic about being part of an art organization committed to support the development of innovative artistic practices. I have been working at Art in General for over a year as the Executive