Opening credits

In the shortfilm of The Follow by Wong Kar Wai, he used the different slow motion movements during the opening shot of each films. The credits in The Follow are a pattern of straight lines that move across the screen, cutting into the space. An intense observation of The Follow opening credit sequence is vital to understanding how The Follow makes the film mirror of opening. At first, the film zooms in the on certain parts of a man face. The Follow (2001) quoted by BMW films. BMW took place along

EXT. MOORE’S JEWELERY STORE - DAY OPENING CREDITS BEGIN A 1960s RED CHEVY is parked outside of MOORE’S JEWELERY STORE. A cat walks past the Chevy. INT. MOORE’S JEWELERY STORE - DAY Two men are standing on opposite sides of a counter. The man standing behind the counter places a DIAMOND RING into a SMALL CONTAINER. The man hands the container over to the man standing in front of the counter; the man standing in front of the counter takes the container and then hands the man behind the counter a wad

Enter The Void (2010) is a film about a young man, Oscar who lives with his sister in Tokyo, Japan. He is shot dead by police whilst taking hallucinogenic drugs and becomes trapped in an intermediate state of existence; his soul drifting high above the streets of the red-light district of Tokyo watching over his now completely alone sister on a hallucinatory journey, intoxicated, neon-lit with daring aesthetics that have to be seen to be believed. Gasper Noé is a director who is never afraid of unnerving

several years back, five teens from Bomont High School died in a car wreck after they were drinking and dancing too much. Each of these movies have some things in common, but have more differences than anything. Some of the main differences are the opening credits of each movie, how and who Ren arrives to Bomont at the beginning of the movie, the “chicken” races between Ren and Jeff, and the book burning in town square.     In the 1984 version, the movie opens with the song “Footloose” and the first thing

Narrative and Genre Features in the Opening Sequence of Pulp Fiction A narrative is the story itself and generic features are elements expected to be contained within a certain category of film. Pulp Fiction is labeled as a gangster film; however gangster films follow very precise generic elements such a death, contraband’s, violence, wealth and strong family loyalties. Pulp Fiction doe follow the above mentioned elements but the locations of the action are unorthodox

Fargo’s opening scene sets the tone for the rest of the movie (fig. 1). As the opening credits are rolling across the screen, there is nothing but stark whiteness behind them. At first, this looks just like a simple white background. As the movie plays on, the viewer discovers this stark whiteness is actual footage of a snow-covered highway in Middle America. The epic and foreboding score in the background matches the harsh whiteness of the setting. To the untrained eye, this has nothing in common

The opening sequence in the film “Falling Down” portrays how everyday activities can take a turn for the worst. It begins with the main character William Foster stuck in a traffic jam on the highway caused by construction. The first shot that opens the scene is an extreme close up of Foster’s face, which allows the audience to see him in great detail. We see by his heavy breathing and sweat dripping down his face that he is in a hot environment. The camera starts to zoom out and go into a tracking

Road Albums Monsters, Inc. Disney on Ice 25th Anniversary The Best Disney Album in the World ...Ever! Disney Modern Classics Composer Randy Newman Performers John Goodman Billy Crystal Video Source "If I Didn't Have You" is a song featured in the credits of the 2001 Disney/Pixar film Monsters, Inc., written by Randy Newman and performed by John Goodman as Sulley and Billy Crystal as Mike Wazowski. The song sings about the humorous, but touching friendship between Mike & Sulley. The song also won an

In the film: “The Math Code: Numbers,” we start out in a creepy setting that immediately pulls the viewer in. Especially because this film is about numbers, the creepy settings gives the viewer a different impression. Professor Marcus de Sautoy explains how numbers represent the entire universe. In the film, viewers learn about many things. Marcus tells how numbers and ratios make up the Chartres Cathedral. He studies bugs that only hatch on prime number years, and teaches the viewers how numbers

atmospheric, realistic, and vibrant world of the 1970s. This is displayed effectively in the film’s fantastic opening tracking shot. The opening scene of Boogie Nights is very ambitious as its goal is to introduce us to the time period and the many characters that inhabit the world of the film. The scene opens in 1977 at the Hot Traxx Disco in the San Fernando Valley. Right from the opening, the film just captures the zeitgeist of the time. The culture is underlined by the costumes. In the 1970s, clothing