Narrative and Genre Features in the Opening Sequence of Pulp Fiction

Pulp Fiction: Hyperreal Violence and Postmodernism Pulp Fiction is an iconic early 1990s film directed by the unparalleled Quentin Tarantino. The title of the film pays homage to mid-20th century crime novels. In this way and others, the title is revealing of the content of the film. The film follows a very postmodern style that often distracts the plot to focus instead on developing the characters. The cinematography of Tarantino further highlights the characters, at times not allowing the…

Heroes: The Godfather and Pulp Fiction The form of Classical Hollywood films is, first and foremost, invisible. In a Classical Hollywood film, the narrative is foremost, and style serves the narrative. Camera angles, lighting and editing patterns such as the shot/reverse-shot pattern aim to give us the best possible perspective on the unfolding events(1). These events are arranged in a strongly causality-oriented linear narrative, with one event causing the next. This narrative is arranged around a central…

The film Pulp Fiction was an immediate box office success when it was released in 1994 and it was also well received by the critics, and celebrated for the way it appeared to capture exactly a certain pre-millennial angst and dislocation in Western capitalist societies. The term post-modernist, often used to refer to art and architecture, was applied to this film. The pulp fiction refers to popular novels which are bought in large numbers by less well educated people and enjoyed for their entertainment…

Pulp Fiction, through the course of incorporating three seemingly unrelated narratives pulled together an interwoven story that unfolded like a well-oiled machine. With each of the narratives relying on pieces of the lurid subject matter (pulp) previous to it, which aided in expressing the overall theme. The film manages to pull this off while still giving each of its narrative segments equal weight; as a result they work like interlocking gears, each one necessary to all the others. Leaving…

Pulp Fiction (1994) is a mesmerizing, violent and entertaining movie. It has a bizarre cast of characters, a nonlinear sequence of events and endless references to pop culture. The underlying theme of the movie, however, deals with religion and the transformation of two characters: Jules (Samuel L. Jackson) and Butch (Bruce Willis). In the beginning of the film, Vincent (John Travolta) has returned from a stay in Amsterdam, and the conversation between Jules and Vincent deals with what Big…

some of the research approaches fore-mentioned. Analysing the main dimensions will be covered by discussing the appropriate concepts separately and by individually contrasting the classical and modern theories with Quentin Tarantino’s 1994 film ‘Pulp Fiction,’ known for its rich, diverse dialogue, ironic combination of humour and violence, a nonlinear storyline told in several differing orders, and a mass amount of cinematic hints and popular culture references. A classical theory is Historical…

Pulp Fiction The puzzle pieces are carefully fitted together as director Quentin Tarantino intermingles three different story lines in his hit movie Pulp Fiction. The movie begins in a quiet little diner as two petty robbers discuss their next mission. The mission in question involves two lovebirds (Amanda Plummer and Tim Roth) holding up unsuspecting restaurants, instead of their usual liquor stores. As their plan falls into action, time alters and we find ourselves riding down the street…

Quentin Tarantino United States Of America - 1994 John Travolta, Samel L. Jackson, Uma Thurman, Bruce Willis Quentin Tarantino’s American crime film “Pulp Fiction” is organized through three separate but interrelated storylines. There is one story that constructed by three distinct stories. At the beginning of the sequences, titles are shown on the black screen which provides a recognizable source for narration.The first story-Vincent Vega and Marsellus Wallace’s wife- is about Vincent Vega…

The Representation of Genre and Narrative in the Opening Sequence of the Film Blade Runner For this essay question I am going to be viewing and exploring the themes of genre and narrative in the first 10minutes of the film Blade Runner. Blade Runner was first released in 1982, directed by Ridley Scott ('The Duellists' 1977 and 'Alien' 1979), Blade Runner was a film adaptation of Phillip K Dick's novel 'Do Androids Dream of Electric Sheep?'. Originally a box office flop the…

Exploring How Genre and Narrative Features Create Meaning and Generate Audience Response in Twelve Monkeys 'Twelve Monkeys' was directed by Terry Gilliam and released in 1995. Gilliam has written and directed many films including 'Jabberwocky' and the hit 'Fear and Loathing in Las Vegas', which starred many major actors, including Johnny Depp, Benicio Del Toro and Tobey Maguire. 'Fear and Loathing' follows a journalist and his lawyer as they embark on a drug-fuelled search…