Orgone

communicates emotion and perception, through which we are connected to cosmos. Orgone energy is the primordial cosmic life energy, the fundamental

Nazis. Sweden expelled him, and Reich moved on to Norway, where he began his bion experiments. It was during these experiments that he discovered what he would term "orgone energy," a form of life-energy which the bions emitted. He built and began experimenting with a device intended to attract and concentrate orgone energy, the orgone accumulator, or ORAC. In 1939, Reich accepted an invitation to lecture at the New School for Social Research in New York City, and he moved to the United States.

becomes blue. The fairy tale itself was first known in France as “Conte Blue”. William Gass wrote an essay called “ On Being Blue”. He stated that maybe it is blue of reality itself. Gass then quoted a scientific manual stating that blue is the specific orgone energy within and without the organism. Also the word barbe in French looks as if it is related to the word barbarian. The story starts off making the reader feel a bit sympathetic for Bluebeard. His request for her obedience seemed reasonable. Warner

wants to lose her grip on man. She can do this if she forces her man yield to her vitality. Raina succeeds to make Bluntschli yield to her orgone, the instinct. Bluntschli also accepts Raina’s captivity: “I came sneaking back to have another look at the young lady”6. He came back and surrendered. Ultimately, the lady comes out triumphant. She makes her orgone, the life force proud of the success. On the other side, Louka entices Sergius. She persuades him to accept the station of her life. When he

Concepts similar to Shakti, Chit, and Prana can be found in many cultures; for example, it is Prana or vital air in yoga, Qi (Chi or Ch’i) in Chinese culture, Mana in Hawaiian culture, Lüng in Tibetan Buddhism, Ruah in Hebrew culture, and Vital Force, or Orgone energy in current Western esoteric philosophy.

As we left, I realized I'd lost favor with Linus. Instead of laughing and pounding me on the back, he sullenly stared at the ground and ran his fingers through his drug bag. White powder stuck to his fingers, which he sniffed away with weak-heated snuffs. “You were a fool in there, you know that.” I said nothing. Having been a bully, I knew bullies and knew what was going through his mind emotionally right then: anger, rage, and betrayal. My failure wasn't just a lapse of reasoning or a silly moment

Introduction LUSH is an organic skin- care and cosmetic company that is firmly committed to the manufacturing of fresh and organic products from fresh fruit and vegetables, the finest essential oils and safe synthetics with little or no preservatives or packaging and no animal testing. Established in 1995 in Poole Dorset, the company prides itself on their core philosophy which is based on the highest levels of ethical standards with the lowest possible impact on the environment. With over 700

Jerome David Salinger was an American writer who is known for his widely-read novel The Catcher in the Rye. Following his early success publishing short stories and The Catcher in the Rye, Jerome led a very private life for more than a half-century. He published his final original work in 1965 and gave his last interview in 1980. Jerome was raised in Manhattan and began writing short stories while in secondary school. Several were published in Story magazine in the early 1940s before he began serving

A self-conceited woman sits in her room painting her nails while waiting for her mother to call; a mentally ill war veteran sits alone in the hot sun on the beach; a little girl contrasting adult corruption and the innocence of youth. These are all characters in J.D. Salinger’s “Perfect Day for a Bananafish.” But what motivated him to write such a story? Was there something in his life that caused him to write the way he did? In this essay we will explore the life of J.D. Salinger and how his life

The Critical Metamorphoses of Mary Shelley’s Frankenstein You must excuse a trif ling d eviation, From Mrs. Shelley’s marvellous narration — from th e musical Frankenstein; or, The Vamp ire’s Victim (1849) Like Coleridge’ s Ancient Mariner , who erupts into Mary Sh elley’s text as o ccasionally and inev itably as th e Monster into Victor Frankenstein’s lif e, Frankenstein; or, The Modern Prometh eus passes, like night, from land to land and w ith stang ely ad aptable powers of speech