Orient Express

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    behave rightly. Also, they need to protect the rules. However, in Agatha Christie’s novel, Murder on the Orient Express, the characters act dishonestly: twelve passengers on the Orient Express murder Cassetti, they lie to the Belgian private detective, Hercule Poirot and the protagonist overlooks the passengers. Agatha Christie wrote these intensions fairly. From Murder on the Orient Express, the readers can learn that some set of morals are endorsed. Before the explanation of twelve passengers’

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    Murder of a Murderer: Murder on the Orient Express by Agatha Christie While murder is widely considered to be the most abhorrent and atrocious act one can commit, Murder on the Orient Express by Agatha Christie takes the dark and tainted act, and raises the question of its’ moral implications. The murder victim in the novel, Mr. Ratchet, has a previous alias, Mr Casetti. He is responsible for the kidnapping and murder of a young girl, Daisy Armstrong. He pretends she is alive, and extorts money from

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    The scrapbook is about all the main characters in the book “Murder on the Orient Express” by: Agatha Christie. They are all important in the book because without them there would not be a book or a story written. They all play an important role in this story, and they help make this story interesting. The first main character in the scrapbook is Hercule Poirot. Hercule Poirot is extremely intelligent, and he is most well known for his curly moustache, and short stature. He is a retired Belgian police

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    In the novel, Murder on the Orient Express by Agatha Christie, the character Mrs. Hubbard shows change in personality throughout the storyline. In the beginning of the novel, Mrs. Hubbard showed herself as an innocent lady, who was frightened and afraid. Mrs. Hubbard had exclaimed to detective Hercule Poirot, "There was a murderer in the train last night, and the murderer was right there in my compartment!" (Christie 113) This proved that there was no possible way she could have murdered Ratchett

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    Control and Pervasive Evil in Journey Into Fear and Murder on the Orient Express In Eric Ambler’s Journey Into Fear, Graham literally descends into a persistent state of fear, fostering a grand scale perception of evil as the plot unfolds. Unlike Graham, Hercule Poirot in Agatha Christie’s Murder on the Orient Express has a firm grip on evil, as he expertly maneuvers through murder and his surroundings. At the heart of both these character’s journeys is evil and their ability to control it, based

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    the books she writes. By growing up in the Victorian era in England, Christie voiced her opinion about the upper class. Through the social commentary and a plethora of characters from diverse races, she utilizes many in her book, Murder on the Orient Express. Christie was born on September 15th, 1890 in Torquay, Devon, a part Southwest of Europe. Her parents were Fredrick Alvah Miller, a wealthy American expatriate, and Clarissa Boechmer. She was brought up in a late Victorian way, which later influenced

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    affected. Criminals are not always fully punished and on occasion are able to escape persecution without receiving any measurable punishment. A theme of justice connects punishment and crime in Agatha Christie’s detective novel, Murder on the Orient Express. Set on a snow-trapped train, Christie tells the story of detective Hercule Poirot’s work to determine who murdered Mr. Ratchett. As he finds, Mr. Ratchett, a fugitive running from the murder of Daisy Armstrong under his previous name Cassetti

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    substantial amount of suspicious activity. At the start of the novel, while Hercule Poirot was aboard the Taurus Express, he studied Ms. Debenham’s personality in such great detail that after observing her on the Orient Express, he immediately identified various inconsistencies. Ms. Debenham and the Colonel acted differently among one another on the two trains. While on the Taurus Express, Ms. Debenham and the Colonel discussed personal information among each other. “[...] they discovered some mutual

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    The novel Murder on the Orient Express by Agatha Christie, supports the cliché “Actions speak louder than words” through the examples of the attitude of the passengers towards Ratchett, and the passengers’ loyalty to the Armstrongs. The passengers attitude toward Ratchett showed that they were not to get along with each other. The loyalty the passengers had to the is shown through the murder of Casetti on that train. Both of these relate to the cliché “Actions speak louder than words” by showing

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    The Scales of Justice and Society in Murder on the Orient Express Murder on the Orient Express is more than just a murder mystery. It is a novel that utilizes a great deal of existing social issues of the era in which it was written and formed a commentary on those issues while giving the reader an intriguing yet approachable narrative. Through this approach, Agatha Christie has given the reader an opportunity to see the world through the eyes of the seasoned private investigator Hercule

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