Pastel

theory. Anderson’s films have frequent themes, visual and methodological style and he even uses a lot of the same actors in most of his films. The Life Aquatic with Steve Zissou (2004) is a great example to demonstrate Wes Anderson’s stylistic use of pastel color schemes, symmetrical shot composition, and thematic use of story elements such as trust, acceptance, child-like

Impressionism Period, c. 1609 ("The Young Mother"). Mary Cassatt created this while living in Rome using pastels on paper. The use of pastels and the size, approximately 37.15 x 45.09 cm would allow her to move around instead of just remaining indoors, helping her to see and capture the light and translate it into her work (Modernism and the 20th Century p.03). The mother depicted in this pastels piece is holding her child close to her chest, capturing an intimate moment between the mother and her

and feature various design elements on the ceilings. The two movements are different in many ways, first being the color scheme on the interior the Baroque movement features a cool toned interior will all of the stones, and the Rococo movement has pastels in the interior. The Baroque movement also had the use cartouches, which was not seen the Rococo movement, but rather the delicate motifs such as the Tolle de Joy. Lighting effects were also used in Baroque buildings and not used in

What person did you choose and why? I chose my Grandpa Don for my presentation because early this year he Grandpa passed away, he’s the strongest person that I’ve ever known and his story is something everyone can learn from. How are you specifically incorporating the theme(s) covered in class into their life story? Happiness and the good life; The Experience of War: My grandpa’s happiness was decreased because of the addiction to smoking. Depression is one many negative effects of smoking, possibly

Edgar Degas appears to have never accommodated himself to the name of “impressionist,” wanting to call himself a “realist,” “independent,” or “free.” Like the impressionists, he looked to catch transient minutes in the stream of present day life, yet he demonstrated little enthusiasm for painting plein air scenes, favoring scenes in theaters and bistros lit up by fake light, which he used to illuminate the forms of his figures, complying to his training. Degas’s choice of subject matter mirrors his

she rarely feels comfortable in her decisions. Her hair is messy because she does not put any effort into doing it for she does not like to do things or make choices for herself. The craft feathers in the hair and colour scheme (light colours and pastels) suggest she is the youngest of the Cagebirds and gives her a youthful, “Tweety-Bird” look. The feathers in her hair give her a bird-like characteristic, which should be present in all the Cagebirds’ costumes. They also add too her childlike appearance

decorate you space thoroughly with all the colors of your liking, within the same color palette of course. The rule of thumb is if you choose daring bright colors you need to stay within that shade of color. If you decide to use pastel colors stay with colors in that pastel

oil on canvas. Venus on the Waves is a set of six mythological subjects commissioned by Jean-Francois Bergert de Frouville. This painting sparked my interest because it’s delicate subject matter, Venus, the goddess of Love. I also really enjoy the pastel blues, pinks, mauves and peace tones. Statue of Jupiter – artist unknown, found in Italy and created in the 1st century in marble. I personally picked this piece because I want to see and study

Everything was pastel pinks and yellows. The tiles on the floor were checkered with the wretchedly pleasant colors, each of the four walls displayed them in a striped pattern, and even the countertops were subjected to their speckled blend. The sunlight danced off the

Three – Unconscious Resistance A third prominent mode of practice that has arisen through the renewed interrelation between the sciences and poetry is what I describe as unconscious resistance. That is poetry that arguably is written in either a conciliant manner that is working within the concept of epistemological understanding and equality between the fields, or in a manner of co-option. Unconscious resistance appears on the thematic surface to align with and wish to conform to consilience,