Petrarch Essay

literature, which can be attributed to Francesco Petrarch and the

On October 1347, 12 Genoese trading vessels docked at the port of Messina in Sicily. They bobbed in the harbor quiet and inactive. Curious citizens boarded the ships to investigate and found a ghastly scene: bespotted corpses below deck, the smell of putrescence and fear hung in the air. Those few sailors who were not dead were barely living, oozing puss from black boils, covered in their own vomit and blood. The Black Death had arrived in Europe. The Plague, Modern science tells us, is caused by

Italy during the early days of the European Renaissance, Francesco Petrarch gained immortalizing fame by perfecting the sonnet poetry form. In expression of his love for a woman by the name of Laura, Petrarch abandoned his priestly vocation and wrote a collection of over 300 poems which would eventually be compiled into Rerum Vulgarium Fragmenta. This compilation includes “Sonnet XVII,” translated by MacGregor, in which Petrarch expresses his emotions by drawing the comparison between himself to

Shakespeare and Petrarch, two poets popular for their contributions on the issue of love, both tackle the subject of their work through sonnet, yet there are key contrasts in their style, structure, and in the way, each approaches their subjects. Moreover, it is clear that in "Sonnet 130," Shakespeare in fact parodies Petrarch's style and thoughts as his storyteller describes his mistress, whose "eyes are in no way as the sun" (Shakespeare 1918). Shakespeare seems, by all accounts, to mock the exaggerated

the ‘Dark Ages’ as a period of darkness starting with the fall of the Roman Empire, they are mistaken. The ‘Dark Ages’ is a term coined by an Italian scholar named Petrarch (born in 1304 AD), who created the term ‘The Dark Ages’ after the fall of the Roman Empire to the time of the Italian Renaissance; from 476 AD to 1492 AD. Petrarch called this period the ‘Dark Ages’ due to the severe loss of intellectual and cultural advancements and knowledge of the Roman Empire. Although some may agree with

letter shows that no one truly seemed to know what was happening, which just caused more chaos and terror. Petrarch himself was consumed with worry about his fate, and seemed to feel as if the plague was caused by “the wrath of God, for certainly I would think that our misdeeds deserve it” (Petrarch). Clearly the people of Europe must have done something to anger God, according to Petrarch. He believes, like many others during this period, that the people of Europe deserved this terrible plague,

a satirical criticism of existing gender roles in The Decameron. Ending with his reflection, Dioneo states that Gualtieri should have married a woman that would have found another man to “warm her wool.” Showing the power of the final reflection, Petrarch completely omits it from his Griselda story, similarly to how he does not include the introductory statements by

as an employee to a cardinal after squandering most of his inheritance on “debauchery” . While devoted to God, Petrarch developed a side affair with a love of Classical Antiquity and Literature the most popular devoted to the idolized woman he never had. “Petrarch’s writings made him perhaps the most celebrated man of letters of his time”. His renaissance style and thoughts made Petrarch a man many considered both self-aware and conflicted, nevertheless he wrote books of love and dispelled paganism

Gaspara Stampa in her writing style tries to master the footsteps of Petrarch. Petrarch’s writing style is known as Petrarchism, which was very famous in Renaissance time period and was imitated by many other writers such as Victoria Colona, Gaspara Stampa and Louis Labe. In the Petrarchism the object of the poem is the woman and the subject is the Petrarch himself. His poetry is abstract which talks about his feelings and not the explicitly of sex. For him the

education and civic mindedness. Although a wide range of historical figures had a hand in bringing about the Renaissance, this paper will limit the scope due to the range of time during which the event transpired. Both the work of the scholar Francesco Petrarch: the father of humanism, and the role that the city-state of Florence had on the Renaissance shall be examined. Beginning around the 14th century, the Italian Renaissance marked a transition between the social and intellectual parameters medieval