Pope Innocent X

Study After Velazquez’s Portrait of Pope Innocent X, are palimpsest using a variety of different images to create his own original works. Study After Velazquez’s Portrait of Pope Innocent X is part of the loose series of “screaming popes” (Sylvester, 40) of which there are approximately 45 surviving works (Schmied, 17) completed during the 50’s and early 60’s. The series was not only inspired by Spanish Baroque artist Diego Velazquez’s Portrait of the Pope Innocent X, a painting which Bacon had many

Francis Bacon, although he did not label himself as an expressionist, was one of the artists follow this new trend in the postmodern art world. His piece from 1953, Study after Velazquez's Portrait of Pope Innocent X, makes use of a previously done portrait by Diego Velazquez of the Pope Innocent X and changes the form into something much more crude and chilling, creating a portrait of someone much less noble than the original. Post WWII Europe was a time of great change in philosophy as well with

torment can be seen in his work. One such piece of work was Bacons rendition of the Portrait of Pope Innocent X (1650 Velazquez). The resemblances of the versions included the Pope sitting in a chair looking directly at the viewer. However, that is where the similarities end. In the 1953 painting, Bacon tore away the flesh from the Pope leaving a screaming skeleton in the place of the stern-faced pope in the original painting. Being up to interpretation, I view this painting in as if Bacons goal

The Triton Fountain was specially made for Pope Urban VIII Barberini by Gian Lorenzo Bernini. The fountain is placed at the center of the piazza; the fountain represents the God of Sea with anthropomorphic body and huge fish tail, kneeling on an open shell supported by the tails of four dolphins. The dolphins, leaning towards each of the four cardinal directions, open their mouths to swallow the water of the surrounding pool, telling us that they drink up all the waters of the world. The fins of

Furthermore, the Triton Fountain was specially made for Pope Urban VIII Barberini by Gian Lorenzo Bernini. The fountain is placed at the center of the piazza; the fountain represents the God of Sea with anthropomorphic body and huge fish tail, kneeling on an open shell supported by the tails of four dolphins. The dolphins, leaning towards each of the four cardinal directions, open their mouths to swallow the water of the surrounding pool, telling us that they drink up all the waters of the world

during the papacy of Pope Gregory VII. He saw the Church as an active organization that had to create “right order in the world”. Gregory VII thought that the papacy was superior to Kings and Emperors and he was very confrontational with them. His ideas drove the papacy to strive toward a “papal monarchy”. The Canon Laws were created as a basis for the Church to preside over matters pertaining to clergy as well as many civil areas such as marriage, adoption, and inheritance. The pope and bishops had the

life and works of the Catholic priest and mystic, Miguel de Molinos, referred to as the “founder” of Quietism by the Catholic Encyclopedia, who was initially praised for his work in mysticism before being imprisoned and condemned as a heretic by Pope Innocent

Medieval religious literature served to teach and instruct followers of the ways of religion, specifically Christianity, through vivid imagery. Three texts that support this idea are Hildegard of Bingen's “Know the Ways of the Lord”, Pope Innocent III’s “On the Misery of the Human Condition,” and “Everyman.” Although these texts represent the same idea, there are two surprising differences between them. The first being between “Know the Ways of the Lord” and “Everyman”, which shows the different

The Malleus Maleficarum, published in 1487 and authored by Dominican Inquisitors Heinrich Kramer and Jacob Sprenger, was used by Catholics and Protestants as a bank of knowledge on how to locate and prosecute witches. Though the text was published in 1487, it was still used as the premier text on witches well into the 18th century. The text is incredibly thorough, covering the topics of witch identification, explanations of how witches make their pacts with the devil, and how to effectively conduct

Textual Analysis After crossing the Phlegethon, Dante the Pilgrim and Virgil cross into a dark forest where there are “no green leaves, but rather black in color, no smooth branches, but twisted and entangled, no fruit, but thorns of poison bloomed instead” (Dante, Inferno 186). The forest is depicted this way to give a picture of the barren nature of suicide. Dante sees the Harpies nesting and tearing at the trees surrounding them, “....in Greek mythology the Harpies are storm-winds which act as