Postmodern

I am a 37 year old, single woman with no attachments. I have no set place to live, no steady job, no boyfriend or husband, no child, no pet, I lease my car, and only a mother as a immediate family. That being said, I am not without anything. I have more then enough. I am paid to live in others peoples homes and watch their pets, my social network is extremely large and work always comes to me, more then enough. My life is not normal, it is creative, unique, never boring and I love it. I grew up

In the novel Catcher in the Rye, J. D Salinger uses typical postmodern devices to reflect on the changes society went through. Specifically, he uses stylistic devices to make his protagonist, Holden Caulfield, simple to understand for the audience. This characterization is how he makes commentary about humanity`s inability to make intimate connections within a postmodern world. On the other hand, one could say his use of these devices to create this meaning that makes the novel hypocritical because

making use of something without authority or legal right. This practice often involves borrowing, mimicking, or even stealing, and it is highly contested and criticized in the contemporary art world’ (Gorman, C 2013, p. 215). Appropriation in the postmodern decade brings various aspects such as cultural exchange and finding identity. From the number of contemporary artists used the appropriation in their artwork covers a wide range of media. Appropriation art, sometimes cause responses varying from

Influenced by the progressing technology and the Industrial Revolution which drove people to urban life, modern art brought an emphasis on originality, innovation and looking at things with a different perspective. One of the major themes of Modernism was to abandon old ideas and produce new ways of creating art. Postmodernism movement developed between the later 1960s and the 1990s that revived earlier styles that artists could sample, adopt and recycle in order to create new, contemporary pieces

actualize their identity: to find meaning in their life. But, any postmodernist would be skeptical of the idea that one can ever actually find true meaning in a society filled with superficial and meaningless ideals. One of the preeminent works of postmodern literature, The Crying of Lot 49, attempts to explore and critique this notion of self-determination as it relates to popular culture and society. Oedipa Maas, a suburban housewife, finds her life unraveling before her as she discovers a world conspiracy

evokes the sense of cynicism. Through this cynical conversation the paranoia is seen as that anxiety and fear of death pervades their thoughts. The discussion of death this blatantly in the novel does provide a sense of critique and insight into the postmodern American as with the emergence of technology and popular culture, a level of desensitisation of a once taboo subject occurs and Babette and Jack act as examples of this. Both characters “help us to redefine death as something other than a terror

The direct relationship in the artistic practices and methodologies of Trisha Brown and Steve Paxton played a role in facilitating new ways of appreciating and developing movement. Trisha Brown is considered to be one of the most pivotal choreographers of the 1960’s as her work and practice shifted away from historically considered “appropriate” movement for choreography. This ideology references the modern era of choreographers, moving away from the aesthetics of Martha Graham and Merce Cunningham

Postmodern art is the representation of the return to pre-modern art styles and genres, and there is no longer a division between art, popular culture, and media. This philosophical term challenged and reacted against what modernism had to say, echoing dramatic changes in our social and economic features. Furthermore postmodern essays and critiques coincided with the arrival of contemporary art. Contemporary art is more socially conscious and philosophically all encompassing of several styles and

The postmodern view of Christianity is a shift from God-centered to human-centered truths. The belief in the “death of God” (Shire, 2009, p. 215) permits an alteration in perspectives leading to the view that truth is not based on God, but on the individual experiencing life. There is a general devaluation of any one person’s opinion over another because all viewpoints are equal and valid to the holder of those views. Truth and reality are whatever the group can collectively agree upon (Shire,

Postmodern noir and Cyber-noir Across all noir periods there exists a unifying set of traits that link them all together and at the core of that set is the desire to destabilize and unsettle the audience while also portraying a world in which light and dark are in constant battle. As the 21st century furthers technological advancements in the film industry the boundaries of what-can-be-noir become even more blurred, giving way to what many scholars call the post-modern neo-noir, or postmodern-noir