The Lady and the Unicorn

In Tennessee Williams's play The Glass Menagerie, we are introduced to a young lady named Laura. Being shy, to an extreme, Laura lives in a world of her own making. It is a socially limited world where she is safe from all life's painful embarrassments. Laura has wrapped herself in a blanket of protection within the walls of her family's lower middle-class apartment. There in her protected fortress she cares for her collection of glass animals, a collection her mother calls the glass menagerie

fallen deeply in love with the Lady Amalthea and didn’t know that she was a unicorn or that she would have to leave to go back home to her forest to protect it.

particularly good examples of a writer successfully 'breaking frames' in order to create humor and satire. In this essay I am going to explore the main methods Thurber uses to create humor and satire in the fables "The Shrike and the Chipmunks" and "The Unicorn in the Garden"2. Firstly though, what do I mean by the 'broken frame'? This is a reference to the idea that the violation of our 'frames of reference', and the recognition of the incongruity caused by it, is the basic element of humour. If the

LAURA [walks over to her glass menagerie and picks up the unicorn]: What a lovely creature you are! [She places the unicorn under the light]: Oh, look how the light shines through you, don’t tell the others but I think you’re the most beautiful piece I have! If you were a girl like me I think you would have seventeen gentlemen callers. [She laughs wistfully. She gently picks up the unicorn with utmost caution and walks towards the diagram of the typewriter keyboard]: I just can’t help but feel

Mississippi, in 1911. He was born Thomas Lanier Williams III, but got the nickname Tennessee in college because his classmates called him that because of his Southern accent. Characters: Amanda Wingfield - Laura and Tom’s mother is a cheerful lady who clings to memories of her past. “She is admirable, charming, funny and very pushy and stubborn” Laura Wingfield - Amanda’s daughter and Tom’s older sister, has a bad leg and has to wear a leg brace and walks with a limp. She is twenty-three years

Lady Gaga’s song ‘Born this Way’ has been hailed as a new anthem for the gay population. The song deals with the hot button issue of whether or not you are born gay (Born this Way), or turn that way later in life. One time viewing Lady Gaga’s music video for Born this Way and you will probably walk away feeling shocked, disturbed, and maybe a little confused. While the music video is canonically Gaga, it contains a storyline that is very new. Most view Lady Gaga’s music videos as wild and ‘out there

with Jim. It can also represent the amazing feeling of being so emotionally connected to another person. This feeling is very rare, just like a blue rose. During the play, Laura’s mother is trying to conform her into the ideal imagine of a southern lady. Unlike Laura’s mother, Jim sees Laura for something more unique and special which is what aid in the connection of the two

“adapts” the novel. “The Unicorn and the Wasp” is definitely a parody of the murder mystery form. Agatha Christie novels in particular are the focus of its many silly allusions, so it is not surprise that an analogy to Crooked House is formed. Not content with merely parodying her style, Doctor Who adds a splash of its style, with the typical alien occult element, that the shows is famous for. With its mash of elements of the form, and its usual flair of weird, “The Unicorn and the Wasp”, sees itself

the significance to Laura (and to the plays meaning overall) of her collection of glass animals? Why is the unicorn singled out? What are its symbolic implications? Throughout the play, “The Glass Menagerie” by Tennessee Williams, Laura’s glass collection, especially the tiny unicorn, can be used as a symbol to help us understand each of the characters individual viewpoints. The glass unicorn holds the most significance for Laura, but it, but the glass menagerie is symbolic of each and every one of

world have taken part in major political movements. With the departure of two prominent first ladies, Michelle Obama, United States, and Samantha Cameron, United Kingdom, the fashion industry is missing its key political advocates. In “Fashion’s Political Gap,” Osman Ahmed depicts both Michelle Obama and Samantha Cameron as essential influencers in the world of fashion during their time as first ladies. Ahmed establishes his claim through the use of rhetorical question and metaphor, and appeals to