TPOK Jazz

backgrounds, both musicians drew upon their influences to make music that revolutionized jazz, creating two separate legacies interwoven among each other in the peak of jazz popularity. Both Beiderbecke and Armstrong used their trumpets and their unique styles of playing, ranging from hot jazz to cool jazz, to fuel political, cultural, and social movements, inspiring individuals inside and outside of the jazz profession. Aside from the typical cultural, social, and political factors influencing any

Cool Jazz originated in the late 1940 's. It was created from the mix of classical music and jazz music. Miles Davis is known as the creator of cool jazz and his most important album was "Birth of Cool". People also say that cool jazz was a smoother style of bebop. The rhythm of cool jazz is more of a melodic flow. Cool jazz also originated in New York While a lot of jazz music used instruments like a saxophone, cool jazz didn 't. The main instruments in cool jazz were French horns, flutes, tuba

For my essay, I have chosen to discuss the statement “The Black Freedom Movement of the 1950’s and 1960’s captured the attention of millions… As American Americans started streaming into American cities, or what American corporations call “”major markets” U.S. businesses sought to influence the consumption patterns of these increasingly important black consumers.” I have chosen to discuss this title because I believe it had an extremely rich and interesting background to it as well as being able

When we are born into this World, some say we are born with no predefined path, others will say one 's Destiny is already chosen. It is one of the many wonders of the Human experience to try and seek purpose and meaning in life, to be freed of the constraints society puts upon others. Many people living today do not know what path they are taking, they are walking blindly, in the dark. However, it is possible for one to open their eyes and to see the many opportunities that come their way and to

Rock and Rolls Music The United States is the origin of rock and roll music. It evolved as a popular music in the 1940’s and 1950’s from a combination of Afro-American genres such as jazz, blues, country music, gospel music. Rock and roll music has some elements that are evident in blues and country music of 1920’s. However, Rock music attained its status and name in 1950’s. Saxophone and Piano were the first instruments to be used in the performance of rock and roll music but were later supplemented

Throughout the early years of music there were numerous examples of different forms of music that were on the rise while others were deemed to be ushered out. As these new styles of music were becoming more popular they had to fight against groups and individuals that were resisting the change. There were various reasons why people did not approve to new styles of music, including racial tensions, raunchy or obscene movements, and inappropriate movements. Even though there was a lot of resistance

Today 's Music While blues and jazz are musically different, they play a similar role in the in the musical genres that is heard today. Today, music is divided into many genres such as hip-hop, easy listening, country, rock and roll or classic rock, etc. Pure blues or jazz is hardly thought of, as those two genres are not heard as often in today’s music. The purpose of this essay is to compare and contrast the difference between blues and jazz music. Blues and jazz are musical genres, or styles

Jazz midterm 1. Louis Armstrong is credited in the book titled Jazz as the “single most important figure in the development of jazz.” He is known as the only major figure in Western musical history to have a profound influence as a singer and an instrumentalist. His defining qualities as a performer were the emotion, beauty, and technical mastery he brought to each performance, and he knew how to please an audience. Performing jazz was a personal and powerful experience to him, and it was communicated

Perspective Adorno, Theodore W. "On the Problem of Musical Analysis." 169-87. Vol. 1. 2nd ed. Translated by Max Paddison. Hoboken: Wiley, 1982. Adorno discusses the problems with analysis. Particularly critical of Schenker, arguing that when applied to music not of Beethoven, Schenkerian analysis tells us very little. He talks about how analysis the theme, which seems like a pretty straight forward statement, but when you spend years applying roman numeral analysis to every piece of music you come

debasing of the Jazz genre as a unworthy equal to it's predecessor, European Classical music. This can be seen in various statements about Jazz, such as Boris Gibalin commit, "The "Jazz Mania" has taken on the character of a lingering illness and must be cured by means of forceful intervention."1 This conflict can be traced through out the history of Jazz, as Classical composers have relatively disregarded this new type of music. Before Duke Ellington's Cotton Club performances, Jazz play on the radio