Wassily Kandinsky Essay

In Wassily Kandinsky's excerpt from Concerning the Spiritual in Art, he argues that art is supposed to make one’s soul resonate through the discovery of the unknown and color. Kandinsky claims that at first art is only understood by one person, usually the original artist, and it then slowly expands to more and more people as they look at the art. This allows them to discover something the previously did not know or understand. He then claims that color affects the viewer in two distinct ways: physically

last is essential.” - Wassily Kandinsky. OVERVIEW / GENERAL PRESENTATION OF CONCEPTS Art historians typically identify the early 20th century as an important historical moment in the history of abstract art as artists worked to create what they defined as "pure art" - creative works that were not grounded in visual perceptions, but in the imagination of the artist. Influential works from this time period include Picture with a Circle (1911) by the Russian artist Wassily Kandinsky (1866-1944) and Francis

such as distorted shapes, squiggles and motifs. For example, in his painting ‘Composition IV, 1911, Kandinsky has partially disguised symbols of subject matter from the outside world, such as boats, reclining figures, and a castle on a hilltop, beneath vibrant blocks of colour and harsh black lines. The notion of battle is conveyed in the chaos of the composition particularly in the way Kandinsky has juxtaposed the clashing vibrant high key colours, with the calm of the flowing forms. This alludes

Some of the prominent artists of this movement were/are: Max Beckmann, Otto Dix, Lyonel Feininger, George Grosz, Ernst Ludwig Kirchner, August Macke, Emil Nolde, Max Pechstein, Oskar Kokoschaka, Alfred Kubin, Vincent Van Gogh, Kathe Kollwitz, Wassily Kandinsky and Edvard Munch. Some of the famous paintings one would relate to expression ism are: “The Man with the Pipe” by Vincent Van Gogh, “The Scream” by Edvard Munch, “Never Again War” by Kathe Kollwitz, “Street Scene” by Ernst Ludwig Kirchner

and craft movement, had a utopian dream to combine art, design and the industry of architecture in ideal unity. Hence the Bauhaus movement was founded on collaboration of all different art forms. Instructors such as Paul Klee, Josef Albers, Wassily Kandinsky and László Moholy-Nagy each specialized in their own field of designs and craftsmanship. With these artists shaping the Bauhaus movement, the style and the elements that came along with it are immortalized even today. Walter Gropius’ form-follows-function

Wassily Kandinsky and Paul Klee are two of the famous artists of abstract art. They both had started their painting life since 1900, and they had had friendship during their lifetime. Which is easier to compare their artworks by year and find the similarities of how they were influent by each other. Such as Kandinsky’s Improvisation and Klee’s Colour shape in 1914, Kandinsky’s Black Increasing and Klee’s Black Knight in 1927. Thus, the four painting would be the artworks to compare. Two artists have

Wassily Kandinsky’s Angel of the Last Judgment was made during the pre-war times in Europe. Kandinsky’s painting was included in the Merzbacher collection, a collection focused on how colour had been used by European Artists in the 20th century. Kandinsky along with other Artists such as Derain, Vlaminck and Braque were considered as “Fauves” meaning “wild beasts” a comment made by Art critics who found their use of colour unnatural and aggressive. Along with Angel of the Last Judgment, many paintings

teaching block and staff houses made by Gropius gave visible expression to the constructive spirit of the Dessau Bauhaus. Constructivism had become dominant and it showed in the works of teachers during this period including Klee’s works, as well as of Kandinsky and of Schlemmer’s. In 1926, the Bauhaus was granted university status as it was considered an institution before. As students and teachers had grown closer to each other, former students were able to join the teaching staff. On February 4, 1928

Expressionism is an art style in which the artist is less focused on physical depiction, and more on giving off a feeling or emotion. It was first sprung in early 20th century Germany, influences in expressionist art of the time such as Ernst Kirchner's "Davos under snow", can be traced back to Vincent van Goh, Paul Gauguin, and artists alike. Expressionism in many ways feels like a minimalist form of realism, avoiding tedious figure or an overbearing level of detail. An image may be distorted or

Abstract art is perceived, as a profound separation of the tradition that the primary function of art is the representation of visible reality. Abstract art came to be viewed as the ultimate break with all pervious pictorial traditions. Several trends of thought served as the foundation that contributed to, and made possible the innovative ideas of abstract painting in the first decade of the twentieth century. Such trends emerged from various fields of experience and exploration. For instance