Wassily Kandinsky Essay

defined as ‘rejection of Western conventions’. German expressionism is the depiction of reality that is distorted and twisted for emotional effect (Darsa, 2013). Expressionist films are massively influenced by artists such as Vincent Van Gogh, Wassily Kandinsky and Edvard Munch, who were less interested in producing aesthetically pleasing paintings as they were to provoking emotional reactions to their work through the use of bright colours, jagged lines and abstract shapes. The movement was interested

I care about words. They are simple symbols on paper strung together to evoke meanings. Words are complex––mankind’s greatest invention: syntax skyscrapers, paragraph palaces, connotation cathedrals. Words are communication, connecting cultures across oceans and life sources across galaxies. With these dangerously influential tools, humans can bring peace to nations or start wars, leaving fallacy footprints in previously undisturbed soil. With language comes responsibility, so I attempt to choose

I viewed Fernand Léger’s “Composition with Tree Trunks” (painted in 1933, using oil paints on canvas) at the Dallas Museum of Art in their permanent collection, on September 17, 2016. The painting is placed on the second floor, within a collection of 20th-century European art. This work visually yells at passersby, begging them to look at it as they move up the staircase. One is invited to stand at the entrance of the level and contemplate this painting’s loose form and captivating use of color and

Color Me Impressed “Color is a power which directly influences the soul.”- Wassily Kandinsky Hosted in the parking lot of the Florida Mall is the annual Color Vibe 5k. In a grey, broken lot sits the most colorful run in the world. A color run is usually a 5k that benefits charity. That sounds standard until you throw in the trademark. Dyed cornstarch. The dyed cornstarch, or powder, is thrown at runners in white shirts as they run. This creates a sea of different colors and an unforgettable experience

The Bauhaus was arguably one of the most influential events in design history. The Bauhaus was a German art, design, and architecture school that was founded by Modernist architects Walter Gropius, Ludwig Mies van der Rohe, and Le Corbusier. Although founded by Modernist architects, the Bauhaus did not teach architecture during its early years. Instead, Head of the Bauhaus Walter Gropius, wanted to form a school that encompassed all learnings of art and craft and form a curriculum that was activity-based

This type of artistic suppression was happening all over the world in varying degrees. It drove many artists out of their homelands to places that were more accepting of their artistic expression. Although Kandinsky didn’t find himself in the company of the cubists of Montmartre, his story demonstrates the artistic atmosphere of the world at the time. Many artists were eager to find a haven where they could freely express themselves in the company of like-minded

Arnold Schoenberg’s Drei Klavierstücke, Opus 11 (Three Piano Pieces) represent his first fully atonal work, which would become the basis for moving forward in his later atonal and serial works. Schoenberg believed that music history naturally pushed forward and that tonality could not contain music forever. He believed atonality was the next step and Schoenberg admitted, “The most decisive steps forward occurred in the Two Songs, Op. 14, and in the Three Piano Pieces, Op. 11.” However, small

seventeen) ranged from ages 18 to 22, and were all female. Orff wrote that improvisation was the beginning foundation for making elemental music, particularly rhythmic improvisation. Orff’s emphasis on elemental music likely stemmed from the work of Wassily Kandinsky, who wrote on the internalization of movement for dance forms that would emerge in the future. Students from Orff’s school began performing and using improvisation on

Claude Monet was a prolific French painter who founded Impressionism in the 19th century. He strongly held onto his belief of his painting style throughout his long career and is considered to be one of the most prominent and influential painters in history. He focused on capturing the feeling or experience of a certain moment. He was intrigued by the light and color, so he explored their changes under various weather conditions at various times of day. Monet’s fascination of shifting effect of light

In 1909, former symbolist poet Filippo Marinetti published his subversive Manifesto of Futurism. This avant-garde proposal for literary revolution proved highly influential to the world of visual art in Italy. Marinetti’s call for dynamism and movement of both physical and societal nature triggered a movement which stood proudly for vivacity, energy, and disruption, and reflected the state of politics and industry during its time. In his contribution to the advent of a seismic change in Italian art