World Soundscape Project

Since she started making music in 2010, Claire Boucher’s Grimes project has made some of the oddest pop music imaginable, and since she started making music in 2010, the music has only increased in quality. From 2010′s three lo-fi, darker projects of Darkbloom, Halfaxa, and Geidi Primes, to 2012′s ethereal Visions, to her recent singles, last year’s trap-influenced “Go” and this year’s moody synthpop jam “REALiTi (Demo)”, Boucher seems to have been slowly moving towards a mainstream pop presence

Musical development from the 50’s to the present day 1950’s The 1950’s was a very important decade in the development of music as it saw the birth of rock n’ roll. Artists such as Elvis Presley and Chuck Berry took the style of playing already established in genres such as blues and country music and completely renovated it. They took the idea of a 12 bar blues pattern and sped it up and added rhythmic, catchy hooks to make the music easy to dance to. The lyrics of songs about the genre itself as

Bibliography Australian Curriculum, A. a. (2015). Australian Curriculum. Retrieved May Saturday 2nd, 2015, from The Arts Scope and Sequence: Foundation to Year 10: http://www.australiancurriculum.edu.au/the-arts/introduction Dinham, J. (2014). Delivering authentic ARTS education. Australia: Cenveo Publisher Service. Geršak, V. (2015). Ausdance. Retrieved May Friday 8th, 2015, from Creative movement – An opportunity for affective education: http://ausdance.org.au/uploads/content/publications/2012

Bill Fontana is an internationally reputable composer and pioneering American sound sculptor born April 25th 1947 in Cleveland, Ohio. Since the mid to late 70’s Fontana has used sound as a sculptural medium, able to interact and transform our perceptions of visual and architectural spaces. Fontana is constantly engaged with the idea that at any moment there will be something musical to hear in the coherent sound patterns around him. His sound sculptures use the human or natural environment surrounding

I wanted our performance to be vivid, and engaging. This is why our group chose this name for our company. The brief which we received was: ‘…We are such stuff as dreams are made on….’ Our piece would be performed as part of a weekend on a youth project; the content had to be suitable for community audiences. This meant that whilst devising our piece I had to keep in mind the target audience and what would be appropriate, for example: we couldn’t have issues which were too controversial or serious

Listening to Rap: Cultures of Crime, Cultures of Resistance Julian Tanner, University of Toronto Mark Asbridge, Dalhousie University Scot Wortley, University of Toronto This research compares representations of rap music with the self-reported criminal behavior and resistant attitudes of the music’s core audience. Our database is a large sample of Toronto high school students (n = 3,393) from which we identify a group of listeners, whose combination of musical likes and dislikes distinguish them

ied ImJournal of Consumer Research, Inc. Speaking of Art as Embodied Imagination: A Multisensory Approach to Understanding Aesthetic Experience Author(s): Annamma Joy and John F. Sherry, Jr. Reviewed work(s): Source: Journal of Consumer Research, Vol. 30, No. 2 (September 2003), pp. 259-282 Published by: The University of Chicago Press Stable URL: http://www.jstor.org/stable/10.1086/376802 . Accessed: 22/10/2012 06:18 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions

ied ImJournal of Consumer Research, Inc. Speaking of Art as Embodied Imagination: A Multisensory Approach to Understanding Aesthetic Experience Author(s): Annamma Joy and John F. Sherry, Jr. Reviewed work(s): Source: Journal of Consumer Research, Vol. 30, No. 2 (September 2003), pp. 259-282 Published by: The University of Chicago Press Stable URL: http://www.jstor.org/stable/10.1086/376802 . Accessed: 22/10/2012 06:18 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions