Who would have guessed that a movie I watched over the summer of 2010 - particularly the 1999 teen romantic comedy “10 Things I Hate About You” - would forever change my perspective on creative writing and songwriting? Even though its characters were high school students and I was entering seventh grade at the time, their varied personalities seemed incredibly relatable to me. And as the months would fly by, it never really crossed my mind that I should put my ideas on notebook paper. My grandmother, brother, cousin, and I were all invited by a religious organization to travel with other churchgoers to Allensworth, California. Formerly the first town founded by African-Americans, it was now a historic park in the state’s Central Valley area. My mother truly desired for my brother and I to go, since we could learn more about the history of our ethnicity. To keep from being bored, I brought a black college-ruled spiral loose-leaf notebook and a pencil or two. I did not, however, bring the charger to my month-old cell phone or my treasured map of Cincinnati, …show more content…
But I found comfort in the fact that I still had my notebook, so I began penning a short story based on “10 Things I Hate About You” titled “My First Love”. Like the movie, the story centered on two sisters who are told by their father that the only way they would be allowed to date was if they simultaneously had boyfriends. The younger sister’s boyfriend was a new student and a geek, and the older sister’s boyfriend was a troublemaker, just like the film. But there was one big difference: while both sisters in the movie were both in high school, in my story, the younger sister was a high school freshman and the older sister was a young adult. And many of the characters in my story, including the sisters, and their prospective boyfriends, were of my
Black religion was no longer regarded as exemplary or special. During a time of growing segregation and violence, some black leaders attempted to counter this perspective seen by whites by embracing the romantic racialist notions that “blacks possessed peculiar gifts.” These gifts being directly connected to the importance of black churches in a time of direct exclusion of blacks from other pieces of society.
explained what it was like to be African American in a certain time and place.”
Through intertextual relationships, detecting the significant differences and transformations between William Shakespeare's play Taming of The Shrew, and Ten Things I Hate About You, a contemporary hollywood film directed by Gil Junger enriches our understandings towards cultural issues through feminist attitudes, social hierarchy and the transformation in sentiments towards love and marriage. Both texts exert compelling issues through different techniques to proclaim to the audience that women during the 16th century were seen as obsequious, however Ten Things I Hate About You, an allusion of Taming of the Shrew, enriches our understanding of these gender role issues by proclaiming that we must reject blatant consumerism. Among this, issues of class and love are explored, and through a historical reading I was able to depict the changes in values and cultures between the production of both texts.
The movie 10 Things I Hate About You is comparable to the book The Taming of the Shrew. William Shakespeare wrote The Taming of the Shrew with the focus of marriage in the 1500s. 10 Things I Hate About You is a romantic comedy that was made in the 1900s. In The Taming of the Shrew and 10 Things I Hate About You, Petruchio and Patrick are similar because they are manipulative and indifferent to other’s opinions of themselves; however, Patrick is more compassionate.
The research done on the African Burial Ground has strengthened the public’s knowledge of 17th and 18th-century black heritage in New York. The comprehensive research done integrates scientific approaches and the intellectual, educational and political insights of African American communities. Blakey and the Howard research team conduct research to publicize the lost narrative of Africans living in New York during the 17th and 18th-century. The research conducted adds to the history of the United States and is a reservoir of knowledge about the time period and the deceased. The research does not attempt to speak for the dead but rather allow their findings to speak for themselves. However, when presenting history on a systematically marginalized
The journal article begins by introducing an African American couple who resided in Russellville, Kentucky. James Wright held an occupation as a corn cutter while his wife Gladys worked as a cook in a white home. The time span of their journey occurred at the beginning of the great depression all the way through World War II. Seeking better employment opportunities, James traveled to Louisville. Although, his first couple trips were in vain. His resilience and determination eventually lead to a job working for International Harvester. During an era of many trials and tribulations, James found a way to support himself and his family by migrating from a rural to an urban area. By sharing this anecdote the author establishes a mood of hardship
As children growing up in the United States, educated through our public schools, we learned about the institution of slavery, which was an integral part of life in our country for nearly 300 years. We do not usually question the historical facts we learned about slavery or ask how we know so much about the history of these people (the enslaved Africans in America) who left behind so little written record. In the classroom, archeologists do not receive much credit, but it is largely through their work and research that we have been able to learn about “America’s diverse ethnic heritage” (Singleton 155). In the 1960’s, excavations of slave cabins
By the 1920’s the amount of African Americans in New York City had more than doubled. Meanwhile the roadways and subway system had just begun to reach Harlem, where some of the most influential Blacks had situated themselves. Soon after, Harlem became known as “The Black Mecca” and also as “The Capital of Black America”.
I remember the very day that I became colored. Up to my thirteenth year I lived in the little Negro town of Eatonville, Florida. It is exclusively a colored town. The only white people I knew passed through the town going to or coming from Orlando. The native whites rode dusty horses, the Northern tourists chugged down the sandy village road in automobiles. The town knew the Southerners and never stopped cane chewing when they passed. But the Northerners were something else again. They were peered at cautiously from behind curtains by the timid. The more venturesome would come out on the porch to watch them go past and got just as much pleasure out of the tourists as the tourists got out of the village.
Unique to the United States, the Old West wields a powerful influence on the American imagination that can still be seen in numerous aspects of the nation’s culture, such as clothing lines and movies. Unfortunately, as is the case with most other periods, historic acknowledgement of African Americans’ contributions to the West is still not complete. Only recently, within the last few decades, have American scholars and the film industry earnestly begun to correct this period in regards to African Americans. In 2005, the Idaho Black History Museum (IBHM) in Boise assembled a display that incorporated the black cowboy into it.
This investigation will analyze to what extent did negative racial encounters in the 1950’s caused the white fight to the suburbs.African Americans began moving into Chicago in great numbers following the Great Depression. Tensions arose as they moved into the city, which sparked many whites to move into neighboring suburbs such as the ones highlighted on the map to your right.(Ebony Magazine 18) Following the great population change were negative racial encounters and segregation.This exhibit will inform others of the point of views of both sides of the White Flight in America beginning in the 1950s.
African Americans move to Allensworth, CA to live the ´´American Dream´´ , end racism and segregation, and to have equality. In the documentary, ¨Allensworth: A Piece of the World¨, Connor Bunch said ´ I´ll never forget the first time I came to Allensworth. How hard it must have been to crave a community out of this land.´ After American American were able to gain their freedom, many wanted to live the ¨American dream¨ and be successful in their business. It was impossible to that during this time, so Colonel Allensworth decide to create a community where they could success in their dream. In the article, Allensworth: California's African American Community, it say ¨ Free of the debilitating effects and limits of racism, Black demonstrate that
In The Hate U Give, we are introduced to our protagonist Starr who is a 16 year old that is trying to figure out the struggles of high school. She lives in a ‘ghetto’ part of town and goes to private school in another town. She is trying to figure out the struggles of growing up and becoming her own person which include, dating a white man that she hides from her dad, feeling out of place, trying to be friends with the mean girl in school, and isn’t sure who she can trust.
To those travelling to California to start a new life, California was seen as a land of opportunity for all, however that was not the case. The reality was that it was the land of opportunity for whites. Yes, racial minorities had more rights in California than in other parts of the United States, but these minorities still suffered from extreme discrimination. In the novel, Devil in a Blue Dress, by Walter Mosley, the treatment and lifestyle of racial minorities is depicted; however more importantly the novel demonstrates the broader trends of California’s history in regards to racial minorities. This paper will describe and analyze these broader trends of the history of race relations in California to conceptualize the treatment of racial minorities in California.
interviews of people who have or know people who have experienced historical events of the past. For this essay, I chose to take an oral history of the civil rights movement and the great migration. Preserving the memories of the individuals that lived during these historical events allows for many things in addressing the silence of African American experiences within U.S. History. First, memories and recollections taken from oral histories may differ from the perspectives of those who have appear on historical records or may be completely absent from any other documentations. Also, because cameras and video cameras were not as easily accessible as they are today, the majority of history is documented from peoples’ memories through letters, diaries, and oral history interviews. In addition, taking an oral history allows me to ask specific questions towards what I am are interested in documenting about the civil rights movement and the great migration. Lastly, oral histories are somewhat viewed as a “revisionist” to the study of both the civil rights movement and the great migration because it takes firsthand accounts of those participating on campaigns and protests and also of those were watching from afar and allows readers to understand each individual part of what made the movement as a whole.