Beware! The lights are out and not only one, but four villains have plagued Gotham. The only way to conquest the city once again? Batman, a battle of latex and dancing—all of it took place at The 16th Annual Liquid Latex Show: Peace, Love, and Latex on March 21st.
The event, which had two acts, first started with the group named “Batman.” Needless to say, the performance involved the comic book and it was littered with its colorful characters. Batman and his sidekick Robin fought against four villains who threatened to take over the city. The highlight of the show was nearly at the end, when the Joker hold a sign that said: “This is a bomb.” He then proceeded to throw it at the other players, who were at the back of the stage, and they all reacted as if the bomb had made explosion, collapsing onto the stage. The designs, made by Sam Laney and Mary Millage, were made very similar to what an actual costume of Batman or Robin or the Joker would look like, except these were not costumes—well pulled off.
“They Might Be Science” was a little idiosyncratic, in a good way though. The piece is for those people who are unable to choose between science and arts. Their
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The group “In My Head” dedicated their piece to the people who happen to have mental illnesses, such as Borderline Personality Disorder, Anorexia Nervosa, Obsessive-Compulsive Disorder, Anxiety Disorders, Depressive Disorders. The liquid latex had more of a supporting role in this piece, but it was all for a good reason. Choreographed and starred by Julie Joseph, who shined with her sublime and smooth ballet movements, grace and simplicity. Every aspect captivated the audience’s attention and even more so with a song that perfectly set the mood by the Welsh singer Marina and the Diamonds, “Fear and Loathing.” Through Joseph’s eyes there was a real story playing out. It was an intimate story of struggle and survival that yearned with impacting the
Whereas Anthony though taller, seemed to make himself feel small and become inferior, something that surprised me. This was observed through the use of movement of the performers. From hands being shaky, to sanding still, to sporadic gestures, the collaborators brought out the frustration and conflict Rosemary and Anthony shared.
Through the use of techniques and themes, a composer is able to create distinctively visual images when describing the setting and characters in detail which help us to understand and form meaning of what the composer is trying to convey in their texts. The use of techniques such as body language, symbolism, lighting, music and photographic background slides create distinctively visual images same with themes that are being used within the texts such as truth which is evident in the dramatic text ‘The Shoe-Horn Sonata’ by John Misto, the song ‘Lose Yourself’ sang by Eminem, and the film ‘The Eye’ directed by David Moreau and Xavier Palud featuring Jessica Alba. These three texts demonstrate how the responders are impacted and what is
When it comes to speaking or performing in front of an audience, everyone has their own ways of handling the situation, even if they don’t have a fear of a big audience. Some people imagine their audience naked and some imagine themselves somewhere else. This trick to performing is expressed in both “Lost in Motion” and “Lost in Motion 2” These short films depict two professional dancers performing breath-taking moves, all while in perfect elegance. These two short films have both similarities and differences. The comparison of these films can be best categorized by its setting, its mood, and its music
Many people channel their emotions and experiences through the art of dance. In 1970, The WestGate Bridge in Melbourne collapsed. Lucy Guerin and the dancers at Lucy Guerin Inc, performed a piece ‘ Structure and Sadness ‘ in Malt House Theatre Melbourne back in 2006. The main focus of this piece is the movements demonstrated, the dancer motions reflect on the emotions and feelings the workers may have experienced when building the bridge. Throughout the text we will analyse different features in the dance such as the unique movements, lighting, music and props.
The Joker was once seen as a comical criminal who committed ridiculously silly crimes, such as spreading laughing gas throughout Gotham City. However, after the reinvention of Batman, The Joker was transformed into a grave and terrorizing character. Continuing the course of the new personality given to The Joker, writer Alan Moore and artist Brian Bolland created a graphic novel called The Killing Joke, “a much more complex, darker, and ultimately, frightening story” (Wooldridge) which tells one of the origins of The Joker since The Joker himself is unsure of his true inception. However, this particular graphic novel “isn’t about how the Joker came to be, it’s an examination of
In 2005 Christopher Nolan spearheaded the commercial re-boot of the Batman franchise with the movie Batman Begins, the movie achieved wide critical acclaim, and, subsequently generated, talk of a sequel. In the summer of 2008, after a vast amount of advertising and viral marketing, the highly anticipated sequel was finally released. The film 'The Dark Knight' grossed almost $67,165,092 in its first day and went on to break countless box office records. Later the next year the film won 2 Oscars and was nominated for a further 6, one award won was the 'Best Supporting Actor' award which the late Heath Ledger posthumously received, for his portrayal of the 'Joker'. Due to Ledger's untimely death the film gained even more
“Motel 6” is the first track of Jean Deaux’s debut album, Soular System Vol. I: Dark Matter[s]. It describes Deaux’s mental state after being a victim of sexual abuse. The music video, released in October 2014, provides a visual for the gritty depiction of her emotional pain. Deaux’s audience are those who have been raped or affected by sexual assault. Through this music video, she provides an outlet for victims to relate and displays the mental and physical pain of sexual abuse. The music video for “Motel 6” only uses visuals to express a story, an element I would like to attempt to use in my project. Visuals without narration open the interpretation of the art to the audience. This allows discussion to form and creates a more interesting
The audience then became lost and frightened as there were no signs leading them to their next destination, once again forcing them to partake in the performance. This physicalisation not only successfully involved the contemporary audience, but demonstrated the necessity of physical composition to give audiences that real experience. This use of physical composition provided immediate reaction and emotional expression through action and contrast. These elements ultimately enhanced the mood and symbolism of the performance, allowing audiences to not only partake in the production on an intimate level but also on an emotional level. Another way in which mood and symbol can be created is through the use of complicité.
Another work by Crutcher emphasizes that ‘Many Lives of the Batman’ and ‘Batman Unmasked’ are bought in three areas: popular culture studies, popular culture as it relates to marketing and consumerism, and the nature of the comic publishing industry. Most writers have examined the impact of Dark Knight Returns on cultural consciousness, politics, and so on. This antihero construction sparks centuries old dialogues on ethics, the kind of business that comprises the bulk of Batman. “The complexities and graphics in the novel and comic of Batman have been defined as his duality with his villains” (Crutcher 66). Due to popularity and the existence of Batman, people began using the Batman symbol as paraphernalia on personal belongings such as clothing, equipment, and supplies.
The mood of this art was without a doubt, intense, suspenseful, thrilling, and fast-paced. On pieces like “Halloween”, composed by John Carpenter, “The Shining”, composed by Wendy Carlos and Rachel Elkind, or “Jaws”, composed by John Williams, all respectively, there is a heightened sense of awareness and a feeling uneasiness. I certainly found myself sitting at the edge of my seat, possibly casting a glance from side to side, reliving the childhood fears of monsters under my bed, or in this case, theatre
Suit up and fly over to the Danville Community Center for a Halloween celebration of epic proportions! Whether they come as Batman, Iron Man or Wonder Woman, little ones ages 1-9 are sure to have a blast. Festivities will include superhero-themed arts and crafts, face painting, games, trick-or-treating and more! Online pre-registration is required and there are no walk-ins allowed. Costumes are suggested but not required.
"The Dark Knight" is grimly magisterial. It's a summer blockbuster that contemplates near-total civic disaster: Crowds surge, tractor-trailers flip, and buildings explode, but the pop violence feels heavy, mournful. Light barely escapes the film's gravitational pull.
For this solo piece, I chose to incorporate Laban’s theories into an interpretive dance. I display, not two different characters’ movements, but one character’s movements as he/she develops, learns, and grows throughout his/her lifetime. To do so, I will use shadows in the background to interact with the character in order to allow the audience to better comprehend my actions and movements throughout the song. As the actor, I conform to the story line and the character I am portraying by my movements and interactions with the shadows projected onto the backdrop of the stage.
This was done by creating a theatrical form that was direct and linked the unconscious minds of performers and spectators. It can be further depicted that Freud’s work strongly influenced the movement of Surrealism, providing a theoretical basis to unravel the unconscious and thus free the imagination through their work, such as in surrealistic theatre. Realizing the perspectives and purposes of Freud’s and Breton’s work, it is safe to conclude that the unconscious is a source of
A fascination with the human body, body were an experience that could somehow be held in common. The ways in which we might experience the body as connected or represent it as disconnected in a live performance. Shifting attention from traditional art object to the artist’s physical action further proposed that art existed in real space and real time. Marina Abramovic, a pioneer of performance art began using her own body as the subject, object, and medium in the early 1970s as she said, ‘In performance my body is object and subject.’ For the exhibition