90's Social Media Analysis

While Steve Dahl and his followers felt out of place, the more important disruption was not white rock fans who were fearful that their music and culture were under siege. It was the Black, Latinx, and LGBT communities who saw the white-washing and erasure of their sexual identities to appease dominant white audiences that were enthralled with this faux version of disco. And once the economic profitability of disco was discovered, it swiftly arose and transformed to accommodate white, heteronormative ideologies for mainstream music and pop culture spaces that ignored the implications of white-washing and heterosexist undercurrents. There was no turning back. Disco was extremely lucrative in above-ground spaces and because of its profitability,

When people think of popular music they think of party beats created for pure entertainment and nothing more. People do not see this genre of music as capable of anything else. The stigma of popular music only being a form of amusement for the mass consumer is challenged when artists use music to attract attention to social issues. This paper intends to show how music like Raï challenge the thought that popular music is only for entertainment.

During the mid-1900’s many different types of music emerged and became popular. Each type of music that was popular brought along different social and political issues. Between 1950’s rock and roll, 1960’s psychedelic rock, and 1970’s disco, America was undergoing a great deal of changes. Among these three genres of music, rock and roll posed the greatest challenge to the status quo, with its bonding of African-Americans and white people in listening and dancing.

Stanley Eitzen decries the increasing loneliness that has come with advancement in technology and modernity. For instance, the writer asserts that the present day generation is socially inactive as compared to the past generations. Generally, the apparent isolation that people have found themselves in can be largely attributed to technology. Often times, people find themselves using their mobile phones and computers as opposed to engaging in personal face-to-face communications. In effect, this increases communication between individuals but largely reduces intimacy. Other than technology, the types of modern lifestyles that people have embraced have led to isolation, as people tend to live in social and racial settlements. The state of isolation, the author argues, has many disadvantages as it leaves individuals susceptible to unlawful organizations, such as terrorist groups and evil cults. I wholly conquer with these sentiments.

In Justin Pearson's memoir, From the Graveyard of the arousal Industry, he recounts the events that occured from his early years of adolesence to the latter years of his adulthood telling the story of his unforgiving and candid life. Set in the late 1970s "Punk" rock era, From the Graveyard of the Arousal Industry offers a valuable perspective about the role culture takes in our lives, how we interact with it and how it differs from ideology.

“I want kids of this generation to see that everything is cool, that there 's some kind of unity in hip-hop. We all found something that 's really important to us, and music is all we 've really got” – Missy Elliot. Hip-Hop is a cultural movement and popular genre of music that emerged during the early 1970 's by working class Black youths in New York City. The cultural movement has rapidly expanded across different countries and ethnicities over the years, becoming one of the few markers that define a generation. Hip-Hop can be seen as “the fundamental matrix of self-expression for this whole generation” (Katz & Smith, 1993). Through music, itself, artists can express their feelings towards different events or social changes that they’ve see or have experienced in their lives. According to Frith (1986), this perspective towards writing music is similar to Mooney’s argument that popular song lyrics is a reflection of what’s missing or needed at their time, giving us a trace of America’s ‘mood’ throughout history. In return, music artists captivate the minds of people among various backgrounds who use these relatable music lyrics as a source of empowerment or as an expression of their own thoughts. While some music artists create music to uplift their audience by giving them a sense of freedom, other artists create music that separates their audience by dehumanizing one group and giving power to the other.

Americans say they "like" Facebook posts from musical specialists and 37% offer music through Facebook, Twitter, email, or other stage (Nielsen.com, 2014a).The ebb and flow study endeavors to fill this crevice in the exploration past these measurements. It investigates the relationship in the middle of identity and demographic indicators of cell phone and Facebook addictions among African American

During this Lecture, the UC Merced Hip Hop Movement group educated us about the history of hip hop and what it is, and what it has evolved to. Hip Hop is a way of expression. The four pillars of hip hop are graffiti, Dj, Mci-ing/ spoken word, and dance. Hip hop first started out as just break dancing in the 1960s in Bronx, New York by immigrants. During the financial frustrations of WW II, immigrants used break dancing, as an outlet and form of expression. Break dancing can be so intense that it can be a battle of dance between two dancers. It can be a way to settle arguments. Later on, the Jamaican tradition of “impromptu toasting/boasting through rhythmic poetry over/with the music developed into “rapping” a.k.a. “Mc-ing.” (Movement) Dj-ing

While growing up I was enrolled in three different schools during High School. Freshman year I was enrolled in Lockhart, TX. I made some really good friends there. Sophomore Year my family and I moved back to Yoakum, TX. I was pretty much raised in Yoakum I have friends from kindergarten in that town. My godson lives in Yoakum. Before the end of Sophomore year, we moved to good ole Huntsville, TX. My fiancé and his family are from towns surrounding Huntsville. If it were not for social media, like Facebook, I would not be able to keep up with half the people I know.

Social media is a technology that is utilized by almost every in not only America, but all over the world. It has changed the way we lead our lives, the way we communicate, and the way information is distributed. Additionally, this technology has had a prominent influence on individuals’ opinions and how they perceive the world around them. The presence and accessibility of social media has revolutionized many industries, and the music industry is no exception. Social media is reshaping the way we consume and interact with music has changed over the years as social media technologies have evolved. Furthermore, social media has gone on to changing the way music is produced and publicized. Music lovers are not the only ones to avidly depend on social media, but the dependence is present from the sides of music creators, producers, and marketers as well.

When society looks back at a decade, “the 80s” for example, the music of that time is what most clearly defines it. Music is an international language, a way to communicate, to spread a message. Two influential artists or bands I will discuss throughout this paper are The Beatles and Michael Jackson.

In this essay, the influence of hip-hop politics, class unity and the internet will be explored to discover how the consumer became an active producer of culture. In the early days of hip-hop, particularly from its mainstream origins in the 70’s (Dimitriadis 2009) up until the 90’s, the underground scene rarely floated into the mainstream. Despite a good portion of the underground consisting of consumers, to achieve mainstream success one would need the right connections and musical equipment. Before these tools became affordable and accessible, the consumer wasn’t integrated as an active producer of culture. Thus the average consumer wasn’t capable of making major waves in the industry. In some respect, the mainstream producer carried a sense of prestige because there were only a few who garnered attention in the mainstream such as DJ Premier and Eric B and Rakim (Tom Terrell, 1998). During the early origins of hip-hop, as Josh Kun describes, hip hop was mainly a facet of African-American culture. As a result, many consumers from other backgrounds weren’t majorly included in developing the hip-hop culture. This, however, changed when icons such as Run DMC and Aerosmith broadened the scope of hip-hop and allowed more consumers to play an active role in producing the culture. The popularity of the internet rose in the early 2000’s and it allowed the consumer to actively shape the culture. The internet allowed the consumer to create their own sounds and message and deliver it

The rapid growth of technology in our society has become more dominant than it was in the 17th and 18th century. Today, technology is used for almost everything in our day to day lives. But the most common usage of technology is for communication and industrialization. However, every good thing has its disadvantage if it is over used, and since technology has become very dominant, it is used by both young and older people but more predominant among the youth of the today. Even more, technology has brought about social networking such as Facebook, Twitter, my space, piazza.com, instagram, tango, and last but not the least texting. According to socialnetworking.procon.org, “47% of American adults used social networking sites like

At the end of David Fincher’s film, The Social Network, Sean Parker sums up the progress of today’s society “we lived on farms, then we lived on cities, and now we are going to live on the internet”. Narrated through parallel story lines; the process of creating Facebook and the resulting lawsuits between Zuckerberg and Saverin and the Winklevoss Twins and Diva Nirendera. The film re-tells the story of the birth of Facebook, created by Mark Zuckerberg and his associates, Eduardo Saverin and Sean Parker. The idea of human interest is explored throughout, in the lasting consequences that jealousy, greed and betrayal has on relationships. Through this Fincher provides a critique of how today’s society connects. The realism of the film, created thorough costuming, dialogue and lighting accentuates the need for real relationships, messy and vulnerable though they are, compared to disconnected virtual ones which lack warmth and authenticity. Fincher provokes the audience to question their own lives and asks if a society that lives on the internet is a good direction to head.

Influences of the Beat Movement can be noted in the next phase of American History: Hippie counter-culture of the 1960s. The Beat Generation was an important political catalyst for those minorities that had no voice. The “beatniks” of the movement were seen as a threat by those Americans that lived in the typical suburbs of American who tried to raise their children in morally upright ways (Silesky, 81).