A Brief Note On Hip Rap And Hip Hop And Rap Industry

It is clear that the hip hop culture plays a huge role in the lives of many people. It has influenced the way people dress, the way they talk, and the way they act. Unfortunately, many big corporations have taken advantage of this and commercialized rap music in order to gain a profit (Blair, 497). Commercialization is a very complex topic; however, it is important to understand. This is because of the fact that when something becomes widely known, such a hip hop and rap have, it is vulnerable to change (Phillips, paragraph 9). An example of this is when author Nicole Phillips states, “Hip-hop became more about edge and less about the content of the message. It became about sales….” (Phillips, paragraph 9). Therefore, in order to prevent any further change, one needs to understand commercialization and how it works. This paper is going to explore the complexities and nuances of commercialization of the hip hop culture. In order to do this, this paper will consider what commercialization of hip hop culture entails. This paper will also discuss how Elizabeth Blair, author of “Commercialization of the Rap Music Subculture,” conceptualized commercialization, as well as how she discusses the situation in general. After discussing these topics, the paper will move on to discussing cultural appropriation. This discussion will include how authors describe cultural appropriation, and a debate regarding this topic.

1. Keyes points out that rap music derives from what she refers to as the “West African bardic tradition.” What is this tradition? What is the role of the griot in this tradition? What parallels do you see between the groit and a hip hop MC (the rapper, often the main writer of lyrics for a group)?

Hip Hop music been around for about thirty years in United Sates, but it would be heard at block parties and discos where DJs would circumnavigate breakbeats and MCs would adjoin live vocals. Finally, this paper will explain the history of hip hop, from the beginning to now. There will be an explanation about hip hop the lyrics used within and also the images. Moreover, it will also zero in on the unacceptance of hip hop and also a sample of lyrics that is used in hip hop music.

In the past 2 years alone, more than 3 dozen criminal prosecutions have had rap lyrics be presented by the prosecutor as a vital piece of evidence in the case. [Manly] In many of these cases the prosecutor will use violent lyrics created by the defendant to prove that that person is inherently dangerous and in other cases, will use the lyrics as a direct confession to having committed the crime in question. If you read into these cases you will notice a common theme between them; the defense will claim that the lyrics are freedom of speech and should be considered artistic expression, while the prosecutors will claim that the song is either a criminal threat or has too many similarities to the actual crime that it should be considered a confession. The primary basis for this debate is that hip-hop music is a misunderstood cultural practice because of the racial divide between the defendant and the criminal justice system.

The study of hip hop music has been cited well throughout its growth over time. The purpose of this paper is intended to discuss hip hop culture and address cultural stereotypes associated with rap and hip-hop music, but also how its original lyrical intentions were forms of expression and art. It will begin by guiding the reader through how it originated, its influence with the African-Americans with its subculture and popularity in urban areas, its styles of evolving, the introduction of hip hop and rap to the public, the depiction it gave off with its criticisms from outsiders. An evaluation of hip hop artists songs by Sugar Hill and the Gang, Run DMC, Queen Latifah, and N.W.A. Including lyrics from the songs “Rappers Delight”, “King of Rock”, “Latifah’s Law”, and “Niggaz4Life”. In the conclusion it exposes how hip hop music is clearly for black Americans to express themselves freely and in fact did not cause violence.

Molefi Asante is the author of It’s Bigger than Hip-Hop: The Rise of the Post Hip-Hop Generation. In this article, Asante predicts that the post-hip-hop generation will embrace social justice issues including women’s rights, gay’s rights, and the anti-war movement. To challenge these stereotypes, Asante speaks to the personification of the African-American ghetto and the need to stop glorifying black suffering. For Asante, the post-hip-hop generation no longer expects hip-hop to mobilize disenfranchised youth. Asante states, “The post-hip-hop generation shouldn’t wait for mainstream musicians to say what needs to be said…No movement is about beats and rhythms…. it must be bigger than hip-hop.” Because hip-hop is controlled by corporations, Asante says hip-hop will never be the focus of political change. Asante argues that “old white men” have dictated hip-hop, and by extension the actions of black youth, since 1991. “Allowing white executives, not from the hip-hop culture, to control and dictate the culture is tragic because the music, and ultimately the culture, as we can see today, has not only lost its edge, but its sense of rebellion and black movement- the very principles upon which it was founded.” Asante calls for the rise of “artivism,” a new social movement that uses art to improve community police relations, failing schools and the criminal justice system. Asante encourages the post-hip-hop generation to unite with Latino/Immigration Rights and Black Civil Rights

“I want kids of this generation to see that everything is cool, that there 's some kind of unity in hip-hop. We all found something that 's really important to us, and music is all we 've really got” – Missy Elliot. Hip-Hop is a cultural movement and popular genre of music that emerged during the early 1970 's by working class Black youths in New York City. The cultural movement has rapidly expanded across different countries and ethnicities over the years, becoming one of the few markers that define a generation. Hip-Hop can be seen as “the fundamental matrix of self-expression for this whole generation” (Katz & Smith, 1993). Through music, itself, artists can express their feelings towards different events or social changes that they’ve see or have experienced in their lives. According to Frith (1986), this perspective towards writing music is similar to Mooney’s argument that popular song lyrics is a reflection of what’s missing or needed at their time, giving us a trace of America’s ‘mood’ throughout history. In return, music artists captivate the minds of people among various backgrounds who use these relatable music lyrics as a source of empowerment or as an expression of their own thoughts. While some music artists create music to uplift their audience by giving them a sense of freedom, other artists create music that separates their audience by dehumanizing one group and giving power to the other.

Most hip hop songs and videos have lyrics and scenes that demean and humiliate women. Showing scenes of violence to women, demeaning them and depicting them as sex objects or subjects of submission to men is Misogyny. Present also is brutality against women descriptions. There have been voluminous scholars talking about it yet the argument is unquenched. Misogyny in hip hop society has its core deep in the American ethos, and it has its outcome on the same nation. Misogyny in songs is taking ring on young persons, and it is swiftly touching the young females in the black civilization. The effects of Misogyny in hip hop culture, losses weight with as the age of listener’s advances. Misogyny in hip hop culture is not something that is ending, yet it may fade with time. The chances of it fading are not certain but with the current trend, hip hop artists may realize it does not do much good as bad. This essay will discuss the power following Misogyny in hip hop culture, the outcomes it has on the audience and the future of Misogyny in hip hop.

Hip hop music has delivered messages of freedom of expression, unity, peace, and protest against social injustices, for the past 30 years. But exactly when and where did it begin, and what impact has it had on our society? The hip hop beats created by DJs in the 70s actually sparked what is now known as hip hop culture. Hip hop culture originally included rapping, break dancing, graffiti, beat boxing, and looping and scratching, and has now includes urban clothing and cars, speech patterns and slang, and movement styles. In the early 70s, in New York 's South Bronx, the music genre of hip hop was born. The man behind its birth was Clive Campbell, aka DJ Kool Herc, who was from Kingston, Jamaica. DJ Kool Herc began to use two turntables to bring out the parts of the song that people liked best, and he rapped along to encourage break dancing. Before the 1980s, hip hop music was mainly seen within the United States. However, during the 1980s, it began its spread and became a part of the popular music scene in many other countries. The popularity of hip hop music continued through the 1990s and 2000s. Dr. Dre and Eminem were two of the most successful rappers at that time. Hip hop influences also found their way into pop during this period mainly through the mid-2000s. Rappers such as Kanye West and Jay Z also began to become popular in the mid-2000s. Hip Hop and Rap was mainly created because of the different style of music and beat it gave. Before this genre of music began,

The hip-hop culture began in the streets of New York City during the 1970’s and has gone through tremendous changes up until now. Hip-Hop consists of four elements: rap, graffiti, break-dancing, and the disc jockey. In this paper, I intend to fully explain the evolution of rap music, from its infancy to the giant industry it is today.

Hip hop has gone a far way since the 1980s. in the year 2016, hip hop is considered popular and many people, no matter the color of your skin or where you come from are seen listening to Hip Hop. I personally believe that hip hop has become more acceptable in our society. Often time in these songs they discuss about politics, love, issues, many problems that people can relate to and have a connection with someone. However, there are those artists that are seen in the category similar to “Gangsta Rap” and those are still present in 2016. Therefore, our perception of hip hop has changed since the 1970s/80s.

The controversy of Hip-Hop and Rap being that it is “only about violence” or “uninfluential” is one that has been around since the eighties. But is it really all about violence, sex, drugs, or protest? Yes, there are rap groups that only rap about violence, sex, drugs, or protest, but that is a genre called “trap” music. When mentioning of the original artists in the trap music genre, rappers such as Waka Flocka Flame, Gucci Mane, Young Jeezy, and Lil’ Wayne come to mind which rap about sex, drugs, and violence. There are other genres that rap about enlightenment, good morals, and inspiration called “conscious rap.” Conscious hip hop or socially conscious hip-hop is a subgenre of hip hop that consists of political, religious, third-eye enlightenment, or philosophical relations. Most people only think there is one genre of rap and that is “trap” and that is the genre most people don’t realize even exist. With the rise of popularity of conscious rap hopefully people will have a second and better opinion of the upcoming genre.

Hip-hop is one of the most popular genres of music in the world today. However, the hip-hop of today’s world is very different from the hip-hop that started it all. Hip-hop has simply evolved to a different type of music than the hip-hop that started it all. Hip-hop started in Brooklyn in 1973 at a block party with DJ Kool Herc, known as the father of hip-hop, mixing the beats. However, hip-hop has changed. There are the advances in technology to help make different sounds for songs. There is the fighting between artists and rappers because of their geographical backgrounds, meaning the areas that they are from. There are many artists making breakthroughs with new styles and different types of lyrics, many of whom set the bar for

Hip hop has been amongst the music genre for many years. From club bangers to raps of success, hip hop was lit in the past years. While many of today’s rappers try to keep this tradition alive, there are others who lower the success rate of the rap genre. Rappers like Young Thug and Birdman give hip hop a bad sound. Sometimes, it makes people wonder how they even got into the rap business in the first place. Is it that easy? Is hip hop so desperate that they’ll just accept anybody who knocks on the door? Luckily, there are other rappers like Drake, Rick Ross, Kendrick Lamar, and Kevin Gates, who keep the hip hop ratings up. To these rappers, we salute you; keep doing your thing. To Young Thug and Birdman, the music industry is not for you.

What does it mean to say that when a rapper goes into the studio they have “two people in their head”?