Kurosawa and Shakespeare Introduction: The greatest narratives in human history don't just resurface in critical analysis but are also given new life when channeled through modern media. This is well-exemplified by legendary Japanese filmmaker Akira Kurosawa's 1985 epic, Ran. The highly regarded and high-budgeted film, based on William Shakespeare's 1606 play King Lear, demonstrates the power retained by the original play even when dramatically recontextualized. Indeed, in a comparative discussion of King Lear and Hidetora, his counterpart in the Kurosawa film, we are confronted with the universal themes of power, mortality, vanity and insanity. These are the themes that connect not just both pieces but the otherwise vastly historical periods and cultures represented within. Compare: The strongest point of comparison between the two characters in question is their mutual descent into mental instability and the degree to which this influences their behavior. Indeed, the common ground in the two stories is at the outset, when an ailing ruler is manipulated into divided his kingdom amongst his children. This division of territories, an event stimulated by individual vanity and infirmity, would have consequences kingdom-wide. The unraveling of civility and familial bonds which would occur thereafter is common to both tellings. Contrast: Perhaps the most important conceptual difference between the fading monarch presented in either story is the degree to which
regards to the events that happened in this period, and the ability of both writers to convey
Both narratives compare as timeless tales of reputable heroes. They both include similar plots of long journeys back home. The main characters’ flaws are arrogance which is the source of many of their troubles.
Blueprints a plan that makes a building strong, In all the stories “We Beat the Street”, “The Road Not Taken” and, “Jim Henson Cartoon” all of them built up from rock bottom to top. The Doctors who grew up in the neighborhoods of Newark, The Roads not taken, Different paths that lead to full lives, and A young man who realized that he will make his own path, his own destiny. If you don’t like your destiny, don’t accept it, have the courage to change it. A person grows up when they are able to overcome hardships. Protection is important but there are some things that a person must overcome on their own. No matter how different the texts are, Bonds, People, Values all aspects that they have in common with each other. People and Characters change but some things never change, Bonds are more than just blood, it's friendship, love, accepting differences.
One’s downfall may be caused by many factors, such as an individual’s traits. In The Catcher in the Rye, Holden’s cynical behaviour towards those around him causes him to see his classmates around him in a negative perspective. Similarly, in King Lear, King Lear’s attitude towards his honest daughter, Cordelia causes him to banish his most-loving and caring daughter away from England. Then, both protagonists are prompted to a punishment of physical humiliation. Likewise, both protagonists are mentally ill and have reached a breaking point, causing psychological problems. In The Catcher in the Rye and King Lear, Holden and King Lear are led to an eventual downfall due to their behaviour towards those around them, physical humiliation, and
Both men had a common ability to see the goodness in other men as royal
A sympathetic character, is a character that the writer expects the reader (in this case watcher) to identify with and care about. In Shakespeare's play King Lear, the characters Gloucester and King Lear both start out not being liked by the reader because they come off as mean and cold. By the end of the play, the reader does sympathize for both of these characters because of how they have been betrayed by their children. Both King Lear and Gloucester turn out to be prime examples of a sympathetic character by the end of the play.
King Lear, a tragedy by William Shakespeare, is about the delegation of power from the old generation to the young, new generation. Furthermore, the play demonstrates problems that can arise from a transfer made too early, from one generation to the next. A Thousand Acres is a modern retelling of King Lear, that is similar to King Lear, but it is not an exact word for word copy. The overall plot has been retained from King Lear, but some of the minor details have been changed to provide an intriguing new take on the same story. One such change is the fact the story goes from a third person view in King Lear, mostly following King Lear, to a first person narrative from the perspective of Ginny in A Thousand Acres. Ginny is the modern day version for Goneril’s character. King Lear and A Thousand Acres may take place in two different time periods; they both offer comments on the status of women, family relationships, and the natural order of things. The two time periods may be different, one modern day and the other set in the past, however the ideas presented are not that different on a whole. Both works presented share the same common thematic and universal elements throughout.
A comparative study of Shakespeare’s play, The Tempest and Yojiro Takita’s film, Departures reinforce the concept that an individual’s competency to recognise the connotations of foreign contexts, leaves lasting impacts on their perspectives of the world and those around them. Both composers incorporate the vital idea that characters’ confrontation with morality induces developments of change and subsequently reflect integral actions of compassion. The Tempest sets the discourse of an abortive revenge drama that focuses on Prospero and his ‘outlook’ on humanity through the art of forgiving. Subversively in Departures, Takita manipulates confrontations of humanity through Daigo to convey his emotional journey of acceptance by focusing on the
Hamlet, one of the most intricate and influential plays by Shakespeare, debatably of all time. It has inspired not only appreciative readers and writing critiques but continuous generations of people. The inspiration led to the fabrication of many great movies, which wasn’t achievable until the 20th century. Before cinema was the prevalent method of sharing appreciation and spilling emotion for a specific subject, art portrayed what would fly through our minds such as the many interpretations of Ophelia’s death. With the imagery put into motion we can try and pick apart how certain people might view the play being portrayed and choose what best suits our expectation of this tragedy. Other things that only film has been able to present to
In books and in life older people are usually seen as wise and so this has become a stereotype. Older leaders are usually shown to be strong and always do the right thing because there wiser than their younger counterparts. This stereotype has become a little overused and so when you see a piece that goes against that norm, it becomes very interesting. In William Shakespeare’s King Lear the theme of sanity and corruption is developed through the motif of wisdom and age to illustrate the idea that older people are not always wiser than younger people. This play flips the idea of wisdom in relation to age on its head, which makes the plot all the more interesting.
"Only through the loss of our possessions and worldly connections can one truly realize one's inner being" (Confucius). The true nature of man is known but is not commonly seen until adversity strikes. Characters reveal their true nature when they are reduced to nothing. In the play, King Lear, by William Shakespeare, there are three main themes that characters can be reduced by; social status, love and power. Through these three mediums the true nature of the works characters are exposed, by stripping away the innuendo, deceit and superficiality that initially cloaks each character.
King Lear's View of Himself "King Lear" is a play all about the cruelty of human nature and the ways in which all people, "good" and "bad", can sin, or be sinned against. Lear is a very difficult character to categorise as either "good" or "bad" as he is both "sinned against" and "sinning". It is also very difficult to use these sins as a measure of his character as they a varying in severity. When we first meet Lear he is in the process of dividing his kingdom into three, preparing to hand it to his three daughters. This is a sin, as according to The Divine Right of Kings, each monarch is chosen by God, and is there fore answerable to none but him.
“King Lear” is known as one of Shakespeare’s greatest tragedies. “King Lear” is a play which tears off the outer coverings of human character. Two prominent themes that can be found in “King Lear” are disguise and deception. Disguise and deception are connected to each other because if you put on a disguise, you are masking yourself. If you are masking yourself, you are misrepresenting the truth, which is also known as deception. The characters constantly deceive each other throughout the play by either changing their physical appearance or changing their personality to mask their true identities and motives. Shakespeare’s exposure of the connection between disguise and deception reflects today’s culture and is still relevant today.
This quote is coming from Cordelia in the first scene of the first act. Lear has just called his three daughters in and is dividing up his kingdom. The daughters are telling Lear how much they love him in order to influence the decision on dividing the kingdom. Regan and Goneril both lie and say that they love him more than words can express but Cordelia doesn't lie and tells the truth. In this quote, she says, “Lear you have raised me and loved me and I’m returning the favor. I love you just as I should, I obey you, I love you and I honor you. Hopefully, when I get married I will give you my husband and half of my love.” This quote is showing that in King Lear, Shakespeare uses characters to represent something greater. In the story, there are a few main characters that are big metaphors one being King Lear representing madness and insanity. A second being Goneril representing greed and lastly, Gloucester used to show the metaphors of people not opening their eyes to what's actually going on. All these metaphors have an important lesson to them that can be applied into the
Shakespeare’s King Lear fabricated a world of its own, in which distinct virtues and vices were personified by individuals with diverse points of view. With each conflict in the play, the characters’ actions and decisions were parallel to the integrity of their heart and mind, exhibiting the virtue or vice they represented. With this strategy, Shakespeare shares that with trust should come discretion.