A Dark Winter Night By William Shakespeare

First they think that Hamlet is lovesick over Polonius' daughter, Ophelia, but after the king spies on Hamlet and Ophelia in conversation, he comes to the conclusion that Hamlet is mad, a threat to his rule, and must be sent to England to be executed.  This is a sign of the king's uneasiness over the mettle of Hamlet's anger which is directed towards him.  The last thing that Claudius wants is for Hamlet to be unhappy with him, in fear that Hamlet will overthrow him, discover the murder, or possibly kill him.  The king becomes increasingly nervous as time passes, making him a bit paranoid over Hamlet.

After a long meditation on the nature of being and death, Hamlet catches sight of Ophelia. As she attempts to return some of the remembrances that Hamlet gave when courting her, Hamlet caustically questions Ophelia’s honesty. He denies ever having given Ophelia anything and continues to erratically claim that he loved her once before declaring that he never loved her at all. The problem here is that no one knows the exact intent of Hamlet as he claims to love Ophelia amidst a number of happenings that questions how genuine his love towards Ophelia. Not only does he doubt her honesty because he knew about her plan with Polonius and Claudius to eavesdrop on him, he is unsure of her purity and her love for him and he tells her, “get thee to a nunnery” rather than give birth to sinners ( ). Increasingly agitated, Hamlet condemns marriage itself, saying that no more marriages should be allowed, before exiting the room and leaving Ophelia in shambles. Looking deeper into the behavior that Hamlet demonstrates in this scene, there is completely no love that he shares with Ophelia. In a way, Hamlet seems convinced that Ophelia is the love of her life, but yet he has the behavior of insulting her and not giving her the priority that she needs. His character portrays a man who cannot be connected to his self and this leads him to a number of problems as regards the way he treats Ophelia. It is not just the feelings that Hamlet has towards Ophelia that describes his love for her but his actions say a lot on the feeling that is in the inside. Reaching to an extent that he can

The plot thickens and Hamlet's mind begins to ponder the possibilities of a confession by the king. His love for Ophelia is also strongly noticed by all. The nobles of Elsinor also notice the love he shows and they begin to realize the possibility that Hamlet love for Ophelia would benefit them all. When Polonius reads from one of Hamlet's love letter's to Ophelia, in which he says to her "But that I love thee best, O most best, believe it." (2.2.121-122). Queen Gertrude wishes to use Ophelia's love to bring her only son out of madness. Claudius wishes to do the same. His reason, however, is to end the threat of his own life. Once the king and queen realize this remedy they quickly act to use it by persuading Ophelia to talk to Hamlet.

Hamlet discovers elements of false love in Ophelia as he relates her flaws with Gertrudes'. Ophelia is part of a plan to set up Hamlet which will determine whether he is truly mad in her love or otherwise. Her love is being used to play with Hamlet's emotions. "I will leave him and/ Suddenly contrive the means of meeting between him/ And my daughter" (2.2: 209-211). Polonius decides he will use Ophelia to manipulate Hamlet by getting her to resurface his feelings and repressed love for her. By setting up this meeting between Ophelia and Hamlet, Polonius has objectified her love in effort to anger Hamlet. This act goes to show that Ophelia allows her love to be used as a method to better understand Hamlet's madness. Ophelia clearly chooses to obey her father over her love for Hamlet. After learning that he was subject to Ophelia's false love, Hamlet becomes very rude in attitude towards her as he feels he has been chested. "Get thee to a nunnery. Why wouldst thou be a breeder/ Of sinners? I am myself indifferent honest, but

When Polonius and Claudius decide to test Hamlet’s madness through Ophelia, he confesses he once loved her; only to immediately contradict himself claiming her never loved her. Fuelled by his detestation of sinful mankind and his low opinion of women in general as a result of his mother’s incest, he furthermore repeatedly orders Ophelia to “Go [her] ways to a nunnery”. More crudeness on Hamlet’s behalf is shown during the play-in-play, when he tortures Ophelia with a series of rude sexual comments.

Hamlet is not only angered with the fact of his father’s death, but also with his mother’s decision to marry Claudius. Devastated by his mother’s decision to marry so soon after her husband’s death, Hamlet becomes skeptical about women in general. He shows a particular obsession with what he perceives to be a connection with female sexuality and moral corruption. He almost develops hatred towards women because of his mother’s decision. This hatred occurs and is shown with his relationship with Ophelia. He urges Ophelia to go to a nunnery rather than experience the dishonesty of sexuality. This hinders Hamlet from experiencing a love that is really needed at this time of his loss. One can say that this is another flaw, which Hamlet is unaware of.

Polonius also acquires his daughter to stop courting Hamlet by ordering her to instead of allowing her to decide for herself. He is looking out for his daughter. The King and Queen were very troubled at Hamlet’s superficial insanity. They tell Rosencrantz and Guildenstern that discovery of what is hypocritical with Hamlet would be “the supply and profit of our hope “(Hamlet 2.2.24). They are noticeably embittered at his behavior, and Polonius knows this, and tries to use his daughter to demonstrate his notion. When Ophelia approached and pronounced to him her get-together with Hamlet in Act I, Polonius instantaneously brought her to the King. Polonius, performing on his duty to “both God and to gracious king” (Hamlet 2.2.45) took Ophelia to Claudius to understand if he could be any assistance in demanding to find out what is iniquitous with Hamlet. He rapidly tells the King that he will “loose my daughter to him“(Hamlet 2.2.161) and fabricates a premeditated plan to do so. This plan, and Polonius’ role of Ophelia, is all to gratify the Royal Court, and has no space in it for Ophelia’s feelings. Polonius treats his daughter practically like one would use a mare, with his loos of her and organizes it so just to try and get on the respectable side of Claudius and Gertrude.

The play Hamlet is a fable of how the ghost of a slain king comes to haunt the living with disastrous consequences. A rancorous ghost and a brother 's murder, lead the gloomy setting of Hamlet 's Denmark. Hamlet story opens with an encounter between young Hamlet, his dad 's ghost as well as the prince of Denmark. The ghost reveals to Hamlet that its murderer was his brother Claudius, who then rapidly wedded his widowed queen, Gertrude. As a result, the ghost presses Hamlet to seek vengeance on the man who stole his throne as well as his queen to which Hamlet consents.

The story opens in the cold and dark of a winter night in Denmark, while the guard is being changed on the battlements of the royal castle of Elsinore. For two nights in succession, just as the bell strikes the hour of one, a ghost has appeared on the battlements, a figure dressed in complete armor and with a face like that of the dead king of Denmark, Hamlet’s

The story opens in the cold and dark of a winter night in Denmark, while the guard is being changed on the battlements of the royal castle of Elsinore. For two nights in succession, just as the bell strikes the hour of one, a ghost has appeared on the battlements, a figure dressed in complete armor and with a face like that of the dead king of Denmark, Hamlet’s father. A young man named Horatio, who is a school friend of Hamlet, has been told of the apparition and cannot believe it, and one of the officers has brought him there in the night so that he can see it for himself.

The theme “it’s on the inside that counts” has been around for centuries, but how did it get popularized and shown to the world on the big stage? William Shakespeare started writing plays that had little themes like that one deeply imbedded in the story and dialogue. When reading, it is easy to see how he makes the main characters, as well as some others, think about this theme. To then look back and see how these ideas got introduced into modern culture is very interesting. There was many times when Shakespeare had a chance to change the world, and this is just one of them.

Hamlet's surrounding are increasingly affected by his flaw. Hamlet begins to forget all important obligations in his life and neglects his responsibilities, causing other problems. One very important commitment Hamlet has which he lets go is his relationship with Ophelia. Ophelia becomes very confused and hurt. Hamlet hurts her in a couple of ways. First, he neglects her, and second, he insults her. "Ha, ha! Are you honest??Are you fair??That if you be honest and fair, your honesty should admit no discourse to your beauty. ?I loved you not? Get thee to a nunnery." Then Hamlet kills Polonius, Ophelia's father, which in turn makes her go mad and in her madness she commits suicide. Hamlet loses objectivity. He does not respect the King nor his mother's feelings. Hamlet meets with his mother and insults her. He calls her a whore and a sinner for marrying a murderer. Since he knows that the King is a murderer, he attempts

The second act of the play’s theme is repercussions of the Fall and broken trust. Prince Hamlet has devoted himself to plotting his father’s revenge, but after spending so much time on such difficult and contemplative issues, he has gone a bit “mad” (both literally and also, for show). His mother, Gertrude, and the new King, Claudius, begin to worry about his behavior. During this time, Polonius, a Lord, suggests that Hamlet is perhaps acting insane because he secretly desires his daughter, Ophelia, and is deeply in love with her. Claudius agrees to spy in on Hamlet and Ophelia as they are conversing to see if what Polonius has said is true and he deduces that Hamlet is mad, alright, but not with love for Ophelia; he orders her to a nunnery and even declares that

Hamlet’s relationship with Ophelia suddenly becomes complicated, after Hamlet’s encounter with the Ghost. It all starts when Hamlet first appears in Ophelia’s chamber pale and dishevelled, after receiving news from the Ghost that King Claudius had poured poison into his ear, and it was Hamlet’s duty to avenge the death of his father. Hamlet’s condition frightens Ophelia, as she runs off to tell Polonius about the encounter;” My lord, as I was sewing in my closet/ Lord Hamlet, with his doublet all unbraced/… speak of horrors—he comes before me” (2.1 87-94). Hamlet may express that he does not love Ophelia anymore, but his ill treatment towards her comes at the price of testing her loyalties towards him or her father Polonius, who is the eyes and ears of Claudius. As Ophelia runs off to Polonius, it is clear to Hamlet that he cannot trust Ophelia with such a deadly task at his hands. Behind all this phony madness, it breaks Hamlet’s heart to jeopardize his relationship with Ophelia for his own motivations, but it is an intricate decision he has to make. This is again evident in Act 3, scene 1, when Hamlet instructs Ophelia; “To a nunnery, go, and/ Quickly too. Farewell” (3.1 151-152). The only reason Hamlet would utter such bitter words to Ophelia, is because he trusts Ophelia will be kept safer there than anywhere near the kingdom. In doing so, Hamlet proves that he still cares for Ophelia and what they had, but he cannot manage their relationship at the same time getting revenge, because he’s too caught up in pursuing his own motives. Eventually, as Ophelia goes mad and dies,

Two months have elapsed since Hamlet swore to avenge his father; but he has not yet moved “with wings as swift/as meditation or the thoughts of love”(I, v, 29-30). Hamlet is very emotional because Claudius is still alive. This emotional balance has become risky, is shown when he encounter’s with Ophelia. When Hamlet enter Ophelia closet while she is sewing. She is very frightened, and rushes to her father to tell him what happened. She says, “Lord Hamlet with his doublet all unbraced; no hat upon his head; his stockings foul’d, ungarter’d and down- gyved to his ancle; pale as his shirt; his knees knocking each other; and with a look so piteous in purport as if he had been loosed out to hell to speak of horrors, (II, i, 78-83). She describes Hamlet’s strange behavior to her father Polonius. Polonius begins to wonder that there may be an explanation to his strange behaviors, and this led Polonius to believe: “This is very ecstasy of love; whose violent property fordoes itself and leads the will to desperate undertakings, as oft as any passion under heaven that does afflict our natures” (II, i, 102-106). Polonius is certain that Hamlet is having these behaviors due to the fact that he loves Ophelia. This is due to the fact that Ophelia has followed her father’s instruction to stay away from Hamlet, causing him to be mad. Polonius hopes are strengthened when he reads the note that Hamlet has