Walt Whitman was a famous poet, who wrote many poems in a book called “Leaves of Grass.” However, once Whitman’s book was published, it failed because people disliked what he wrote, but Whitman didn’t give up; Whitman was determined to make a revised copy to prove that he resembled an American poet. One of Whitman’s poems that he revised was called “The Soul, Reaching, Throwing Out for Love,” which Whitman improved and called “A Noiseless, Patient Spider.” One way Whitman improved his poem was through the content. One part of the content Whitman changed was the controlling image. In Whitman’s original poem there are two controlling images, but both of them are unrealistic. One of the controlling images was a spider looking for love, which was not likely because a spider doesn’t seek love. The second controlling image was the spider in an ocean, which couldn’t be true because a spider would drown in an ocean. However, in the revised the controlling image was the “noiseless patient spider” looking for any connection and trying to from “the bridge” (1. 1, 2.9).
Another aspect Whitman changed was the topic of the poem. In the
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For Instance, Whitman’s original poem, “The Soul, Reaching, Throwing Out for Love” related to the comrade agenda because the focus of the poem was finding gay love. Since the poem addressed gay love, many people disagreed and disliked his poem, therefore, Whitman’s poem failed. However, Whitman’s new improved poem fit within Whitman's stated agenda, that he was an American Poet because his new poem brought America closer together. Even though the poem didn’t discuss America, it excluded the word “love,” which also made Whitman’s revised poem relate to High Romanticism. Since “A Noiseless, Patient Spider” was about finding any connection, not specifically gay love, it made the High Romantics interested in reading Whitman’s
The soul is also mentioned earlier in the poem as beautiful, despite the faces he sees which are at most "despising," (Whitman, `Faces'). Whitman was apparently very much intrigued by the soul, he tried to find a "path," to the soul even though he admits that he was not sure what the soul was. However, he was determined he would find a "path between reality and their souls," (Allen, 192). Like most of the pantheists of his time he wanted to connect many things, reality and the soul; even individualism and the nation. Whitman quoted, "The empowerments of each element of the country individually but at the same time their merger in the collective empowerment of the nation
Now I intend to turn my attention to concrete examples from Walt Whitman's poetry to provide some evidence of that sexuality played an important role in his poetry, and there are possible readings to find traces for that. Of course, we cannot only rely on selected
Whitman's poetic soul, like the spider, stands isolated at the center of all things. If it is to take on meaning, it must... come to a realization of itself... The poet then, like the spider is complete in himself-a seer and a "kosmos" - constantly "musing, venturing, throwing, seeking" in an effort to create his own order by forming a union with the whole (Eckley 20).
A great poem shocks us into another order of perception. It points beyond language to something still more essential. It ushers us into an experience so moving and true that we feel at ease. In bad or indifferent poetry, words are all there is. Edgar Allan Poe’s poem “Annabel Lee” is a great poem, not because it is popular or it is classic, but because of its underlining message. “Annabel Lee” is a poem of death, love, and beauty. It captures the narrator’s interpretation of these three ideas through his feelings and thoughts for one woman. The narrator, Edgar Allan Poe, becomes infatuated at a young age with the character in the poem, Annabel Lee. Even after she passes away, his love for her only increases and only becomes
Also included in the poem is the image of a young child being embraced by their elders. This shows the gap in life and the aging process that we go through. When we are young we are carefree, but as we age we hold on to the ones we love because of the knowledge that we will one day have to make our departure. Out of this idea of death, Whitman shows that this is a natural part of life and
The predicament that the spider and the speaker face is similar. They use their inner connections to search for meaningful bonds. Whitman's enactment in the first stanza of the spider reads as if the creature is somewhat isolated and "ever unreeling...ever tirelessly speeding" the web without the knowing of making any encroachment on his environment. However, the poem has an optimistic idea at the ending. Even though it is difficult to try and find connections, his soul will end up being successful and he will be able to rest, just like a spider when it completes it's web in
The first stanza explains how the cunning spider “stood isolated” and to “explore the vacant, vast surroundings” it “launched” thread after thread “out of itself” thus creating a sturdy web. This then flows smoothly into the description of his soul, which acts in a very similar manner. At first, it too seems isolated. Whitman writes “O my Soul, where you stand” and “surrounded, in measureless oceans of space,” which connects to the how the spider “stood isolated.” This wording, however, might take on a new meaning to describe how his soul has an endless number of opportunities, even though it also seems as lonely as the spider. In the third line, “Ceaselessly musing, venturing, throwing, seeking the spheres to connect them,” Whitman illustrates how his soul also launches its own webbing, determined to connect itself with its surroundings. These may be relationships with others or finding a place to call home - anything that will create “the bridge [it] will need” or connections that will “anchor” it to its environment. Whitman helps readers understand the actions and nature of an intangible soul by relating it to a small and tangible
Whitman wrote broad stanzas and focused on the whole of America as his inspiration. His lines covered a wide range of topics and generated multiple points of view for the reader. He called his life’s work “Leaves of Grass”; stressing the
The dominant themes that are more pervasive in Whitman’s poetry are democracy, life/death cycles, individualism, and nature. These themes play major roles in some of his more notable poems such as “Songs of Myself” or “Crossing Brooklyn Ferry.” He used democracy as a theme to bring society together, and unite everyone based on their general beliefs. He depicted life and death cycles to merge society together on a spiritual level. Despite his eagerness to unite society he also embraced individualism, and is also a persistent theme in most of his poetry. Nature was an important concept that Whitman used to convince people who there were more important things to life than class structure. He used nature connect us all, and encourage people to
Whitman uses many different techniques toward intriguing his readers toward his work. A very quaint way is through homosexual aspects. In the tenth line of the poem W. Whitman says that the twig reminds the man of manly love. When someone reads this the words manly love just sticks out at you and you
On this verse, we can see how Whitman tries to connect to mind, body, spirit and nature. In “Song of Myself” Whitman attempted to change the meaning of American poetry. I described identity issues that pertain to him, but that the audience was able to identify with. Whitman, opened the door to
Leaves of Grass is Walt Whitman’s life legacy and at the same time the most praised and condemned book of poetry. Although fearful of social scorn, there are several poems in Leaves of Grass that are more explicit in showing the homoerotic imagery, whereas there are several subtle – should I say “implicit” – images woven into the fabric of the book. It is not strange, then, that he created many different identities in order to remain safe. What Whitman faced in writing his poetry was the difficulty in describing and resonating manly and homosexual love. He was to find another voice of his, a rhetoric device, and his effort took two forms: simplified, and subverted word play.
Along with the use of metaphors, the form of the poem plays an important role in uncovering the views of Whitman. First and foremost, this poem was written in free verse which is a form of poetry that lacks structure. The free verse stucture of the poem is shown in the lack of form in the stanzas of the poem. Some stanzas are six lines long while others are only one, and the lines can be either concise or drawn out. The poem also lacks any apparent rhyming scheme or rhythm. Unlike Shakespearean poetry, where the foot of the poem stays the same, the lack of any apparent structure to the poem leaves the reader unable to predict what is coming next. In addition to this, at the time this poem was written, free verse was not common. In fact, Whitman may have been one of the first poets to use this form, showing that he may have been rebelling against the predominant structured form in poetry. The lack of any apparent structure guides the reader towards the conclusion that Whitman did not like structure in poetry, and can even be
Walt Whitman, a civil war nurse was a self-taught poet in the 1800s. Whitman is known for using lists, anaphora, free verse, and other literary devices in his poems. In his works, he focuses on American workers, diversity, transcendent approaches to nature, and individualism. “Song of Myself,” a poem written by Whitman, explores themes of nature, sex, democracy, and spirituality. Whitman uses nature to fuel his creativity in using grass as a symbol of comparison to life by using imagery, metaphors, and analogies.
Whitman's Poem "Out of the Cradle, Endlessly Rocking," is not, at first glance, an obvious love poem. Most readers would probably consider this a tragic poem about death and love lost. In spite of the fact that the poem is about intrinsically sorrowful events, or perhaps because of it, Whitman is able to capture a very unique and poignant portrayal of love. There are three major perspectives to examine how Whitman develops the theme of love in Out of the Cradle, and by examining each reoccurring theme in the poem separately, we can come to a more complete understanding of how they work together to communicate Whitman's message about love.