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A Realist Look

Decent Essays

The End of St. Petersburg: A Realist Look

Two years ago, I made my first film. It was called “Freelance” and I wanted to make a more realistic-looking film. I don’t like quick cutting or jump cuts. So, I wanted to have longer takes, pans, and medium shots. I would only use close-ups only when it was necessary. I always felt that having too much cutting in a film, jump cuts, and too many close-ups took away from the viewer. I felt that it wouldn’t leave any room for development and give the audience an unsatisfied understanding of the characters’ development. Too much cutting would still allow you to watch the whole story, however it would not let you question any motives or even allow you breathing space to compile all the things you …show more content…

This is where they manipulate the audience and thus preventing them from formulating their own meanings. As for Realism, the materials in reality should be able to speak for themselves. Realists strive mainly for allowing the audience to interpret their work in their own ways, by allowing abstractions, questions, or interpretations to come out. This is accomplished by intentional ambiguity and not emphasizing any specific aspects of their film. Realists achieve and rely heavily on cinematography, not editing, or doing so as little as possible. As for cinematography, that includes long shots, wide screen, lengthy takes, deep focus, panning, craning, or tilting.

Realists allow the audience to make observations that they should make and opinions instead of being guided by a filmmaker’s desired reactions. However, a director should put his personal vision and beliefs into his or her film but let the people decide what they think. As for me and my film “Freelance,” I wanted to leave questions about the people that you see throughout the film. Was there a back story? Do you feel like the character had some personality? And I left an open ending to my film. I used everything that a realist would have for the cinematography. I left out as much as I could for editing. I look back at the 1920s and 1930s films and I look at Vsevolod Pudovkin’s “The End of St. Petersburg” and I think to myself “Wow, how far we have come to make better

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