A Unique Atmosphere

There are multiple aspects of ancient architecture that are hard to spot at first glance but upon further scrutiny one would notice that the portico is

Upon entering Tia Chucha’s Centro Cultural & Bookstore, I was instantly mesmerized by the vibrantly colored walls that are painted with Aztec inspired architectural designs, patterns, and colors. My first impression of these bold designs instantly gave me the feeling that I had entered a miniature version of an Aztec temple. While I waited for the other members to arrive for the workshop, I explored the numerous shelves that held

In this essay, I will compare and contrast two different sculptures from two different contexts of art. The first being an Olmec Colossal head (monument 1), from the context of “Art of the Americas,” and the second sculpture being ahead from Rafin Kura. The head from Rafin Kura comes from the context of “Art of Africa.” Both sculptures come from two different time periods and parts of the world. They also are both made with natural materials and have their own symbolic meaning.

And just as Gutzon set out to build a great feat, so will this paper and its interpretation and story-telling of the past. The history behind this monument, the artistry that is and was displayed, and the basic skills of location, environment, and factors that influence geography will also be discussed here. This work by Gutzon was not just mere sensationalism or commercialism, as has normally been the angle of reporters, but instead this will take on the historic aspect as it was originally intended to bring out.

Monuments are important in keeping history in the present. The viewer experiences the emotions and actions in that specific part of time. Some monuments have awkward locations or the people chosen are unsuitable to represent the time. Any group or agency must consider who the person is and where the monument’s location should be before publically displaying it.

Ever since man began building structures and settling land, art has manifested itself in our architectural creations. Whether it be to celebrate or worship a God or Gods, a grand sculpture to bury a powerful leader or remember them by, or to show a culture’s dedication to specific values, our architectural constructions have led to some of the finest art this Earth has ever seen. The Taj Mahal and Palace of Versailles are two great examples of such art. By examining each of these individually, and then comparing and contrasting them, it will become clear that no matter how different looking these buildings may be, they still serve the same purpose to the civilizations that erected them.

Another form of participation or integration is presented by the winner, Maya Lin, which is the participation and involvement of her design with its adjacent monuments. She manages to demonstrate “strength, deceptive simplicity, and a superbly

Taking a design that was once used for events, now abandoned and derelict, and reinventing its potential to be used by all to enrich their lives and provide a social and content atmosphere is a goal of attaining. It will be something extraordinary to redesign a building and mix existing features to make a new design that everyone can appreciate. “Instead of downplaying the 110-year-old building, S&T made enthusiastic use of the old timber floors, brick walls and open trusses, celebrating heritage alongside contemporary design.” (Arch Daily). No matter what materials, space, or structure is being used within a design, in the end, it is always about the creativity for its achievement. “Creativity is about play and a kind of willingness to go with your intuition. It’s crucial for an artist. If you know where you are going and what you are going to do, why do it?” (Freshome). Capturing memories and expressing them into a design that tells a story that has never been told is what makes this project, inimitable; it cannot be special if it was heard or seen before. Everyone has a way of

The Romans also borrowed from the Greeks other major structural designs. On the top of a column on most temples and public buildings rested an Entablature. This is a classic triangular shaped façade, or front of a building. The Entablature consists of four parts. The lowest part is the Architrave, which sits on top of the capital or upper part of a column. On top of that, the frieze was typically decorated with horizontal bands. The Cornice forms the upper part of the Entablature and extols beyond the frieze on the sides. On the very top sits a Pediment, a triangular segment between the lower Entablature and the roof ("Architecture").

Form: The faces of the arch are columns in the composite order supporting an entablature, the inscription on the uppermost declares that the Senate and the Roman people erected the monument to honor titus, a relief on the inside depicts Titus ' soldiers flaunting the captured sacred treasures of Jerusalem as they carry it through the streets of Rome the soldiers are headed toward the right and are turned obliquely to project into the viewers own space, this allowing living spectators a sense of

The de Young museum seen from a distance is a bold architectural statement, with its sleek horizontal building, indeterminate dark brown color and its massive tower emerging from its slightly bent curving roof. The building is an example of boldness, internationalism and cultural neutrality. Its setting in the Golden Gate Park’s landscape with the topography, vegetation; weather and light are taken advantage of. The significance of nature and the art that is housed in the museum from the Americas, Oceania, and Africa can be seen as having resonance in the architecture. Many of the works of art are sacred in their cultures, are made of natural materials and were never intended to be displayed in formal settings. Post modern theme of ‘context’ comes into expression as Jacques Herzog put it: “These objects belong to nature. We wanted to emphasize that”.

In many places throughout the world many buildings, monuments and sculptures have been made. Some were made centuries ago, and some were made recently. Many works of arts are significant or a great part of history. Some of the many buildings that have been made throughout time could have also been dedicated to someone or something. For example, the Arch of Titus was dedicated to Titus. Another example would be the Arc de Triomphe which was dedicated to soldiers. Many buildings can have a very significant meaning behind them, in the following essay I will be speaking about the importance of both of these works of art, which are the Arch of Titus and the Arc de Triomphe.

Boston’s ICA situated at Fan Pier in South Boston represents a shift from preconceived architectural constructs to more innovative forms. The building’s position in the middle of a currently undeveloped urban landscape gives it a striking entity that engages the viewer in a way that facilitates its various functions as a contemporary art museum. Furthermore its structure and location alter the population’s understanding of museum architecture as it has traditionally been defined, that it is a “shell” that contains significant artistic work. A visual paradox becomes evident between

Visit any major museum of art, at any given time, and one could find an abundance of monumental names listed on tiny plaques hanging next to even more recognizable works of art. The excitement felt by any art enthusiast when walking into these buildings of time and creation, is undeniable and especially unique. Could it be the atmosphere of the building, the presence of artwork, the people, possibly the grandeur of the space, or perhaps, could it be the spirit of the artists themselves, peering through the work they created?

The second chapter overlooks a series of art movements such as De Stijl, Bauhaus, Enlightenment, CIAM, and the work of famous architect Frank Lloyd Wright. This chapter attempts to find their position on senses and the cultural memory. The authors