Abstraction is an old story with the philosophers, but it has been like a new toy in the hands of the artists of our day. Why can 't we have any one quality of poetry we choose by itself? We can have in thought. Then it will go hard if we can 't in practice. Our lives for it.
Granted no one but a humanist much cares how sound a poem is if it is only a sound. The sound is the gold in the ore. Then we will have the sound out alone and dispense with the inessential. We do till we make the discovery that the object in writing poetry is to make all poems sound as different as possible from each other, and the resources for that of vowels, consonants, punctuation, syntax, words, sentences, metre are not enough. We need the help of context-
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Granted again that it has an equal claim with sound to being a poem 's better half. If it is a wild tune, it is a Poem. Our problem then is, as modern abstractionists, to have the wildness pure; to be wild with nothing to be wild about. We bring up as aberrationists, giving way to undirected associations and kicking ourselves from one chance suggestion to another in all directions as of a hot afternoon in the life of a grasshopper. Theme alone can steady us down. just as the first mystery was how a poem could have a tune in such a straightness as metre, so the second mystery is how a poem can have wildness and at the same time a subject that shall be fulfilled.
It should be of the pleasure of a poem itself to tell how it can. The figure a poem makes. It begins in delight and ends in wisdom. The figure is the same as for love. No one can really hold that the ecstasy should be static and stand still in one place. It begins in delight, it inclines to the impulse, it assumes direction with the first line laid down, it runs a course of lucky events, and ends in a clarification of life-not necessarily a great clarification, such as sects and cults are founded on, but in a momentary stay against confusion. It has denouement. It has an outcome that though unforeseen was predestined from the first image of the original mood-and indeed from the very mood. It is but a trick poem and no poem at all if the best of it was thought of first and saved for the last. It
The reader experiences euphoria and extreme amusement reading the entire poem which flows in a very stupefy way. But, it also promotes
I would have to say, how a poem becomes a poem is by how it affects the reader emotionally. Poems use word and emotion in a sense to draw pictures in the readers minds. They tell a story that mirrors an event that the writer may have experienced.
What makes a good poetry? It is not only in the idea or thought of what the author is trying to express. What makes a good poetry beautiful is in how the writer makes use of the words, lines, and spaces and indents. The rhythm of the poem can make a significant impact in the expression of the idea. Even the structure of words can make a
In today’s modern view, poetry has become more than just paragraphs that rhyme at the end of each sentence. If the reader has an open mind and the ability to read in between the lines, they discover more than they have bargained for. Some poems might have stories of suffering or abuse, while others contain happy times and great joy. Regardless of what the poems contains, all poems display an expression. That very moment when the writer begins his mental journey with that pen and paper is where all feelings are let out. As poetry is continues to be written, the reader begins to see patterns within each poem. On the other hand, poems have nothing at all in common with one another. A good example of this is in two poems by a famous writer by
A well-written poem would help one to engage into the work with their senses. One should be able to ask themselves what the poem caused them to think, hear, see, feel, taste, and to determine what he or she learned from the poet’s words. Many people believe that because poetry is an enigmatic art, and that there is no way for sure to know the
Poetry, what first comes to mind? If your anything like me, poetry can seem somewhat monotonous, rather like a locked door exclusive, complicated, and hard to understand. I think poetry tends to be a big game of “Guess what I’m thinking!” and I hate that game. I’m not a mind-reader. I think a lot of people who get excited about poetry are really pretentious. This possibly comes from believing that they actually can guess what other people are thinking. When we think poetry, we tend to know poetry by it’s traditional forms of having sonnets, ballads, often rhyming (but not always) and they tend to have a specific and symmetrical structure (APA). Throughout this essay I wanted to consider poetry through different explorations and how subverting the traditional conventions of poetry might be an effective way of engagement or in an opposing way of demotivating the reader.
poem is not merely a static, decorative creation, but that it is an act of communication between the poet and
What differentiates poem from other works of writing? What makes you realize that what you read is a poem but not a short story? Bearing in mind that the answer might differ from person to person, I believe that the crucial difference is that the underlying message is generally not obvious in the poem, and it forces the readers to think about it for a while to understand its deeper meaning. The fact that the message is not apparent in the poem, is often attributed to the usage of metaphors in the poetry. According to Oxford Dictionary, metaphors are the “figure of speech in which a word or phrase is applied to an object or action to which it is not literally applicable”. Even though they are used for different reasons
Average readers intend to read and analyze a poem with a mentality in which all the poems must have a metaphor and a deeper meaning that were initially implanted in the poem. Analyzing a traditional poem seem difficult because of those ancient vocabularies, metaphors, and its wording, but, by carefully reading of those poems, the reader eventually would get the theme of the poem. On the contrary, while reading a simple structured poem, the readers always bring the notion of “a simple poem has a deepest thought and metaphor that build into it”, which contradict author’s purpose. For example, “This Is Just To Say” by William Carlos Williams in fact has always been misinterpreted by the readers because of the words, such as “plums”, “Forgive me”
Poems are like puzzles. The structure of it looks easy and super short to read. But it contains a great deal of meaning and the more you dig in, the more questions you get. And eventually, you get puzzled in between all the deep answers, trying to figure out which one is the part of the puzzle, and which one is not.
At least one or two of the following devices of sound: assonance, consonance, alliteration, onomatopoeia, and other echoic words.
Poetry is a reduced dialect that communicates complex emotions. To comprehend the numerous implications of a ballad, perusers must analyze its words and expressing from the points of view of beat, sound, pictures, clear importance, and suggested meaning. Perusers then need to sort out reactions to the verse into a consistent, point-by-point clarification. Poetry utilizes structures and traditions to propose differential translation to words, or to summon emotive reactions. Gadgets, for example, sound similarity, similar sounding word usage, likeness in sound and cadence are at times used to accomplish musical or incantatory impacts.
One of the most beautiful parts about poetry is that you are free to write however you want. There is no stencil or cookie cutter templet to writing good poetry, and if you compare poems from any two poets, no two will be alike. One reason for this is that you are free to write you poem in your own language. This freedom is what allowed Sekou Sundiata to finally get into poetry. He states, "there was a hit song by James Brown which had that line, so it was a slang term, but this man made literature out of it and that really enabled me.
The sound of poetry is the most important element than anything else involved with poetry. The sounds of poetry are basically a foundation of desire. It is how the syllables are arranged in a pleasant-sounding pattern to satisfy and please desires even if they have a small meaning or no meaning to them. A poem that is filled with sound but little meaning can be “The Word Plum” by Helen Chasin. It is a poem that uses the sound devices of alliteration and onomatopoeia to bring the plum to life. Using alliteration and onomatopoeia it gives the plum a sound, a savory sound, it’s almost like you can taste and touch the plum in the palm of your hand and the sounds are just rolling off the tongue with every “delicious” bite of “luxury”. In the first line there is just a brief description of how delicious the plum is, but wait there is more. Then Chasin uses alliteration in (line 2) with the two words “pout and push” because they begin with p’s, they’re verbs, four letters, and are not capitalized. Chasin also uses onomatopoeia with the second line, same words “pout and push” to give a new sound of delicious from the first line, and to explain why the plum is so delightful. Once more, she uses alliteration in the third line using “self-love and savoring”; creating that delightful sound of juices from the plum.
Poetry is a varied art form. Poetry is expression with words, using aesthetics and definition. Word choice in poetry is the single most important thing. Devices such as assonance, alliteration and rhythm work in a poem to convey a certain image or to facilitate understanding. Similes and metaphors can take two unlike objects, such as a potato and cinderblock, and if done the correct way use them to describe how Abraham Lincoln dealt with scoundrels. Poetry is beautiful. One of the best genres in poetry, let alone a great literary movement is Romanticism or the post-enlightenment Romantics.