Abstraction is an old story with the philosophers, but it has been like a new toy in the hands of the artists of our day. Why can 't we have any one quality of poetry we choose by itself? We can have in thought. Then it will go hard if we can 't in practice. Our lives for it.
Granted no one but a humanist much cares how sound a poem is if it is only a sound. The sound is the gold in the ore. Then we will have the sound out alone and dispense with the inessential. We do till we make the discovery that the object in writing poetry is to make all poems sound as different as possible from each other, and the resources for that of vowels, consonants, punctuation, syntax, words, sentences, metre are not enough. We need the help of context- meaning-subject matter. That is the greatest help towards variety. All that can be done with words is soon told. So also with metres-particularly in our language where there are virtually but two, strict iambic and loose iambic. The ancients with many were still poor if they depended on metres for all tune. It is painful to watch our sprung-rhythmists straining at the point of omitting one short from a foot for relief from monotony. The possibilities for tune from the dramatic tones of meaning struck across the rigidity of a limited metre are endless. And we are back in poetry as merely one more art of having something to say, sound or unsound. Probably better if sound, because deeper and from wider experience.
Then there is this wildness
In order to appreciate a poem properly, care must be taken to analyze and understand many different facets of the work. Poems are often very complex and require a great deal of thought in order to arrive at the intended meaning. At the very least, three particular items of information must be uncovered during the reading of poetry. An experienced reader of poetry will always determine the identity of the speaker, the occasion of the speech, and the central idea of the poem.
Poetry is considered to be a representational text in which one explores ideas by using symbols. Poetry can be interpreted many different ways and is even harder to interpret when the original author has come and gone. Poetry is an incredible form of literature because the way it has the ability to use the reader as part of its own power. In other words, poetry uses the feelings and past experiences of the reader to interpret things differently from one to another, sometimes not even by choice of the author. Two famous poets come to mind to anybody who has ever been in an English class, Robert Frost and E.E. Cummings. Both of these poets have had numerous famous pieces due to the fact that they both
The way that the poem rhymes affect the way it sound buy giving it a certain beat and
Poetry is an art form that is rich in notional and semantic content. In a few stanzas, poems are so capable of painting an idea or event so vividly that it seems alive. However poetry, by itself, cannot exhibit qualities of life: they require a willingness to understand unfamiliar ways of describing a phenomenon. Thus poetry has been likened to a scrambled code that is impossible to decipher in its literal context. Thus, poetry requires a key to decipher it and the code, often, is metaphor.
In conclusion, the poem uses imagery and symbolism in order to let the reader enter into the poem and lets the reader envision what is happening and how the person feels. This allows the poem to be interesting and keeps the reader
In poetry, form and content go hand in hand. Even though form is important, I believe that the most important in a poem must be its content - the message or feeling of what the poet wants to share - and not how. An example of the opposite can be seen in Carroll's "Jabberwocky", and that cannot be labelled as great poetry, can it?
What makes a good poetry? It is not only in the idea or thought of what the author is trying to express. What makes a good poetry beautiful is in how the writer makes use of the words, lines, and spaces and indents. The rhythm of the poem can make a significant impact in the expression of the idea. Even the structure of words can make a
In today’s modern view, poetry has become more than just paragraphs that rhyme at the end of each sentence. If the reader has an open mind and the ability to read in between the lines, they discover more than they have bargained for. Some poems might have stories of suffering or abuse, while others contain happy times and great joy. Regardless of what the poems contains, all poems display an expression. That very moment when the writer begins his mental journey with that pen and paper is where all feelings are let out. As poetry is continues to be written, the reader begins to see patterns within each poem. On the other hand, poems have nothing at all in common with one another. A good example of this is in two poems by a famous writer by
One of the most beautiful parts about poetry is that you are free to write however you want. There is no stencil or cookie cutter templet to writing good poetry, and if you compare poems from any two poets, no two will be alike. One reason for this is that you are free to write you poem in your own language. This freedom is what allowed Sekou Sundiata to finally get into poetry. He states, "there was a hit song by James Brown which had that line, so it was a slang term, but this man made literature out of it and that really enabled me.
The sound of poetry is the most important element than anything else involved with poetry. The sounds of poetry are basically a foundation of desire. It is how the syllables are arranged in a pleasant-sounding pattern to satisfy and please desires even if they have a small meaning or no meaning to them. A poem that is filled with sound but little meaning can be “The Word Plum” by Helen Chasin. It is a poem that uses the sound devices of alliteration and onomatopoeia to bring the plum to life. Using alliteration and onomatopoeia it gives the plum a sound, a savory sound, it’s almost like you can taste and touch the plum in the palm of your hand and the sounds are just rolling off the tongue with every “delicious” bite of “luxury”. In the first line there is just a brief description of how delicious the plum is, but wait there is more. Then Chasin uses alliteration in (line 2) with the two words “pout and push” because they begin with p’s, they’re verbs, four letters, and are not capitalized. Chasin also uses onomatopoeia with the second line, same words “pout and push” to give a new sound of delicious from the first line, and to explain why the plum is so delightful. Once more, she uses alliteration in the third line using “self-love and savoring”; creating that delightful sound of juices from the plum.
A well-written poem would help one to engage into the work with their senses. One should be able to ask themselves what the poem caused them to think, hear, see, feel, taste, and to determine what he or she learned from the poet’s words. Many people believe that because poetry is an enigmatic art, and that there is no way for sure to know the
poem is not merely a static, decorative creation, but that it is an act of communication between the poet and
At least one or two of the following devices of sound: assonance, consonance, alliteration, onomatopoeia, and other echoic words.
Poetry is a varied art form. Poetry is expression with words, using aesthetics and definition. Word choice in poetry is the single most important thing. Devices such as assonance, alliteration and rhythm work in a poem to convey a certain image or to facilitate understanding. Similes and metaphors can take two unlike objects, such as a potato and cinderblock, and if done the correct way use them to describe how Abraham Lincoln dealt with scoundrels. Poetry is beautiful. One of the best genres in poetry, let alone a great literary movement is Romanticism or the post-enlightenment Romantics.
Poetry allows the writer, the reader and even those listening to get a deeper sense of being. It gives us the opportunity to break free from simple and boring routine. If done correctly a poem will done correctly a poem will be able to stir emotion, and create wonder. In order to this however all the part that make up a poem must be in sync. Its tone, diction, imaginary, rhythm, symbolism and subject matter are all critical areas. A good poem will draw an emotional reaction from its audience, whether those are light and upbeat or darker more serious feelings they will come away with a new experience, changed by what they just experienced. Two such poems that embody what a good poem should be are “Lady Lazarus” by Sylvia Plath and “Harlem”, also published as “Dream Deferred” by Langston Hughes. These poems elevate the experience for reading, listening and writing poetry, and serve as an excellent reference for a poem should be.